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Friday 16/10/2009
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Category: Music
HERE ARE THE LATEST REVIEWS FROM
page 1 of 2 If you haven’t heard of Living Dead Lights yet, you don’t know what you are missing. The Hollywood based punk/rock band pumps out gritty guitar laden tracks with huge hooks. Living Dead Lights do their own modern thing while still reminding us of some of Hollywood’s greatest rock bands from the past. Luckily we had a chance to chat with Alan Damien, Living Dead Lights’ lead guitarist, about his guitar gear, the band, and the future.
UberProAudio: Thanks for talking with us Alan. Let’s kick this interview off with some info about your guitar rig. Tell us ALL the juicy details on what gear you are using these days – guitars, amps, pedals…!
Alan Damien: Well for starters my live set-up consist of a modified Mesa Boogie Dual Recitifier and Stiletto heads, and Mesa Boogie cabs although I have a 79’ Marshall cab I like because it has higher frequencies than the Mesa which is more bassy sounding.
Guitars…..All Les Pauls!!! In live photos you’ll see me with my ’59 reissue gold top a lot of times…which I have loaded with high output Dimarzio pickups. I have a ’96 Classic Deluxe Plus Les Paul that I love to death and a Classic ’60 re-issue Les Paul too. All of the pauls get a lot of use in the studio/Live and when I’m writing.
Pedals…I use Dunlop’s Crybaby spring loaded wah. It’s great for super fast response…..no clicking involved!
Boss digital delay, Boss Octave pedal, Boss floor tuner and a Volume Pedal….Pretty simple…I’ve had huge pedal boards before but if you’re not using all the pedals in your set…take it off the board, They’ll get in the way and it’s too many things that can become a problem when you’re playing live.
UberProAudio: What pieces of your gear really define the Alan Damien guitar sound?
Alan Damien: Live and studio are 2 different things. Live basically just like I said above is just Mesa Boogie Amps and Gibson Guitars. In the studio Taka and I both used the Mesas for a lot of leads and textures…but rhythms we used a ‘65 Fender Bassman and an ’87 Marsall Jubilee and all Gibson Guitars.
UberProAudio: Tell us about this equipment/microphone deal with Sennheiser. What gear did they hook you up with?
Alan Damien: Guitar wireless systems and mics!!!
UberProAudio: How would you compare your guitar tone to Taka’s [frontman of Living Dead Lights]. Do you guys aim for similar or different tones? Alan Damien: We have a similar thing going on….we just change up the EQ a bit to get a good separation of sound…mostly its just different guitar parts that do it. UberProAudio: Living Dead Lights has some incredibly catchy songs, like “What Do You Do”. Walk us through the process the band uses to write a track like this.
Alan Damien: Usually when we write a song it just starts with a riff or chords and a vocal melody and it grows from there. UberProAudio: Living Dead Lights has well over 100,000 myspace friends. That’s more than Aerosmith! Do you have any tips that might help growing bands amass such a following? Alan Damien: We’ve been really grateful that we have been well received with everyone. Basically get songs together and a band that you believe in. Don’t expose too much of yourself while things are developing. People can get burned out and it’ll kill the momentum.. And then promote your ass off…. UberProAudio: Recently you guys posted on your Myspace that you are preparing for a tour. Can you share any details yet? Alan Damien: Still working out dates but check the bands myspace or website..it’ll be up soon!! www.Myspace.com/LivingDeadLights www.LivingDeadLights.com UberProAudio: Your newest EP was recorded by Bradley Cook (Foo Fighters, Tool), mixed by Fred Archambault (Avenged Sevenfold, Deftones) and mastered by Eddy Schreyer (Jane's Addiction, Korn). Those are some big names. What was it like working with these high caliber recording industry guys? Alan Damien: Awesome!!! It’s nice to work with guys that get it. UberProAudio: The guys in the band are from all around the world (Japan, Europe…). How did you all end up in Hollywood in a kick-ass band together? How did the band form? Alan Damien: I’ve been friends with Taka for a long time and we always had a good writing connection… Taka became friends with Martin & Nick while he was in his last band…and doing this band with them just made since.
UberProAudio: So what’s on the horizon for Alan Damien and Living Dead Lights?
Alan Damien: I’m working on a few new songs today…and I have a 5 foot Boa named Pandora - It’s her feeding day haha!!
