We moved up to a more robust studio environment this weekend. 

Our new Omega Recording Engine and Cubase LE software is all installed to implement Pantheon Digital Effects and TrueReference monitoring.  This is only the latest addition to the arsenal of powerful recording equipment and tools in our studio.  This brings us to a count of five major hardware/software upgrades in the last two months.

With the spatial environment of lush and acoustically superior room models our capabilities of competing with the same sound signatures of major motion picture soundtracks we are ready to provide first quality cinematic sound scores.

This is the same equipment used in creation of countless motion picture soundtracks and in project studios around the world.  Our tools include spatial sound design software with software controlled console operation that enable us to create panning, spatial and proximity effects that are equal to any others in use anywhere in the world.

If your sound design calls for travel in any direction in 360 degrees, we can put your motion picture audience right where you want them from their acoustic positioning.  We call it four dimensional processing.  We can remix your existing soundtrack to reflect this sense, even if your initial soundtrack was recorded monophonically.  The design for this is first diagrammed according to our spotting session notes and then redirected and remixed to reflect appropriate positioning on the screen.  This remixing of your original soundtrack is equalized, transitioned spatially and then carefully blended into the multi-track time-locked film action.

We are looking forward to hearing from you.

Thanks.

-g