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"The first full length album from these Chicago-based doom and sludge inspired Metallers that receives a vinyl only release via Interloper Records. Fortunately for those of us who no longer own the necessary equipment to play the official release they have made sure review copies are issued in the CD format. Rabid Rabbit began life as a two piece of drummer Mike Tsoulos and bassist / occasional vocalist Andrea Jablonski before adding guitarist Gregg Prickett and second bassist Arman Mabry. Prior to this release they issued a 16-minute single 'C-Section' (again on vinyl only) that takes its name from the low register tuning of both guitar and bass. Across the seven tracks crackling riffs ring out against backdrop of forceful rhythms all glued together by the twin bass drones with only minimal vocals to rise out of the tunnel of sludge. Anyone not altogether familiar with the genre may well think it impenetrable and the fact of the matter is there is much that could alienate listeners without the required perseverance to stick with it. But there are some subtle nuances that become more apparent with each subsequent listen and a clear and genuine dynamic between the musicians is much in evidence. The bottom heavy 'Welcome To The World' provides an effective and deliberate opener; to the lengthy jam of 'Spider' they add a touch of menace with Andrea's creepy reciting of children's nursery rhyme "Itsy Bitsy Spider". Side B shows they are not afraid to vary the tempo with the claustrophobic atmospherics of 'Ephedrine' and relentless assault of 'Morse Code' but Rabid Rabbit save perhaps the best until last with the hypnotic, shimmering 'Low Glider'. A solid debut album.
www.seaoftranquility.org
Added: February 21st 2009 Reviewer: Dean Pedley
AND.... "Rabid Rabbit - Rabid Rabbit Review by Nick DeMarino (StonerRock.com) Interloper Records Release Date: February 2009
Throughout history, rabbits have embodied many traits, including cleverness, innocence, cowardice, luck, and debauchery. They also make rice candy on the moon and are extremely sensitive to psychedelics. Keep these latter points in mind when you check out Chicago’s Rabid Rabbit, an impromptu doom and noise rock quartet that’s extraordinarily unordinary. What started as a husband-wife drum and bass endeavor quickly morphed into a two bass, one guitar, one percussionist ensemble that drummer Mike Tsoulos describes as “improvidoom” or “free doom.” That about sums it up.
Rabid Rabbit’s eponymously titled debut is a never ending mass of rolling, psychedelic grooves. The double bass approach creates a wall of sludgy amplifier tones. Bassist/vocalist Andrea Jablonski adds singsong melodies with surrealist lyrics, notably on “Spider” and “September.” Other numbers like “Ephedrine” and “Morse Code” are noisier, syncopated, affairs, better suited for Rabid Rabbit’s acid rock guitar leads. Fans of Steve Albini projects won’t lose a beat, but it’s understandable how people attracted by amplifier swells may be a bit surprised by sudden tornado riffs. Rabid Rabbit is a vinyl only affair, and although their promo is in digital form, it’s fairly safe to assume the medium of wax suites the band well. Although this is second hand knowledge, I’m told their live shows are primal and chaotic. The best thing about Rabid Rabbit is the heavy bottom end and lush amplifier tones, which are severely lacking in most arty noise rock.
4:59 AM
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