Guitars
- Gibson '59 reissue Gold Top Les Paul (high output Dimarzio pickups)
- Gibson '96 Classic Deluxe Plus Les Paul
- Gibson Classic ’60 re-issue Les Paul
Amps and Cabinets
- modified Mesa Boogie Dual Recitifier head
- modified Mesa Boogie Stiletto head
- Mesa Boogie cabs
- 79’ Marshall cab Effects and more
- Dunlop Crybaby spring loaded wah
- Boss digital delay
- Boss Octave pedal
- Boss floor tuner
- Volume Pedal
- Sennheiser Wireless |
SAVAGE TATTOO MAGAZINE
HEAVY ROCK MAGAZINE
Here is the above article translated from Spain
“When just feeling the need to criticized somebody,
remember, in life not everybody has the same opportunities”. With these words
Francis Scott Fitzgerald started his masterpiece “The Great Gatsby” and it fits
exactly the prejudices that many will feel to know where these kids are coming
from, they are coming from the very same Hollywood ....USA.....
They introduce us to a superb production, that did not lack
on resources. Recorded by Bradley Cook (Tool, Foo Fighters ) Mixed by Fred
Archaumbault (Avenged Sevenfold)
These Californian kids gave everything they had to make
their recording debut.
Are they for real? or are they just wanting to be musicians?
Honestly they have an impressive CD. And simply we could not find anying to
criticize. Five hard rock themes at the same style of Motley Crue or the early
Guns N’ Roses will make you jump from your seats and you will choose them to be
in your list of favorites groups.
From punk rock loaded at the style of Slash, “Live &
Die” or “Mother Mary” to the lesser “What do you Do” nothing was a waist.
According to Alan Damien guitarist of the group, behind the concept of Living
Dead Lights lies a critic view to the ways society see us in relation of race
or social status. He ask himself, is it possible to ignore all these things or were
the history books wrong all along? We have to have our own answers.
ASKEW MAGAZINEhttp://www.askewmagazine.com/index.php?option=com_content&task=view&id=57&Itemid=43Written by Holly Interlandi
Saturday, 03 January 2009
Sometimes visual kei is superfluous. Sometimes 'exotic' instrumentation adds nothing. Sometimes, all you need is the punk. And that is exactly what the Los Angeles-based Living Dead Lights provide.At the Dragonfly on November 19, the band – guitarist Alan Damien, drummer Nick Battani, bassist Martin Kelly, and frontman Taka Tamada – showed a surprised, unscheduled bar who was boss, waking up everyone from old winos to straggling groupies. Although they rock like stone-cold veterans, the Living Dead Lights have only been playing shows together for a year. Only a year, and it's come to this. A year of hard work, to be sure. They shared the bill with several other bands, but these guys so obviously owned the night it was almost embarassing for everyone else.Their set consisted mainly of tracks from their self-titled EP – a brash, angry explosion of riffing that makes most radio rock sound like Rihanna. 'Living Dead Lights' is wordplay on both 'Night of the Living Dead' and 'beat the living daylights out of you,' which is exactly what the album does. [They also slyly insist that the name has something to do with unicorns and rainbows. Right.] The songwriting, a product of Tamada's melodies and Damien's fill-ins, is verse-chorus-verse traditional, but it driven by such raw fury that you can't help but be burnt. The lyrics – all penned by Damien – are snarky and aggressive: "When you were young / did they try to rape you / of everything you're about?" This might sound unforgiveably angsty from any other band, but when the line is spit out by Tamada's gutteral fire-bomb of a voice, you believe every word. Thanks to Damien's lingustic fluency, Tamada is able to loll around the words without sounding lazy. Tamada is native to Japan, but utterly American in his influences, as he confesses that the only Japanese band he knows anything about is X Japan. He also confesses, as do the rest of the members, that he never had any intention of following a career other than music. And such dedication shows. After their set, a man was so impressed he asked me if they had a demo or a myspace [they do: myspace.com/livingdeadlights]. I also had a girl I didn't know come up and ask me the name of the band and song they were playing, which in all my concert lives, has never happened before. But it was now.It was easy to see why. While a few of the previous acts inserted sleepy guitar solos into a vast soup of self-indulgence, LDL rocked straight out against a bannered backdrop, with no gimmicks, artsy-fartsy experimentation, or excessive drama. The other bands were made up of musicians – even a few performers. But the Living Dead Lights were undeniably rockstars.
