We here @ PUSA Central found this review...
http://www.gaffa.dk/anmeldelse/31788....exceedingly entertaining when we pasted it into the Google language translator.
Check it out post-translation:
President of the American punkpop Henryk bored Odense a Wednesday
The Danish emo band Minor Flaw played first gig tonight. The band must be commended for its attempt to play line-up, and to engage in an ambitious trestemmig vocals dish, but several places were hard to digest. It was an honest, heartfelt attempts, but it never properly shone through. Most because the contrast of the insane the Presidents of the United States of America was so markedly.
Wow!
It was the feeling we were left with after the U.S. fantasilitterater, The Presidents of the United States of America, or just Pusa, had left the scene at the venue Posten in Odense. In the U.S. the group has had great success in the mid-nineties, but after their first, selvbetitlede album, it has been little success. Although it has now been to six albums, the band at home perhaps best known for a few hits, and to play a guitar with two basstrenge and a bass guitar with three strings. However, it is not the album page that is strong at Pusa. Put it mildly. This is despite having had met many connoisseurs Pusa-up Wednesday in New Jersey. And the Seattle band delivered a half hour harlekinade with humorous action and musicality of the highest quality.
Humor first
From Pusa went on stage was the humor and punkpop the animal purchased ticket. Lead singer Chris Ballew worked as an lalleglad idiot, and the band's two other members were velspillende and big smile. The two musical street intersection, guitbassen and bassitaren was with surprises galore net in the circus, there a half hour gøglede and played the audience in an extremely game shape. The whole line was wrapped in joy, scream and yell. Minus pie, but plus beer, reminding it of a mature version of a børnefødselsdag that had been closed in for. And clowns, it was Pusa.
From the set the first number "Old Man" had been singing in Odense. From the second number "Kitty" Pusa members jumped around on stage. From the third number "Rot in the Sun" so that neither the audience or the band back. There was hoppet, sung and Headbanger. It is partly because the band is a study in self-confidence and hard work. Or least obvious talent.
A fable-like freak show
It was bizarre. Chaotic. Game. As when lead singer Chris Ballew was stooping with his microphone stand over his back and sang. As he stuck the microphone out to a casual audience which was allowed to sing an entire verse - which coincidentally sang well. Or when he suddenly pulled two "clones" up on stage, which was identical to him from his bald crown to toe. As when he and Andrew McKeag synchronously whos millwheel The proposed motion on the guitar. As when the equally synchronously kosakdans danced while they played solo. Or, as when Andrew McKeag played slide guitar with his empty beer bottles.
The many strange actions were purely in with the audience, which was greeted turn up, to see the now small hesitated hitmagere. Especially the front of the House jumped the people constantly, and sang at almost all of the claimed numbers. Up front was crowd surfed, and one was even so brave to run up on stage and plunge over the remaining quantity. Chris Ballew smiled at the man and asked, "Do you think they are gonna catch you?". The band's biggest hit, "Lump," was the evening's best number, but the whole set smelt return of joy from the audience side.
Pusa was a freak show with a superior delivery of the newest and old numbers. Sound has not changed significantly since their debut album in the mid-nineties, and it made the concert a bit trivial. But it is the only one who is to blame a gusto band that plays music better than most.
- Andrew