Status: Single
Country: UK
Signup Date: 7/14/2006
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Thursday, May 14, 2009
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Current mood:  blissful Category: Music
The first one.......
SENDELICA – THE GIRL FROM THE FUTURE WHO LIT UP THE SKY WITH GOLDEN WORDS For their latest release, Sendelica moved over to America, hooked with drummer Geoff Chase, electronics wizard Vizzie , and recorded the basic tracks at Brown University, Providence, Rhodes Island. This change of scene has done the band the world of good, as there is a vitality and creative spark crackling throughout this album. After the heavy Hawkwind dynamics of “Standing on the Edge”, its energy levels allowing the band to blow cobwebs from hair, the musicians become more serious as the twelve minute “Manhole of the Universe” allows guitarist Pete Bingham to travel the lengths of his fretboard with abandon, proving once again what a fine player he is, his solos becoming more masterful with each release, the words tasteful and restraint becoming part of his repertoire as he searches for that perfect run. Of course, the understated yet precise bass playing of Glenda Pescado, are equally important to the sound, whilst the solid drumming and atmospherics provided by the new musicians should not be overlooked, the freewheeling music spiralling to the stars with twinkling ease. As the song melts into a mesmerising, bliss-filled middle section, I begin to realise that this is how I always wanted the Porcupine Tree to sound, although they chose a different path after their very early tapes and good luck to them. Seemingly bathed in sunshine, “Hazelnut”, begins in extremely lazy fashion the sounds washing over you with warmth and grace before finally taking off with an extended wah-soaked solo that glides above summer meadows finally descending by a sun-lit river. There is no time to rest however, as the funky opening riff of “Dark Disko” gets your feet a-tappin’, the rest of the band getting into the groove dancing through the sacred grove until a mean and dirty guitar explodes out of the speaker lifting the track into another dimension. Beautifully produced, the title track arrives in waves of sonic bliss, the sounds melting into your head with mellow sweetness. This is music to lie back and enjoy, late-night or on sunny days, the whole track a delicious star-flecked dream. Breaking the mood with a heavy space-rock riff “Glory Bee” allows the band to rock out a little and make some righteous noise, the song finally spiralling downwards to become “Several Species of Furry Humans Gathered Together in a Cave Grooving Like Groovy Picts”, a familiar title that hold several clues the nature of the piece, a Floydian workout that slowly builds into a screaming wall of psychedelic noise, ending this rather magnificent album in style. This is definitely the finest thing the band have released, imaginative, crisp, free flowing and with a warm production, I heartily recommend it to all lovers of space/psychedelic rock music. (Simon Lewis) Ptolmaic Terrascope
http://www.terrascope.co.uk/Reviews/Reviews_May09.htm#SendelicaAND THE REST.............Sendelica: The Girl From The Future Who Lit Up The Sky With Golden Worlds The instrumental outfit from Wales Sendelica returns with a fabulous collection of seven face melting jams on their brand new offering for RAIG called The Girl From The Future Who Lit Up The Sky With Golden Worlds. For this new disc the two principal members, Pete Bingham (guitars, electronics) and Glenda Pescado (bass) have enlisted two Boston area musicians Geoff Chase (drums) and Ed Guild (electronics) to join them on their lengthy, astral excursions. Kicking off with a brief snippet of sampled, ethic tinged female vocals "Standing On The Edge" quickly shifts into overdrive as Bingham slashes out a mammoth swath of thick power chords, as bursts of psychedelic sounding electronics swirl around his extended solos. His guitar lets out an extended run of feedback at the tail end of the track before seamlessly segueing directly into the metallic, twelve minute crunch of "Manhole Of The Universe". Bingham tears off solo after solo until the half way point of the song, at which point it settles down into more of a mellower, deeply hypnotic groove, reminiscent of early Pink Floyd. The final minutes of this barnburner find Pete cranking up the volume once