CONTINUUM HISTORY:
What originally started as a rehearsal band in 1987 in East Los Angeles, has evolved into one of the most original voices in contemporary improvisational music today. Utilizing their considerable skills the group has evolved "organically" over the last few years building a repertoire rich in influences and directions. Whether playing fatback funk, odd-time pieces, standards or open-ended improvisations the group has an easily identifiable sound.
"Our strength is our diversity" says drummer and spokesperson for the group Christopher Garcia, "you won't find a more different group of people, culturally or musically, playing in a band - and we're proud to say we are a band".
While other ensembles change personnel and 'plug people in the way you change socks' CONTINUUM has never played a gig using a sub, even though their individual schedules have become increasingly hectic. "Being a band is a whole different commitment and responsibility. It's only because we are a band that we're able to pull off certain tunes and give the music the respect it deserves, which means we can play what we want, when we want, and not have to worry about the notes," which has been a problem for some critics and most record labels. "We received so many rejection notices asking us to dump specific kinds of tunes and do more 'groove tunes', or the band would be great if 'you just played acoustic instruments and dumped that electronic stuff.' But one thing we've never done is compromise our music by underestimating the intelligence of an audience".
And thanks to 9Winds and the advent of the internet, it seems their audience has been listening, and growing intently.
"People are hip enough to go through the changes we put them through without getting apathetic about it. We always wanted to have a band with the depth of someone like Mingus, John McLaughlin, Oregon, or Weather Report - a band that can rip your head off one minute, then turn around and play a ballad with just as much conviction."
Though the group has recently been described as a fusion band in various reviews they refuse to be pigeonholed by such references. "Now I understand why Mingus didn't want his music to be called jazz, but Mingus' music. We draw from so many wells that we've grown up with that our repertoire feels very natural for us. We don't play something because we're eclectic. We play what we want to hear. "
Whether tearing it up, or laying it down, grooving in 21/8, or 4/4, playing a Monk tune or an original composition CONTINUUM continues to grow and confound.