http://blogcritics.org/music/article/music-review-indie-round-up-malcolm/page-2/
Jeff Norwood's clear tenor and spare, clean guitar sound are a
little atypical for Delta blues, a style which white artists often
deliver with intentional gruffness. Intriguingly, Norwood's fresh-faced
sound feels more real, less studied, than the efforts of some
rougher-edged bluesmen. A big part of it is the down-home sense of fun
in this set of ten original songs. Instead of worriedly trying his
hardest to overtake a retreating "authenticity," Norwood writes and
plays what inspires and delights him, and nothing else. Just the titles
suggest this sensibility: "Bad Ass Boogie," "Walking Catfish Blues,"
"Horny Road." "Way up past the strip malls, back to the piney woods /
Find a Horny Road somewhere baby that's gonna do us both some good."
He often sings of salvation, damnation, and sex, just like an old-time blues artist, and occasionally tries too
hard to be elemental ("Shake"), but hits the nail dead-on in "The
Devil": "It all seems much too easy / With Satan by your side / Once he
gets inside you boy you're down for sure." The blues scale was meant
for lines like this and Norwood matches it up perfectly. Another top
track is "Kokomo," where he lets loose with a howl, sliding his voice
all over the liquid growl of his slide guitar. It's followed by "Deep
and Cold," a surprisingly convincing paean to the peace found only in
death; then the disc closes by rocking out with "Save My Wicked Soul."
It's not that the best songs are at the end; it's that this is that
rare disc that intensifies as it goes along.