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City: TOLEDO
Country: US
Signup Date: 1/12/2005

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Wednesday, December 13, 2006 

Current mood:  indifferent
Category: Music
When talking to people who are launching their first couple of projects, invariably the same misunderstood points come up concerning commercial regular-rotation airplay. Here they are:

DJs PLAY THE RECORDS:
This only applies to non-commercial radio, and specialty/mixshow radio. The majority of people in the U.S., however, listen to commercial regular-rotation radio, and on these stations, the DJs have no say at all in what is going to be played (unless, in the case of a smaller station, the DJ is also the PD or Program Director). So, the biggest pitfall to avoid is asking a DJ at a commercial station "Can I give you my CD for possible rotation?". The DJ is not allowed to say "No", and he/she is probably not going to explain that only the Program Director can approve regular rotation. The DJ is just going to say "OK".

GOOD SONGS SPREAD TO OTHER STATIONS:
Good songs (or for that matter, good programs) do not mystically spread to other stations. Every single song you hear (or every syndicated program you hear) on commercial regular-rotation radio is on that station because of layers of promotion and marketing. The song you hear was the one that made it... it beat out the other 300 songs that were going for adds that week. What you don't hear are the endless phone calls, faxes, trade ads, personal meetings, consultant recommendations, call-out research, and other things which went into getting the station to add the record. All you heard was the record itself. And station owners make it a requirement that DJs make it sound like they picked the music themselves.

COLLEGE OR SPECIALTY/MIXSHOW WILL EXPAND TO COMMERCIAL:
Just because you do well on non-commercial or specialty/mixshow radio, it does not mean anything will happen on commercial regular-rotation radio. Matter of fact, nothing at all will happen at commercial unless a separate, higher-level campaign is put into place to take the record into regular rotation. The pitfall here is that a listener will hear something on college, and then a month later hear it on commercial, and conclude that the college caused the commercial to happen. The listener did not know that both campaigns were in place simultaneously, and the college simply went for adds a month earlier.

YOU HAVE TO BE SIGNED:
Untrue. Being singed is only a signal to the stations that the basic marketing practices are going to be done right. If you have the budget, you can duplicate the marketing practices of larger labels, provided you know how. The band Creed set a good example of putting their $5 million marketing dollars into the right place.

REQUEST CALLS WILL HELP:
Not really. They won't hurt, but your time is better spent doing other things, like inviting people to your gigs. Stations know which calls are real, and which are bands and their friends. Stations have consultants and seminars which cover only this one topic.

I CAN'T GET AIRPLAY WITHOUT DISTRIBUTION:
Depends on the size of radio that you are going after. Smaller commercial regular-rotation stations in smaller markets won't make this too much of a sticking point, especially if you have a powerful radio campaign going, or if you are doing great gigs in their city, or if you have great college or specialty/mixshow results. But the larger stations... which you can't work anyway until you do the smaller ones... won't touch a project that has no distribution.

I CAN'T GET AIRPLAY WITHOUT GIGS:
Again, depends on the size of radio that you are going after. Not being able to gig is a serious handicap at any station, but you can overcome it in smaller markets with intense radio promo, press, sales, and non-comm results.

NON-MONITORED STATIONS ARE OF NO USE:
Non-monitored stations are of no use only on the Billboard, R&R, and Album Network main charts. But FMQB, CMJ, and all specialty/mixshow charts found in magazines are compiled manually; since you need to start off on these smaller charts first, this works out just fine.


Bryan Farrish is an independent radio airplay promoter. He can be reached at 818-905-8038 or at radio-media.
Ron

 
Good call! 'bout time someone told the truth of what's going on in radio. I used to work for a radio station for almost 8 years and this is exactly what goes on except you left out a few other hidden details. For instance, when you have a major radio conglomerate that also owns concert venues, certain concessions are paid by record labels for songs to be played on air. Example: Brittney Spears has a new song that can cross over from top 40, to country, to CHR, possibly AOR. Anyway, the label wants a radio station to play a song, stations who are owned by the conglomerate dictate to their PD's (sometimes a PD will run several statrions in a market) what songs they can add to their rotation, nothing else. These concessions are paid in the form of free CD's that the label provides for giveaways, free concert tickets, any other mercnadise for promotional material for the stations. As well as having the artist play only at venues owned by the conglomerate itself, just for one new song to be played. And do you think the PD is going to add a songe because it's actually a good song? You're wrong, over the years in radio I experienced artists that were in constant rotation that were the "bread and butter" of my stations' listening audience, and when the artist releases a new cut that actually jammed, the PD diddn't add it becasue corporate said it was not on the list to be added. Now if a DJ or PD were to accept gifts like CD's or tickets, or even merchandise the DJ or PD would face charges of payolla, however big corporations found the gaping legal loophole in the payolla law that allows such practices to continue. Personally the whole cause of all this coruption, greed, and lack of respect of musicians stems from the Telecommunications Act of 1996. There were so many riders on the origional bill, that the bill balooned out from the origional 120 pages to over 400 pages.
 
Posted by Ron on Thursday, December 28, 2006 - 4:58 PM
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Poppa Goose 10 New Beats! Read The Beat Blog

 
Amen.... Yes I am A local Artist... Yes Ive done the same things Local artists Are still doing... But Thanx to the DJ conferences... And Tidbits Of Info... Im starting an Independent record Label... When Our projects drop they will be well thought out and meticulously planned... Can you believe That Some of these guys out here had the balls to tell me your a racist because you wont spin their music... Ignorant people man... These People dont Even Use their own beats and expect to get somewhere... Anyway... i wanna thank you for spending your time and effort to explain... Its much appreciated to the 1% of artists who actually listen... 1
 
Posted by Poppa Goose 10 New Beats! Read The Beat Blog on Monday, March 23, 2009 - 1:09 PM
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