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Cedell Davis



Last Updated: 11/21/2009

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Status: Single
City: PINE BLUFF
State: Arkansas
Country: US
Signup Date: 2/25/2009

Who Gives Kudos:


November 2, 2009 - Monday 

Current mood:  amorous
A person would have been hard-pressed to decide just which glowed the brightest on a clear, crisp Halloween night in West Plains.
Was it the beautifully-intoxicating full moon that radiated down from the Heavens onto the Court Square?
Or was it the brilliantly beaming face of Cedell Davis, lit up with a smile so infectious that you couldn't help but feel warm inside?
Truth be known, it was probably Davis, the 83-year-old living blues legend from Pine Bluff, that cast the biggest glow, as he closed the book on another outstanding chapter of Robert Lynn's annual Back Alley Blues Bash in the elegant Opera House in West Plains.
It wasn't hard to understand why Davis was smiling so broadly and favoring those in attendance with stories of when he ran with blues icons like Sonny Boy Williamson and Robert Nighthawk back in the wild-and-wooly days when Helena rivaled Chicago for blues capital of the world.
It's a little thing called fresh air.
Rescued from the confinement of being a nameless, faceless resident stuck in the back room of some forgotten nursing home, Davis is right where he feels most at home these days.
Up on the stage, in front of adoring fans.
Lovers of the real-deal Delta blues have Brethren, a smoking-hot band from Hot Springs, Ark., to thank for Davis' re-emergence into the spotlight.
Brethren founder Greg "Big Papa" Binns began visiting Davis in a Pine Bluff nursing home a few years ago and that led to the one-of-a-kind pairing of a Delta blues treasure with a band that Binns describes as "Soundgarden meets Skip James."
Although a debilitating stroke has robbed the wheelchair-bound Davis of the ability to play his unique slide guitar, using a butter knife for a slide, he can still belt out his signature tunes like "Chicken Hawk" and "Let Me Play With Your Poodle" with all the power and force of a man half his age.
Brethren, a band that deserves to have both eyes focused squarely on, set the tone for Davis' entrance by ripping out sweltering-hot versions of a handful of tunes off their debut CD, Come Hell or High Water.. Harmonica maestro John Stephens engaged the audience from the get-go, hopping off stage and mingling with the couples dancing the night away,while blowing some mean and meaty harp as Brethren hammered out "Oh, Yeah" and "Bible Thumper."
After Davis made his way to the stage, the intensity was ratcheted up several notches, just by the mere presence of the West Helena born blues icon.
The real beauty of this Cedell Davis/Brethren combo is the mutual respect they share. Just by looking in Davis' eyes and watching the way he nodded his head in approval, one could tell he genuinely loves having Brethren back him up. They understand and get what Davis is about. And as for Brethren, their faces looked like a kid's face on Christmas morning might - full of excitement and true joy- as they breathed life into Davis' classic songbook.
The 2009 edition of the Back Alley Blues Bash, which since its inception a half-decade ago has brought artists such as Jimbo Mathus, T-Model Ford, Mem Shannon and Little Charlie and The Nightcats to West Plains, got off to a blistering start thanks to the Dallas-based duo of K.M. Williams and Washboard Jackson, better known as Trainreck.
But regardless of what their name might imply, Trainreck is a perfectly-matched twosome and they had jaws dropping in disbelief at the Opera House, just as they normally do at the Juke Joint festival in Clarksdale every April.
Williams, self-taught on the instrument, slid up and down on the broomstick neck of his cigar box guitar in a bundle of bottleneck bliss, while Washboard pounded on his drums, using just his hands, with such guttural abandon that it looked like his kit might easily have raised a white flag and surrendered.
This convergence of boogie and brawl sounds kind of like what might have happened had John Lee Hooker ever stumbled into the middle of a Mike Tyson heavyweight fight.
This left the crowd at the Opera House thoroughly impressed, as they jumped, stomped and howled with delight at the have-to-see-it-to-believe-it blues magic of Trainreck..
The perfect bridge between the boogie stomp of Trainreck and the hurricane gale of Cedell Davis/Brethren, was the hard-slamming wall of sound the Gary Coffey Band constructed.
And just like a trio of highly-skilled carpenters armed with jackhammers might do, Summersville, Mo's Gary Coffey Band shook the very ground that the Opera House was built on.
Opening with a Coffey original, the chugging "Fishin'" and closing with an out-of-control version of George Thorogood's "Bad to the Bone," the Gary Coffey Band proved that their resume of work is solid enough to shoot their name straight to the top of the marquee.
Instead of just rehashing the same old tired blues/rock that is threatening to dominate the scene these days, Coffey, armed with either his trusty Charvel-Jackson or his Peavey Predator, fired off lick after tasty lick that washed over the audience like a refreshing cool breeze on a stuffy day.
That's also probably the best way to describe Robert Lynn's Back Alley Blues Bash - like a refreshing breeze on a stuffy day.
Refusing to hang with the stale and stodgy same-old, same-old, the Back Alley Blues Bash seems hell-bent on delivering a fresh wave of performers on a yearly basis that, while maybe off the beaten path, are every bit the real deal that some of the more recognized names in the business are.
And that should be more than enough to bring a full-moon like smile to blues lovers near and far - Back Alley style.