Expectation is a funny thing, in music you crave it through certain
bands’ histories in order to hold onto your initial loving memory of
them. With debut bands however, the unexpected is what we lust after in
order to seize us. Vessels are an unexpected discovery of overwhelming and triumphant sound.
Glasgow PodcART have chosen Vessels as our Artist Of The Week with a view that you should all take a few minutes from your day and listen to the sheer magnificence of this band.
My first introduction to Vessels came from their astounding track ‘Two Words And A Gesture’.
With an opening as haunting as a lone boat ploughing through an icy
lake at dawn it draws senses as high as they can go. This soundtrack
opening of delayed guitars is broken with a train journey of
percussion, precise and regular as it picks up all other instruments
like passengers. With piano rivulets mimicking frivolous drumming,
together they build to one of the most satisfying crescendos I am ever
likely to experience in a song. Tom Evans’ vocal
sings like an anthem and the passion he displays is at times is
paralysing. The pinnacle of this song has a single stringed warning and
then you are launched into a passage of frenetic rapture. Not one but
two drummer’s battle with distorted guitars and prominent bass lines to
produce what is for me melodic muscularity. It is unyielding power of
the highest order to the point that it may time out your heart beat.
Their debut album ‘White Fields And Open Devices’
is not only a work of art but sets a bar the height of Everest in terms
of accomplishment. It is both flawlessly arranged and intricately
pieced together. I have never written this in an article before but I
am genuinely pleased with the direction this band have taken their
music. In past times of post-rock the imitations of bands such as Mogwai, Sigur Ros
and their partners become very characterless after a while. Obviously
the presence of vocals in places on this album is a notable difference.
Musically however, it really feels as if they have derived further and
created something that as I call back to my opening truly unexpected.

Vessels
have surprised me in a way that has influenced my thinking and feeling.
My only quandary is that my experience of this band has been so
virtuous that I am craving them like nothing else.
I was lucky enough to see them live in Edinburgh at the wonderful Sneaky Petes and they did not fail to impress. Prior to seeing them live they were good enough to grant me an interview:
Halina: I am sorry gentlemen but we have to get through to regular questions first! How did you first form?
Lee Malcolm: I met Tim about 8 years ago?
Tim Mitchell: Yeah it was 9 or ten years ago, a while ago.
(At this point Pete Wright starts to pretend to snore very loudly while we tried to ignore him)
Lee: We just hung out and talked about music for hours and then we
just decided it would be a good idea to start a band. We went through
different guises until what we arrived to what we arrived today.
Halina: Do you think this is the most comfortable point you are at as a band?
Pete: They will probably tell you they were happiest before I joined
Martin Teff: Yeah Pete joined and ever since it’s been horrible
Halina: You toured in April, how do you find playing Scotland?
Tim: Genuinely we love it; Scotland for us is the best crowd.
Pete: People in Scotland are just really friendly
Halina: Not overfriendly?
Pete: No maybe a bit overbearing (he was of course joking)
Halina: What is the best venue you have played since touring?
Pete: Possibly any of the ones playing in Europe, we got to play
these big awesome venues. We pulled up in the van in the loading bay
and it’s like you come out to fork lift trucks just to load your stuff
on the stage
Martin: We played to 400-500 capacity venues with people like Animal Collective so it was special.
Halina: I am somewhat staggered that this is your debut
album. In terms of writing is it a collective or does one person do
most of it and take ideas back to the band?
Tom Evans: Probably most of it is done by Lee and then we learn the
parts. Lee will come up with a lot of the ideas and in rehearsals we
get rid of the bits we don’t like. We re-recorded a lot of things till
we were happy
Lee: It took us 12 days to record the album
Pete: We set everything down in about 4 days and we just all played together
Martin: We ran out of time mixing and the mixes were done in America
while we were in England a lot of things were done over MSN etc.
Pete: It was a great time to reflect and get great comments
Lee: The benefit of doing it overseas was that you could say what you really wanted to say
Halina: What’s the story behind the album title?
Tim: Well there was a lot of snow! A lot of walking through snowy fields.
Lee: It was more about the landscape with ‘White Fields’ and then we were using a lot of equipment so it just seemed to fit.
Tim: I thought at one point it was about deserts and aliens?
Lee: Yeah I am quite into my conspiracy theories and artefacts that you find like ceramic batteries and things like that
Pete: One of the working titles was ‘Twazzer’ and we tried to make
it semi-intellectual by saying ‘Trois Heures’ but in actual fact it was
‘Twazzer’
Tom: Yeah I had put a demo with a track in it in with our EP’s by
mistake and it had ‘Twazzer’ written on it and we did our gig one night
and this guy got in touch and said ‘yeah I bought your EP but there’s
only one song on it and it’s got ‘Twazzer’ written on it! (Mass
Laughter)
Halina: You have a tour coming up with Oceansize and And So
I Watch You From Afar supporting as well, how was that for you when you
found out?
Lee: Well we have talked for a while and there are only so many
people that hear of you when you are headlining, obviously Oceansize
are further on so for us it’s just great to take that next step.
Halina: We focus predominantly on unsigned artists at Glasgow PodcART, what advice would you give to people starting out?
Tim: Give up!
Martin: You will find out fairly quickly if people like your music
or not, if they come to your shows etc but if you touch people then
it’s good.
Halina: When you say touch people?
Martin: well you know, physically, inappropriately, sexually
Lee: I think people get too focused on being a rock star and they
need to ignore this and just live your experiences and write about them
through the music
Tim: People may think it’s a really expensive hobby but we make no money at the moment it’s what we love
Tom: We drove to Brighton to play 4 songs for 8 hours and there were
other people that drove as well and we forget how amazing that is
Pete: Coming back to what Tim said about giving up and you are sick of it then yeah give up. The other side if you

spend
your life writing music and playing it you are not living your life so
in turn you have nothing to write about. So take a break, do things,
build up things. Live your life.
Lee: Identify what it is about your band you love and go with it.
Pete: Also, open your mind to any sound you can get. If you have a
band with 2 guitars, bass and drums then it can get boring. Find
something like a synth or something to make it more interesting and
just make a melting pot!#
I have to thank Vessels for taking the time to speak to me. The next time we will see them live is at King Tuts December 1st with Oceansize and PodcART championed band And So I Watch You From Afar.
I implore you to try and attend this show if you can. It will take you
on a different journey and make you realise that the music that these
people are making is something that is going to exhilarate you to the
point you feel you just ran a marathon.
All Albums including the remix album ‘Retreat’ is available to purchase through www.vesselsband.com and iTunes
Halina Rifai