again as Pescado and Chase hold down the bombastic bottom end. Sendelica are a band that isn't afraid to stretch out musically, and more importantly they're willing to take whatever time they need to let their compositions flow and build gradually, and this is a big reason why their music works so well. Sometimes bands that play this particular brand of psych / stoner rock, often lose the plot somewhere along the way and their jam sessions end up sounding like noodling sessions devoid of any kind of direction. The Girl From The Future Who Lit Up The Sky With Golden Worlds (this is quite a mouthful isn't it?) sounds remarkably cohesive, like the purpose of each one of these seven tracks was to make up one, extended multi-faceted composition. It's also a great way to keep you firmly engaged and in one place for the better part of an hour. The title track is probably the most laid back and atmospheric song on this disc as delicate, distant vocal samples of children playing serve as a backdrop for some dreamy guitar and electronic textures. "Glory Bee" sees them returning to the muscular jams as Bingham pours on the layered, fuzzy distortion. The album concludes with their most ambitious number, "Several Species Of Furry Humans Gathered Together In A Cave Grooving Like Groovy Picts". The title is an obvious play on Pink Floyd's avant-garde composition "Several Species of Furry Animals Gathered Together In A Cave and Grooving With A Pict". This is pretty much where the resemblance ends though, as the PF piece was largely built around a variety of weird, experimental sounds. Sendelica's track is a driving, epic tour de force propelled by a repetitive, murky bass line, layer upon layer of psychedelic guitar fuzz, and some brilliant free jazz sax excursions courtesy of guest musician Lee Relfe. Sendelica have truly outdone themselves this time around with The Girl From The Future Who Lit Up The Sky With Golden Worlds. I have to say that as good as their last album Spaceman Bubblegum And Other Weird Tales From The Mercury Mind was (that was a four star album in my review) that this album is definitely executed to perfection. The music is absolutely compelling from beginning to end, as they shift gears from heavy all out guitar oriented jams to spacey, introspective, ambient passages, with relative ease. Take an hour for yourself and plug yourself directly into this masterpiece immediately. We're only at the halfway point of the year but Sendelica have definitely delivered a serious top ten contender for this writer's 'best of 2009' list. Track Listing 1) Standing On The Edge 2) Manhole Of The Universe 3) Hazelnut 4) Dark Disko 5) The Girl From The Future 6) Glory Bee 7) Several Species Of Furry Humans Gathered Together In A Cave Grooving Like Groovy Picts Added: June 7th 2009 Reviewer: Ryan Sparks Score: ***** Related Link: R.A.I.G. Hits: 79 Language: english http://www.seaoftranquility.org/reviews.php?op=showcontent&id=7884
Sendelica: The Girl from The future that Lit Up the sky with Golden Worlds (Raig Records)
Recorded in Rhode Island, USA, overdubbed in their Welsh base of operations and released on a Russian label, Sendelicas instrumental Spacerock is exceedingly well travelled even before it blasts off into a mind-bending Psycedelic head-trip. Built around the insistent guitar and bass of mainstays Pete Bingham and former Wystic Manker (house band of the free festivals' Tibetan Ukranian Mountain Troupe travelling circus) Glenda Pescado, Sendelica have already earned themselves a reputation for inventively constructed, elongated riffs sprinkled with electronic effects. 'It's a NEU! Thing', declared a track from one of their earlier offerings (the equally quirkily named Spaceman Bubblegum and Other Weird Tales From the Mercury Mind), acknowledging their dues to Krautrock. They also pull in a touch of Pink floyd here, something of The Orb there, and yet are certainly not averse to a bit of experimental noise. Often excitingly fee-form, witness the deliberately ragged conglomeration of' ' Humans Gathered Together In a cave Grooving Like Picts', they're also as tight as hell when they need to be. From the basic rythmn comes the extended groove, It's Sendelicas ability to interpret and elaborate on that groove that marks them out. Ian Abrahams R2 (Rock n Reel) July/August Issue
SENDELICA – girl from the future who lit up the sky with golden worlds (CD, r.a.i.g.)