CELEBRITY FORUM
BE! MAGAZINE
Living Dead Lights
By styl ⋅ December 26, 2008
http://www.celebrityforum.tv/magazine/2008/12/26/living-dead-lights-anomia/
Although Facebook is establishing itself as the most successful social network, Myspace remains the best way to get acquainted with rising bands. And it was thanks to Myspace that BE! Magazine found two very promising bands: Living Dead Lights and Anomia.
Everything is double in this review: two reviewed albums (the debut EP by the Californian quartet and Closing Up the Basement by the Mantovan quartet), two opinions expressed for each album, two languages in which they're posted (Italian and English)… and even two debuts on our pages. We welcome Luca "Little Hyena" and William J. Dormant, who tested themselves as reviewers. But let's give room to our opinions now… Finally rock is mature and a band managed to say that by playing an intense rock: I'm talking of Living Dead Lights.
At a first listening it seems to listen to early Iron Maiden, with a little bit of Dream Theater added to the mix. What's new? Being able to put together without copying and reaching a sound that flows without flooding, since there isn't that guitar solo, typical in these last years of rock, and this makes their music fluid and piercing.
Unique is the mark they give to their songs, because unique, as in a literary work, is the reading structured in chapters. Rythm is characteristic of all their tracks; it's like pursuing it and this leads up to enjoying the listening and the re-listening, peeving for the end of a song, but immediately uplifting your spirits when the following one begins.
That's why I can't say which of their tracks is the best and it's hard to shut down the supply while you're listening to "What do you do?" or "To All The Youth…", for example. Drums are a strong point, because they're present but not intrusive; guitars gets into sound as a second voice, accompanying the vocalist perfectly and pushing you to pull out your old dusty Ibanez. Their vocalist won't get out of your head, with a voice that it's the keystone of their tracks, he doesn't surprise you with an unrealistic (for mere mortals) range, thus boosting you to sing with him. Unique is the bass that seems to hide, but then it gets into a precious painting where, sometimes, the background moves to the fore. Their lyrics are refined poems with a meaning to disclose, because we're talking about rock and you have to look at the whole without sectioning into single parts, as I've inexpertly tried to do.
There isn't a melodic track, typical of a lot of bands, and I like it, because the album in its entirety, as I've tried to say, makes every single track unique. Waiting for their next work, all it's left to do is pressing play again and inviting you to listen to them at myspace.com/livingdeadlights, already knowing that you too will press play again. Good rock to all of you!
William J. Dormant  At a first look they resemble dARI, but luckily appearance is deceitful and you just need a quick listening to realize Living Dead Lights sound much better. It's hard to say who they're really similar to, certainly the first time I've listened to Axl Rose screaming in the chorus of Better (the best song in the so anticipated Chinese Democracy) I had the feeling to be fallen again into this EP by Living Dead Lights…
The album opens up with the scream of "Live & Die", which becomes the manifesto of all it's coming next, perfectly merging the energy in music phrases and that simple and effective pre-chorus (Going down as you go down 'cause you don't care), with the capacity to remain in your head, just like it happens in the other four songs. "What Do You Do" is the song which made me discover them, so it can but be my favourite one, soft to sing and made with attention to the smallest details (behind this album there's a high-level production). "To All the Youth" is the least effective track from a musical viewpoint (pleasant in some part -especially its outro-, but lacking of the right amalgam), on the other hand it has got the most meaningful lyrics in the EP, talking of the importance of always being yourself and make mistakes with your own head. "Monday's Devil, Tuesday's Devine" comes at the right moment to slow down the pace just a little, so you can appreciate better the fury in the other four tracks, and it shows also a crafty chorus you'll want to sing with your friends when they're a little tipsy. The last track is "Mother Mary", strongly pushing on the accelerator again, letting the drummer have some fun and ending with a scream, similar to the one that opened the album, almost closing a perfect circle.
Taka Tamada (frontman/guitar), Alan Damien (guitar), Martin Kelly(bass) Nick Battani (drums) have got future by their side, we want to wait and test them on the long playing, because this EP is too short. And personally I'm curious to listen to Tamada live (when will you come to Italy, guys?), to understand if his clean voice is real or digitally created… Meanwhile I enjoy this album, waiting for the next one.
styl
BUZZBIN MAGAZINE
BOOTLEG MAGAZINE
Hollywood has consistently been a fervent breeding ground for hard charging rock and roll - music that is edgy, fierce and boiling straight from the gutter. Living Dead Lights' self-titled debut is indicative of its ferocity and hard living, while also eschewing the pop and glam aspects the city occasionally offered over the years. Their vibe is in accord with territory roamed by Guns 'N Roses, Faster Pussycat (to some degree) and less dramatic Marilyn Manson songs. ....
