My goal this year is to post at least one blog a month (hey, that's better than my current average, so quitcherwhining). I figure that way I can at least do a catch-all of miscellaneous shit before it's so old I can't remember what happened anymore.
So, housekeeping first.
• BREAKING NEWS UPDATE - - No bullshit, this item has just been added into this blog because it couldn't wait. Industry "agent" IT Models (itmodels.com) has a girl on their site whose stage name is -- no joke -- Chlamydia Caine.
Chlamydia Motherfuckin' Caine!!! I can't wait until her sister, Gonorrhea Gash begins performing. I hear Chlamydia only does anal scenes with her boyfriend, Syphilis Steel.
And god wept, I believe is the next verse...
Okay, where was I... *sigh*
• Forgot to gloat over Best High-End All Sex and Best Director Non-Feature for ICON. {BEGIN GLOAT}
• Thinking about starting a Twitter account to eliminate the need to blog shit like gloating over awards. I also think it would be delicious irony for someone who hates texting as much as I do to have a Twitter account.
• Since I started going out for auditions I've gotten cast in a web series, a cheesy slasher flick (uh, y'know, sorry T.K. but it IS covered in cheese), two student films and a pilot. Not bad. Starting to look for an agent (which is like looking for a good colonoscopy). Details on availability of said projects as they progress.
• Beginning prep on the next big project for SexZ Pictures. It's a sword & sorcery epic called Daughter of the Wolf. {/GLOAT; BEGIN TEASE}
Okay, so the fucking Oscars. In the interest of bludgeoning you with my own opinions, I thought I'd list each of the major movies of the year and tell you what you think about them.
THE WRESTLER - My overall reaction is a big shrug of the shoulders. I was unimpressed by Mickey Rourke who struck me as bulky, plastic-faced, and largely unmoving. I thought the script was immature and emotionally retarded, and Aronofsky once again utterly failed to impress me as a director.
Evan Rachel Wood is unbelievably, breathtakingly, incredibly bad and belongs nowhere near a movie unless she's paid full price for her ticket. Marisa Tomei was amazing, and deserves all the praise being heaped on Mickey Rourke.
CURIOUS CASE OF BENJAMIN BUTTON - Yeah, I've heard all the arguments; it's a ripoff of Forrest Gump (bullshit); It's emotionally distant (it should be, it's Fitzgerald); It's slow (you mean it's not a music video).
I think the pacing and emotional tone are entirely appropriate, and I really enjoyed BB. It's also fucking gorgeous. As for the Gump argument, it's really easy to turn that around and say that Winston Groom's retardopalooza novel was nothing but a lift of Ludovico Ariosto's Orlando Furioso from the 16th century. Wait for a completely original plot, and you wait forever.
Was this the best film of the year? No, but worthy of a shitload of praise? Hell yeah.
MILK - Okay, I realize that the passage of Prop 8 was a big, and unjust, blow to the GLBT community in California, but that's no reason to inflict "classic" status on Milk's narrow shoulders, or on us as viewers.
Like all Gus Van Sant movies, Milk is a mess. It's structurally indulgent and emotionally sloppy as hell. Sean Penn's performance is only remarkable if you're watching the movie constantly aware that you're watching Sean Penn acting. If it were just some guy who wasn't incredibly butch and didn't beat up paprazzi on a regular basis, you'd say, "the guy in the lead didn't really have the chops to carry the movie, though..."
Milk is fine, but that's all it is. It's a Lifetime movie for gay people. Absent it's political agenda this movie is no more Oscar-caliber material than Transformers.
SLUMDOG MILLIONAIRE - I admit I haven't watched this yet, and it's because of the hype. I have the screener. It sits there laughing at me. But every time I finally break down and watch something the critics have bukkaked with praise, I end up loathing it (I'm lookin' at you Blue Velvet and Sideways and Breaking the Waves).
I admit I've got issues. I hate Bollywood movies. I find them silly, garish and irrelevant, and it makes me really nervous that they're the new flavor du'jour in Hollywood.
Also, while I really like Shallow Grave and 28 Days Later, I find it hard to believe that the director of The Beach and Sunshine has crafted something that is to the medium of film as fire is to human civilization. This is my skeptical face...
THE READER - Haven't we all seen this movie about 22 times already? Really, this movie is a such a retread of a dozen other projects, it makes me wonder if someone didn't just sit in a room and say, "Hey, there's no holocaust documentary this year... what can we make that the old Jews in Hollywood will ensure gets nominated?"
FROST/NIXON - I love this movie, and while I'm just as blown away by Frank Langella's performance as everyone else, I have to admit I thought Hopkins was better. Also, I'm never quite sure I believe Sam Rockwell as a real human being.
GRAN TORINO, REVOLUTIONARY ROAD - Were these movies robbed? Not necessarily, but there was definitely an attempted mugging given some of the weaker contenders. I think both were much stronger than narrow-appeal, politically-correct pap like Milk and The Reader.
THE DARK KNIGHT - Best. Movie. Period. Nothing else even comes close, and it isn't because I'm a geek and it's about Batman. I loved Iron Man, but I'm not bitching because it didn't get nominated. Dark Knight got fucked because it's percieved as a superhero movie, but it isn't.
It's a modern day film noir. It's complex, dark, brilliantly acted and flawlessly executed. If the 70s were the golden age of American cinema (and they were), Dark Knight is the only film this year that deserves to be mentioned in the same breath with the anti-hero classics of the 70s. It's emotional breadth and intensity is unmatched by anything I've seen in years, and it's only the fact of its broad appeal and critical success that kept it from getting the attention it deserves.
I stopped paying serious attention to the Academy Awards in 1982 when Raiders of the Lost Ark lost Best Picture to Chariots of Fire. After this, I might have to give up completely.