Stoner rock is all about riffage, and a little dope and psychedelia, all of which – in the best case - combines to a burning mix of nostalgia, long hair and fuzz. Ever since we at Cracked declared the “Death of Stoner Rock” a few years back, the genre has brought up a nice record every once in a while, that made us eat our words. The Tunnel, Beta Satan, Hermano or All the islands come to mind, but that is already stretching the definition of Stoner Rock pretty far. Barely able to spout “the exception that underlines the rule” because maybe it is all about us not caring anymore, therefore listening to less Stoner Rock, which again results in a bigger flash of nostalgia and therefore friendlier judgement. Who can tell? Fortunately, this is not about music journalism or any kind of objective writing, but merely catering to our own needs, tastes and obsessions. Therefore we don’t care and neither should you. Music is more important matters anyway. Sendelica stand out from the crowd. Not only because they are the first band on RAIG not from the east/north that I remember top20of my mind. Not only because they have great record titles (see above) and likewise great songtitles (“Manhole of the universe” or “Dark Disko”). Especially I think in this one they describes themselves very well: “Several species of furry humans gathered together in a cave grooving like groov picts”. But mostly because they play instrumental stoner rock without getting boring. Which in itself is a feat of epic notoriety. They throw in a slowly rumbling track or two of psychedelia with rambling saxophone and spherical sounds of swooshing waves in between, but at least two thirds of the tracks on here pay praise to the almighty riff. Right from the beginning they make it clear that the eternal bass riff going do-do-do-dee-do do-do do-dee-do is at centre of focus here. They add a lot of psychedelia and the best of Jimi Hendrix’ sensitive side into what otherwise could be guitar noodling, if it didn’t fit so well. It is like bananas and choclate – you need to know how to mix them to make them taste really well, even if the two basic products just squished together is also good enough at times. Sendelica offer a right nice banana split coup, if you catch my drift. Hm, I am getting a special taste here. Back from the kitchen, not finding any bananas or chocolates and having stilled the appetite with a handful of crackers and a glass of water, I start to think about Black Sabbath and John Coltrane, because there is some of both in Sendelica. This is probably taking it way too far, but I am hungry and the crackers didn’t do any good. (At first I was thinking about the sex-side of stoner rock, what with all the pictures and paintings of sexy sixties girls, but I guess that is about it. Limpness is a curse, but smoking pot all day doesn’t help the male stamina, they say.) Tommi Iommi was the master of the clean cut, heavy riff, that you listened to and knew, this is the only way to play it. Sharp and straight and to the core of the evil heart. Coltrane on the other hand was the master of liberty, taking any route at any time and still being able to let his music float freely, yet provides a stable basis. Most of the time he was so far away, only Elvin Jones was able to follow. That is quite true, but saying that Sendelica is somewhere between those two poles and contains some of both is a bland truism, because that is true for 99.5 percent of all bands on this earth. But you get a picture of how far the mind is able to stray with a dose of Sendelica in it. Maybe, with all the prog- and fusion craze about the happen in a short while – with some of the best of that on the same label - and the new retro of long songstructures and meandering dynamics in songs, stoner rock will also have its own small revival and Sendelica is able to light up the sky with a few golden bass riffs as well. Momochrome http://www.monochrom.at/cracked/reviews/Rev%20sendelica.htm
|  | | | | Sendelica: Girl From The Future Who Lit Up The Sky With Golden Worlds | RAIG (R039)
Recorded mostly in the USA with the aid of local musicians, Girl From The Future Who Lit Up The Sky With Golden Worlds is to my understanding the second official CD release by Sendelica from Wales, but there are also several limited CD-R releases out by the band. The new album is the best that I have heard so far and will for sure please many friends of psychedelic rock. The band is also influenced by dub and electronic music. The almost completely instrumental music is largely jam-based, but especially on this album there seems to be a few more composed numbers as well.