Living Dead Lights play like fire burning out of control in a confined space - volatile and the intense need to act on it. Their music is ferocious, manic and pulls no punches, sounding like a band unlikely to suffer fools lightly. While many bands today seem to utilize angry rock in a contrived way, Living Dead Lights are the polar opposite. The songs sound real, they sound truthful – you believe them. The raw music and strident singing hit the ear in a way that can be scary as much as it comforting or fun. Nothing could hit the mark as close as 'What Do You Do' does given its subject matter of heroin addiction. But the band keeps it interesting with the unexpected chorus of 'Monday's Devil Tuesday's Divine' or the thunderous stomp of 'Mother Mary'.....
A relentless debut, the band is in overdrive on every song. It is full tilt aggression wrapped around a vocalist – Taka Tamada - whose singing rips and tears as though his vocal chords were soaked in cigarette smoke and whiskey. Tamada scorches through vocals, wailing and scratching like a witch burned alive. But through it all Tamada keeps it terrifying but simultaneously fun and available. His singing is wonderfully coarse and aggressive (think Janis Joplin in a punk band) but comprehensible to the ear. ....
The conflagration of Tamada's vocals and the sturdy, roaring engine of the band's explosiveness make for one hell of a concoction. Living Dead Lights is a band that just may put the focus back on loud, angry rock and roll minus the pretentiousness, returning the danger and unexpectedness back in music. Their mix of back-to-basics rock and punk is a reminder of how outstanding caustic, raw power can make for a memorable album.....
....Brian Tucker....
Bootleg Magazine
OCTOBER 2008 ISSUE
....
myspace.com/avenuemagazinepresents
ROCK ZONE PRODUCTIONS
"These guys Rock with the raw, in your face attitude of The Ramones and the look of Classic LA Guns!"
I recently had the pleassure of seeing a hot, new band called The Living Dead Lights at their very, first, ever live performance in Hollywod, CA. on July 1st, at an Industry Showcase and man let me tell you these guys Rocked the house! The band sent me a copy of their self titled 5 song (EP) and my only complaint with the Cd is that I wish there were more than just 5 tracks on the album.....I can tell you though thes 5 tracks are enough to wet any hard rock/metal fan's appetite until they release their first full length album........These guys sound and play with the raw, in your face intensity and attitude of The Ramones and their image reminds me a lot of classic LA Guns.........With song titles like "Monday's Devil and Tuesday's Devine" , "Live & Die" it's clear to tell that these guys mean some serious business......I would be very surprised if The Living Dead Lights don't become major stars in the next few years...These guys have something real fresh and original about them........I believe these songs are based on things the band members have personally experienced, and if not let me tell you they perform and play with the passion that makes you believe what they're singing.........I can't say there is one bad track on this CD........Any one of these songs could be a hit or stand on it's own merit........My favorite track on the CD is "What Do You Do" .......Like I said any hard rock/metal fan will love The Living Dead Lights so do yourself a favor and check out the band, and their CD which you can find out all about on their Myspace site. The CD really smokes and is pure, raw, Rock N Roll delight but if you get the chance to see these guys live do yourself a favor and see their live show because their live show will be sure to satisfy you and I guarantee you that you'll be rocked like you've never been rocked before!
-JASON HOUSTON
WWW.MYSPACE.COM/ROCKZONEONE
GLITZINE.NET
Now, this is more like it! A band name that sounds like a Stephen King's 'IT' inspired straight to video trashy horrorfest! But hey, I grew up on trashy horrorfests - in fact, it was them and an unhealthy adoration of hard rock 'n' roll that shaped me into the baadaasss mofo that I am today! Anyways, Living Dead Lights already had me interested before I got to put the proverbial needle on the record.
An eight-legged wrecking crew from Hollywood, Living Dead Lights describe their music as "blending everything from Guns N' Roses to bands like The Bronx to Marilyn Manson", and I'm glad they said that because I'd find it hard to pin down a definite soundalike for these guys. I personally think this is great for both band and industry alike and the only people who will really suffer are the morons who can't be bothered to read a capsule review in a magazine like Kerrang and just look at the "For Fans Of..." section. Fuck 'em - they are not music fans, they are sheep.
