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Alejandro Escovedo



Last Updated: 11/22/2009

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Status: Single
City: AUSTIN
State: Texas
Country: US
Signup Date: 4/24/2006

Who Gives Kudos:


Sunday, September 27, 2009 
I didn’t get the license number of the vehicle that plowed me over Saturday at the Hole In the Wall, but I got a make and model: Buick MacKane. Have these guys, who have played only a couple shows in the past five years, been secretly practicing for months? That was one of the best rock n’ roll club shows I’ve seen in a long time, as the four-piece turned the Drag into the Bowery.

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Although Alejandro Escovedo is the frontman of this marrow-massaging ‘90s garage/ glam rock band, drummer Glenn Benavides (ex- Doctors Mob) is the driver, thundering in such relentless manner that Escovedo called him “the Mexican John Bonham” and nobody laughed.

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It was Benavides’ birthday and he blew out, no, moved enough air, to extinguish the candles on a set that mixed revved-up Escovedo oldies (“The End,” “Gravity,” “She Got”), with glittery classics (“All the Young Dudes”) and Buick originals (“Queen Anne”). Just like the old days, bassist Dave Fairchild stepped up to deliver “Supersonic” by Oasis, an unlikely cover for these louts.

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There are at least two Alejandros. One is the socially-conscious rock poet in touch with his inner self.  Another one is the guy from Buick, who asked “Wasn’t that (expletive) great?” after opening number “The End” and talked trash between the nuggets that didn’t rub together. (Band of Heathens has replaced Poi Dog Pondering as this year’s whipping boys). A Buick show is like Halloween without the costumes: you get to be what you really want to be for a night. In Escovedo’s case, that’s the midpoint between Johnny Thunders and Don Rickles.

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With the extremely underrated Joe Eddy Hines trading guitar licks with Escovedo, Thin Lizzy style, this was the kind of show that made you feel 20 years younger. The packed audience of about 200 was definitely reliving glory years, especially on a version of “Loose” that, here comes the blasphemy, at least equaled the Stooges original. And that’s Iggy’s best song!

The cover was $3. The music was as loud and loose and full of swagger as in the band’s heyday, when they rocked the Hole as hard as it’s ever been rocked.
Anyone who still questions that Austin is the live music capital of the world wasn’t at the Hole Saturday night.



By Michael Corcoran - austin360.com