The album starts off with the heavy and slow instrumental ”Standing On The Edge” that reminds me a bit of Acid Mothers Temple minus the cacophonic guitar torture. Another quite slowly moving track is the nicely jamming, 12-minute long ”Manhole of The Universe” that has plenty of great guitar soloing and also some manipulated human voice. “Hazelnut” is a peaceful and beautiful instrumental that also includes some AMT styled space sounds. The track starts to rock harder towards the end. The somehow Steve Hillage styled “Dark Disco” comes next and then it’s time for the pretty cosmic and hallucinatory ambient piece called ”The Girl From The Future”. The hypnotic, pretty heavy “Glory Bee” rocks in a spacey way again and the album’s last, long track called ”Several Species Of Furry Humans Gathered Together In A Cave Grooving Like Groovy Picts” is a floating and psychedelic jam that borrows the “Iron Man” riff and includes also for example saxophone and occasionally gets quite cacophonic. This is altogether a really nice album that you should get if you like free-form, jam spirited psychedelic and spacey rock! 100 copies of the CD come with a DVD but unfortunately my copy doesn’t so I can’t say more about that.
www.myspace.com/sendelicapsyche | 14.08.09 by Dj Astro Psychotropic Zone, Finland
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The Welsh language is known to have some really long words. Maybe this explains why Sendelica from Wales are into long album titles. After Spaceman Bubblegum And Other Weird Tales From The Mercury Mind from 2007, the quartet is back with The Girl From The Future Who Lit Up The Sky With Golden Worlds, an album that doesn’t essentially change their recipe. Starting with the three minute short Standing On The Edge, you might get the impression that Sendelica are into classical psyche rock, but the following Manhole Of The Universe displays for twelve whole minutes that improvisation is still the main force behind their music. Inspired by very early Pink Floyd and Hawkwind, the band conjures a freewheeling psychedelic sound which is based on the typical power trio instrumentation of guitar, bass and drums, and then spice it up with a whole lot of electronics that add a wobbling atmosphere with the aim to abduct their audience into an acid drenched multicoloured wonderland. Strangely enough, this works better towards the end of the album. The short opener is followed by three long-tracks that are all nice to listen to, but somehow lack direction. The three last songs jack up the quality level incredibly. The Girl From The Future is an introspective five minute stroll, followed by the concise rocker Glory Bee with a mighty power riff that carries the song over the finish line. The album ends with the epically titled Several Species Of Furry Humans Gathered Together In A Cave Grooving Like Groovy Picts, a fourteen minute psychedelic journey that starts out quietly enough, builds up momentum and erupts eventually into a kaleidoscopic crescendo. Especially the featured saxophone adds another, jazzier dimension to the mix. Fans of improvised psychedelic rock with a definite penchant for jam sessions should check out The Girl From The Future…, although everyone into Seventies revivalism might get something out of this obscure Welsh band signed on a Russian label. A limited edition comes with Sendelica’s cyber-trash documentary SleepWalker Fever that shows the band from a more experimental side.