This five track EP sounds massive, largely down to the work of knob-twiddler Bradley Cook who has worked with some great artists in the past including The Distillers, The Dwarves, Motochrist, Queens Of The Stone Age, Everclear, D Generation and...err.....The Wiggles. Sure, this is some formulaic shit but it is a formula that us cool kids live and die for - anthemic hard rock mixed with scuzzy Scandinavian sleaze and punchy and pissed off punk 'n' roll. Slap bang in the middle of this CD is a Cloverfield size monster of a track - 'To All The Youth...' - a hard hitter with a huge chorus and snotty riff. Quite simply, this song slays! 'Mother Mary' reminds me of that moment when that first Beautiful Creatures album woke everyone from their nu-metal induced slumber. 'Monday's Devil Tuesday's Divine' hints at a...gulp....grungier influence with its Alice In Chains style harmonies, but if I told you that frontman Taka Tamada's voice is full of Dee Snider-esque sneer and attitude, you'd know that this is an SMF approved gutsy, confident band.
We all know that this muthafucker of an industry takes young bands and sucks out their will to live but if, on the basis of this CD, the band don't make a deep scratch on the surface of success, it'll be a bigger scandal than when Tim Gaines from Stryper was caught driving under the influence. Living Dead Lights have come here to chew bubblegum and kick ass... and they are all out of bubblegum.
by Gaz E.
Kink Magazine
To say the Living Dead Lights' debut EP grabs you by the balls (sorry ladies, or ovaries), twisting and squeezing until your eyeballs burst from their sockets and dribble out onto the floor – that's probably being too gentle.
The first track, "Live & DIE," rips open with a ferocious guttural scream from front man Taka Tamada, ushering in a flurry of guitars and an unrelenting kick drum that drive the tune like an old muscle car at full throttle. But the core of the record roars in with "What Do You Do?" a rock anthem borne on the notes of a tasty intro guitar riff that reprises as a diabolical countermelody during Tamada's infectious chorus: "What Do You Do What Do You Say .. When It's Got A Hold On You .. When It's Time To Fight It Through .. And It Matters What You Do!"
That momentum barrels forward with "To all the Youth," an aggressive 3½-minute track that has a catchy call-and-response chorus bolstered by a rebellious mass of back-up voices. A tribal pattern on the low toms midway through the tune – as thick and ballsy as anything Steven Adler ever recorded – sets up a startlingly celestial bridge that proclaims: "Our Dreams Can't Die .. We'll Fight, It's Our Right .. Our Dreams Can't Die .. We'll Fight All Night!" It's as the band strives to inspire hope among the mistreated, abused and disaffected within its belligerent audio assault.
The band's sound preserves everything good about the hard-rock and heavy-metal 1980's, harkening back to a time when musicians were gods and outdoor arenas were packed with fans who sang every lyric and hung on every note of a guitar solo.
An experienced production team gives the songs the integrity they deserve. Bradley Cook and Fred Archambault, who has collaborated with Avenged Sevenfold, The Foo Fighters, Tool and The Deftones, took up recording duties. With Eddy Schreyer, who has worked with greats such as Korn and Jane's Addiction, mastering the record.
– Chris Wiebe
ROCK 'N RIOT PRODUCTIONS
LIVING DEAD LIGHTS s/t EP
Ain't no pussy playing this, this is power, this is Rock! Hail to this guys because they are one of the bands that keep Rock 'n Roll alive! A mix of Punk Rock with the sleaze feeling of the most glamourous Rock 'n Roll give this band what they need to become big, giant! The production of the EP is amazing, you can listen to the songs and you don't get tired of the bad production we see a lot around, this is serious work. The guitar is fantastic, the drums and the bass give a lot of strenght to the songs and the voice is Rock, pure! Advise: Listen to this guys as quick as you can, they can't fail this highway to stardom!
-HAVOC
WWW.MYSPACE.COM/ROCKNRIOT13
This is translated from Danish. To read the original article please visit the below link.....
www.callesrockcorner.dk/?id=20918....
....
........Once again I have received a CD from a hot rock band. This time it is a young band from ........Hollywood...., ....California......... Living Dead Lights is an EP containing 5 tunes and it is the band's first release. The CD was created with the help of prominent names in the rock/heavy genre - recording engineer Bradley Cook (Foo Fighters, Tool, Queen of the Stoneage and Lit), mixed by Fred Archambault (Avenged, Deftones and Drowning Pool) and mastered by Eddy Schreyer (System of a Down, Jane's Addiction, Korn and ........A Perfect Circle.........)........
....Living Dead Lights was formed only a year ago by Singer Taka Tamada and guitarist Alan Damien. The band was completed a couple of months later when bassist, Martin Kelly and drummer, Nick Battani joined up. While all four musicians have played in bands previously, they have now found others with the same musical interest and the desire to conquer the world with their music.........
