”Introducing Townes Van Zandt Via the Great Unknown' is a
selection of nineteen cover versions of Townes Van Zandt classics by
contemporary “unknown” artists who have been inspired by his music.
Playing on the idea that Townes Van Zandt himself remains largely unknown and
unknowable, the album also represents the end of a decade of growing interest
in one of the most important and elusive figures in alternative country music.
Some of the “unknown” on 'Introducing...' are new artists such as the 18 year old
Lessons in Time. Some are unknown by virtue of being members of bigger and
better known bands such as J. Tillman of Fleet Foxes. Some of the artists have
earned the monicker through a lifetime of hugging the peripheries such as Jad
Fair of Half Japanese. All have something of their own to offer to this
wonderful compilation.
The CD itself contains comprehensive notes on each of the artists and links to
artist websites. Accompanying artwork and a complimentary MySpace page shows
just how far this project is both a tribute to Townes Van Zandt and a promotion
of all that remains “unknown” in contemporary folk and Americana.The album features artists from Australia, Sweden, UK, USA and Ireland. While not enormously
varied, it does add a welcome international feel to proceedings.
'Introducing...' alternates between fairly loyal solo-acoustic renditions and
more inventive re-imaginings. Among the former, while J. Tillman's 'My Proud
Mountains' feels a little uninspired, Gustav Haggren's 'Fare Thee Well, Miss
Carousel' is heart-stoppingly beautiful and Jad Fair's acoustic footstomping
rendition of 'Turnstyled, Junkpiled' is a brilliant and raucous conclusion to
the album. For the most part it is the re-imaginings which are the more
successful. Telafonica's version of 'St. John the Gambler' is led by a sultry
double bass and evokes Nick Cave's 'Murder Ballads'.
The Be Good Tanyas' intense 'Waiting Around to Die' and Great Lake Swimmers
ethereal 'Our Mother The Mountain' are other highlights. Stephen Duffy &
The Lilac Time have more than met the daunting task of contributing 'Pancho and
Lefty', its arguably one of the best versions of this oft-covered tune.
Not only does 'Introducing...' encourage you to revisit, or seek out for the
first time, the music of Townes Van Zandt, it demonstrates his continued legacy
and the strength and depth of his vision. What's more it provides a platform
for some truly talented “unknown” artists to raise their profiles. An important
project and a fascinating album.” 8/10 (AMERICANA UK)
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