http://www.disagreement.net/
Sendelica "The Girl from the Future Who Lit Up the Sky With Golden Worlds" (RAIG R039)
Как-то раз один музыкальный журналист сказал мне, что альбомы с длинными названиями плохо продаются. На самом деле это конечно всего лишь стереотип, так как я могу сразу же назвать несколько примеров, опровергающих данный тезис. Но что совершенно точно, так это то, что такие названия безусловно привлекают внимание. По крайней мере мое. Сразу хочется узнать, а что же за музыка скрывается за ним. После прослушивания этого альбома мне сразу стало понятно, что определенная часть аудитории совершенно точно вряд ли поймет, о чем это вообще и зачем. А другая часть, особенно та, которая пишет в разных журналах, скорее всего не заметит самого главного в силу своей слабой музыкальной эрудиции. А на мой взгляд главная фишка альбома в том, что он построен на аллюзиях и цитатах из старого тяжелого спэйс и психодел рока. Причем построен настолько умело, что не возникает ощущения плагиата. А это дорогого стоит. Тем более очевидно, что это сделано абсолютно намеренно, скорее как дань уважения. К этому альбому совершенно точно не надо подходить излишне серьезно (к музыке вообще не надо так подходить, если только это не академический опус), иначе можно упустить множество приколов и забавных моментов, причем зачастую в сочетании названия трэка и музыки. Я не буду совсем подробно останавливаться на перечеслении всех цитат, но отмечу особо понравившиеся. "Time We Left This World Today" хочется напеть с первых же риффов первого трэка, название которого идентично названию другого трэка группы Хоквинд - "Standing on the Edge". Второй трэк называется "Manhole of the Universe", знатоки творчества Hawkwind сразу поймут на что это намек, но музыка тут уже скорее опирается на Black Sabbath, чем на Хоквинд. Третий трэк начинается как классическая спэйс рок ода с "чистыми" гитарами и мягкими синтезаторными пассажами, который постепенно переходит к аллюзиям на Пинк Флойд и через блюзовую психоделию возвращается к раннему Хоквинд. Четвертый трэк "Dark Disco" начинается с вариации основного риффа одного из хитов Хоквинд "Psychedelic Warlords" и представляет собой некое попурри. Далее можно услышать отголоски различных других музыкальных импровизаций этой группы (послушайте и отгадайте каких). Но при этом все это сделано настолько аккуратно, что в общем-то слушается как свое цельное произведение, чем по сути и является. Одна из лучших композиций на альбоме. Пятый трэк представляет собой эмбиэнтное полотно из гитар и синтезаторов, очень приятная музыка. Шестая композиция "Glory Bee" начинается тоже с довольно известных в спэйс роке риффов, а продолжается характерными гитарными лидами и запилами, не буду раскрывать, откуда цитаты я тут слышу, но трэк явно удался. Последний трэк с очень длинным названием, в котором группа откровенно прикалывается над композицией известной английской группы, являет собой эпик построенный на риффах Блэк Саббат, но с абсолютно психоделической атмосферой и неторопливой эмбиэнтно-tribal структурой. К концу появляется классическая безумная саксофонная импровизация в стиле Ника Тернера, которая венчает трэк и альбом. Что меня очень радует в этом альбоме - это отсутствие самолюбования, так присущего многим инструментальным группам, а также то, что композиции никогда не уходят в бесконечные бесструктурные психоделические импровизации. Все сделано ровно настолько, чтобы создать нужную атмосферу и возможно немного ностальгии http://ac-2012.livejournal.com
Sendelica - "The Girl From the Future Who Lit Up the Sky With Golden Worlds" (R.A.I.G. R-039 2009)
From Aural Innovations July 2009 update Recorded in the U.S. and Wales, on a Russian label, Sendelica is at times standard but still pretty cool space-rock, sometimes with a heavy/stoney vibe, at others with a more dreamy sound, always quite spacious. The intro-cut, "Standing On the Edge", sounds like Monster Magnet playing Hawkwind or Sabbath. "Manhole Of the Universe" rambles on for about 12 minutes, starting out like a kind of slow bluesy boogie, the lead guitar going off with some tasty wah-pickery, some other effect going "woooooooo"... then later segueing into a more mellow segment with clean guitar and spaced out keys backing things up. Pretty nice. Then it launches back into the heavy part again. I'm liking "Hazelnut"... the opening guitar melody is kind of a mellow Hendrix-y style, a very soulful space-rock ballad. The pleasant bleeps, blurps and whooshes of the synth are low in the mix. The guitars: not so much! As by now they've kicked in to full flange/wah mode to close out what's become a quite exhilarating jam. "Dark Disco"... they keep switching directions with this jam. Well, about as fast as a stoned-out psyche band of this nature is