If you love Stereolab and Tortoise and any other kind of mellow,
drone-ish Euro-pop/rock than you’ll definitely be interested in hearing
Fog In the Shell. Their newest CD is entitled Private South and it is
just full of high brow low-fi - using mostly standard “rock”
instruments: guitar, bass drums and a bit of synth here and there to
tweek things up.
This amazing album is only six tracks long but each cut is of epic
proportions for a pop band - the average song clocks in at about 8
minutes and the end song, “I Hate Euclid” is 13:30. So there is a lot
of meat in each of those carefully chosen and wonderfully written and
so wonderfully evolved with the synergy of the whole band.
The album starts out with “They” a song that is emblematic of the
rest of the album, if not a little better, like most great songs that
start off great albums, “They” has a certain hook that reels the
listener in and has grabbed you by the end and then, of course, you
have to keep listening to hear what’s next. Like a good book you can’t
put down because you just have to keep reading to see what happens
next, so it is with Private South: each song is a wonderful thing in
itself, not just a continuation of a theme and there’s no wasted
material here, it all is so dramatic and captivating.
This album, Private South, would have to be classified as “rock and
roll”, but that is not a bad thing if it’s done well. To be sure,
there are many “subgenres” of rock - maybe 20-30 years ago this
would’ve been labeled “progressive” or a few years later, “alternative”
and then after the homogeneousness of the term had come to cheapen its
meaning, categorically, then there had to be a new “tag” for music that
was independent, not under the thumb of any A & R guy trying to
give the kids what they are supposed to want to hear to be cool, but
music by people who were true artists and the music actually matters to
them more than the groupies and the paparazzi and selling your song
rights to sell cars or beer or whatnot (that makes me sick and lose
respect for that band/artist).
Anyway, the bottom line is that Fog in the Shell is just the sort of
kick in the ass that this whole phony “rock” clique needs. Out with
the old, boring and anachronistic - no more Van Halen, no more Guns
& Roses, no more Whitney Houston or MC this or that but artists
that have something great to put on to a disc and show the starving
masses that there is hope that there are bands that exist to do more
than create the stuff they play on the radio in between commercials.
(Heathen Harvest)