....As mentioned, Living Dead Lights consists of five tunes, all punk rock style with a feeling of sleaze. The first cut on the CD is "Live & Die" and Tamada opens it with a scream – and you really feel that he means it. The tune is up-tempo with a catchy chorus. The same holds true for the next tune, "What Do You Do?" which opens with a hot guitar riff and continues in the same style as the opening tune. "To All The Youth…" is the CD's most aggressive song and the band uses the harmonic interlude to tell the listener where they are heading with their music: "Our Dreams Can't Die..We'll Fight, It's Our Right. Our Dreams Can't Die..We'll Fight All Night." The fourth cut, "Monday's Devil Tuesday's Devine," has a bit more "grunge" feeling in the song's harmonics, especially in the chorus. The last song on Living Dead Lights is "Mother Mary." It reminds me a little of some of the now-metal bands on the scene, but still with that aggressive Living Dead Lights feeling. The guitar on "Mother Mary" is super hot and I think Damien has been inspired by Slash's guitar playing.........
....The bottom line is that Living Dead Lights is a CD with full power from the opening scream in "Live & Die" to the ending riff in "Mother Mary." The CD is very well produced and Tamada's blend of song and "screams" is a perfect fit to the music. Damien controls the guitar, while Kelly and Battani lays down a super rhythm for the tunes.........
Reviewed by: Calle ROXXZONE Young quartet of Los Angeles, California, the Living Dead Lights appear on the market with an ep containing 5 pieces fucking wild and glam punk / RNR, with an eye on the past and an undeniable vein "modern" as the right condiment. The songs, heavy and direct, not ever neglect the melody, and can be designated as chorus effect that you print at the top since the very first step. The way "Live & Die" brings to mind the blind fury of Bullets And Octane the first disc, The Revelry, but is sticky with the refrain of "What Do You Do?" That the boys can really hit the mark. "To All The Youth" boasts a killer chorus that does not leave indifferent, "Monday's Devil Tuesday's Divine" drag with a memorable chorus, while the concluding "Mother Mary" is another immediate and savage piece in the same style dell'opener. Excellent performance of the musicians, particularly that of guitarist Alan Damien, one that certainly loves the 80s out of (Guns N 'Roses in the first place) and singer Taka Tamada, by graffiante and effective voice. Registered by Bradley Cook (Foo Fighters, Yellow Card, Tool, Queens Of The Stone Age, Everclear, Lit), mixed by Fred Archambault (Avenged Sevenfold, Deftones, Drowning Pool) and mastered by Eddy Schreyer (System Of A Down, Jane's Addiction , Korn, AFI, Offspring, A Perfect Circle), this work is a real surprise. Missing boooklet with the texts, but in life you can not have everything. This is an ep and will be satisfied. Thumbs Up!
Stefano Gottardi This article is translated from italian to read the original click the lnk below.
THE ROCK DUNGEON
TRANSLATED FROM GERMAN
To read the original article go to this link
http://the-rock-dungeon. blogspot. com/2008/11/living-dead-lights-living-dead-lights. html
Their self-titled debut-ablum was mixed by people such as Bradley Cook (Foo Fighters, Queens of the Stoneage) Fred Archambault (Avenged Sevenfold, Drowning Pool) amd Eddy Schreyer (System of a Down, Jane's Addiction, Korn) and leaves nothing more from the production and quality to ask for.
From style the Combo gambles a mix of modern sounds a'la Avenged Sevenfold and 80s Rock. Songs like "Mother Mary" and "Live and Die" are sleazy as hell and followers of Hardcore Superstar & Co. would be likely to love this music too.
Convince yourselves amd check out the Songs of this Band on their Myspace site! There you can order their new album for just 6,19 $, so get it while it's hot, people!
8 Punkte (Reviewer: Wizz21)
Band: Living Dead Lights
Titel: Living Dead Lights
Stil: Punky Sleazy Modern Rock!
Label: Eigenproduktion
V.Ö.
: 2008
Tracklist:
1.
Live & Die (3:08)
2.
What Do You Do? (3:41)
3. To All The Youth... (3:36)
4.
Monday's Devil, Tuesday's Divine (2:46)
5.
Mother Mary (3:09)
Date 11/23/2008 Gepostet von Wizz21
Labels: Modern Rock, Punkrock, Sleaze
12:33 PM
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