able... it almost sounds like a medley. Some of the riffs are pretty familiar. A decent tune, but a bit plodding. The five-minute title-track is a beautiful dream of serenity, a gorgeous sound of shimmery keys and weepy guitars, think maybe Spacious Mind at their utmost melodious spaciousness. "Glory Bee" - the riffs are pretty recycled, but the guitar sound is such a cosmic heavy grunginess that they pull it off. The closing piece jams for 14 minutes on the "Iron Man" riff, but it's spiced up with plenty of space debris in the form of hand-percussives, flute, sax and various freaky whoosh-fx. I was tempted to say that this was over-extended, but listening again realize that they really did need to build this long to reach the intense crescendo that's achieved... or maybe it's the climax itself that's too long. Too, they could have used a less familiar riff than the ever-lurking Sabbath standard. Aw, fuck it - this is an orgasmically noisy space-rock trip, so let it ride! For more information you can visit the Sendelica web site at: http://www.myspace.com/sendelicapsyche
 This is the second space/psych-rock release from this Welsh group. This time they went to the USA to record it with the help of musicians there. The album sounds like one continuous track, fuzzy sounding, spaced out and stoned; a real good trip for those seeking it. It may be hard to tell apart the different tracks but in overall, this is pleasant to listen to and certainly relaxing. While I was a bit afraid of hearing too much of jams and perhaps boring music (to my ears that is), I was actually pleasantly surprised, that while bearing the marks of their previous release, this one does a good job at keeping things interesting, groovy and entertaining, while not abandoning the stoner and psychedelic elements of the music. A track like Hazelnut for instance starts in a mellow fashion and builds up slowly in a repetitive manner and what can be termed, a “standard” psychedelic rock fashion with a fuzzy and crunchy sound. There is nothing too innovative about it and nothing too impressive, though it’s fun to listen to. But nothing that makes me want in particular to come back to listen to, unless I’m in the mood. Since variation in the music and in songs is something I appreciate, I also feared not to find it here. But in their own way, they do incorporate it into their music. The lengthy Manhole of the Universe for instance, presents a multi-part structure ranging from heavy stoned repetition to a nice and short melodic part to a laid back and slow ethereal section well suited to day dream to. There is also variation in the form of a breakout from their usual mold and style. Such is the case with the disco-theme in Dark Disko and the slow and more pensive track The Girl From The Future. A track like Glory Bee also presents a more direct and simplistic rock approach, with a nice blurred sounding guitar paving the way with cool effects enveloping it, creating a vast wall of sound and a warm hazy feeling. My “issue” with Sendelica in the end is that I’m not sure I can tell apart their albums from each other, apart from the standout tracks that break the form of their style and that is exactly my point. A band can choose to stick with whatever they like and that’s great. If going for a generic psychedelic/stoner/space rock sound is enough for them, and people like it, that’s great. I enjoy listening to it, but this is not enough an “ear-grabber” for me to make me want to come back to these albums. If it’s a psych-rock album I want to listen to, I have other options. What I personally would love to hear Sendelica do is take the roots of their sound, their psych/stoner foundation and twist it, make a sound of their own, make something memorable, and not just another album that reminds me of the former. And the way to go, can start with two of the tracks present here on this album: Dark Disko and Manhole of the Universe. The former presents a new approach, a new way to exhibit their sound. The latter shows them taking their current sound and introducing an added complexity parameter into it, thus making it more interesting and intriguing to listen to. These two are good starting point to build on. One can think of other ways to formulate their sound differently or present it in another appealing manner. These two can be expanded more and developed further to reach a fresh style for them. That is if they’re interested. But I hear in this release that they are already progressing in this sense. That they are in fact looking for new ways to express themselves and to create more varied and unique style of music. Creativity will determine if I’ll like their next album or not. (Sonic Frontiers)
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