Gender: Male
Status: Single
Age: 49
Sign: Sagittarius
City: Minneapolis
State: MINNESOTA
Country: US
Signup Date: 5/18/2006
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Saturday, September 26, 2009
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Visit Indigenous in Music and Slip Away! Click to Visit our Homepage! Have you sent us your latest CD? Indigenous in Music 2801 18th Avenue South Minneapolis, Minnesota 55407-1409 888-729-1965 www.indigenousinmusic.com
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Saturday, September 05, 2009
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Category: Music
Brule Indigenous in the News Featured Artist ReviewThe Collection In
Glorious Day Us/We/Them, such a day, sunlit salvation on the seat of a
Giant GTX and the songs of Brule on the I-pod. Oh Glory, Glory, Glory,
the glitz and glammer of the star hammer on the head of the love of my
life, the air and ambience of down town Minneapolis. The Collection, a
greatest hits CD produced by Tom Bee and SOAR is nuage but it??™s
Native American nuage, which means to me that it is therefore somehow
authentic in a way that most nuage is not. The song All My
Relations starts with a voice over prayer on top of the nuage synth
stuff. It contains a very recognizable piano melody. The title should
have been mitakuye oyasin but it consists of a very Native American
nuage coloring and tone quality that is very peaceful and includes
traditional vocal over top. This song most certainly relates to the
adopted child scenario of Paul??™s life, the beauty and wonder of a
life that has gone full circle with the rediscovery of his biological
and traditional Lakota family. It is a grand melody for a grand story. The
second track Spirit Horses starts with the spirit calling song of a
sweat lodge ceremony in a voice over top an up-tempo rock beat with the
melody played by a flute/synth. It includes the edgy guitar that I look
for in music, as well as a rain stick and a traditional vocal with the
light space air synth behind it all. And Justice For All is a
pledge of allegiance native style. The vocal melody is majestic and
beautiful, like the Rockies or the Black Hills and the medicine rattle
percussion really sets the sound apart giving the song space. The
song Celebration Of The Heart reminds me I have one of these every time
I get on my bike and ride the Minneapolis streets. Once again this song
has a very beautiful and colorful melody on synth as I scoot down the
street in joyful hot dish potpourri celebration of time and memory and
blood. The song Stomp Dance??™ title is another name for a grass
dance and this one swings, up-tempo with some beautiful traditional
vocables over top with birdcalls. It evokes in me the hit Superstition
by S. Wonder. It compels me to dance down the pedestrian bridge north
of the Walker across the freeway through Loring Park to the Espresso
Royale where I stop for my coffee. The song The Chosen One begs
the question is it Jesus or Wovoka? This song features some tender
romantic acoustic piano intro riffing and I have to admit Paul LaRoche
has a talent for the beautiful and melconcholy. He can somehow embody
the grief of entire nations in a song and it is the nature of grief to
seek healing which is the foundation on which this music is built. The
world is a village and it takes an entire village to raise a child. It
is played in an up-tempo World music beat that has elements of a
Caribbean flavor to it. We must never forget that the first contact
between the cultures was with the arrival of Columbus not on the
continent proper but in the Caribbean islands and the Taino and Carribe
peoples that were massacred indiscriminately should most certainly
never be forgotten. It feels like a multicultural chanting group hug.
The airy Peruvian flute really puts this one over the top and it
definitely swings. Track fourteen Fast Horse reminds me of
rollin??™ with the fast horse down the ave in a ??™70 merc Monterey
with the slant roof, back window down, just smokin??™ and jokin??™, the
rock n roll blastin??™ my heart into the dawn because we only as free
as we want to be. This is something that Marcus would have dug as it
rocks and swings with the traditional vocable over the top and it jams
with passion with a hand clapping chorus. He has kept it simple and
easy if anyone cares to sing along. We end The Collection with
the track Star People as I pull up in front of the house on Park
Avenue. There is a theory that the stuff that began life on earth
actually came here by way of a comet or meteor. This is a very cool way
of ending the CD. This is almost house/dance music with flutes over a
heavy rhythmic structure just made for dancing. The end brings it full
circle by ending with a prayer as I end this review with mitakuye
oyasin. All my relations people. All Of My Relations! ReporterJamison Mahtojamison@iicoc.comwww.iicoc.com
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Saturday, September 05, 2009
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Category: Music
September 2009
Congratulations to Maya Santamaria
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Monday, August 17, 2009
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Category: News and Politics
AUGUST 2009
Congratulations to Dave Bice
Click to Visit Bald Eagle Erectors!
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Sunday, July 12, 2009
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Category: Music
High Noon Indigenous in the News Featured Artist ReviewThe Way It All Began
I am filled with grieving
at the loss of my brother Dave last week and I am looking for relief
from this mean ass darkness and I want to hold his memory close without
trembling in fear. Generally when I feel like this I like to listen to
Pow Wow drumming and singing.
The notes on the CD insert
state, “Holder of six World Championship titles for their singing and
drumming, High Noon carries one of pow wow’s most enduring and honored
singing traditions. Beginning more than two decades ago on the
Thunderchild Reserve, Saskatchewan, they continue to be among pow wow’s
most respected groups. Singing in the original Plains Cree style, High
Noon maintains the pride of their people and sings from the heart
whenever they sit around the drum.”
Consisting of members (Cree
Tribe unless otherwise noted) Ted Noon, Ron Noon, Marlon Deshamps,
Travis Meguinis, Jay Dusty Bull (Blackfeet), Faron Lujan (Tiwa),
Shaylen Gopher (Chippewa/Blackfeet), Shane Redstar, Jacob Faithful,
Irvin Waskewitch, Galen Sharp. The women singers are Betty Noon, Elisha
Noon, Stacey McGilvery, Candace Faithful, Lateachia Pemma
(Potawatomi/Ho-Chunk); I am excited at the prospect of some desperately
needed spiritual healing.
Today the Rezz Dogg rides a
stationary bike. A what? A damn stationary bike! It’s well, it’s 30?
below zero wind chill outside and it’s snowing overtop a layer of ice.
What bike rider in his right mind would ride on a day like this. Well,
I’ve done it. You could say that I was not cohesive with myself at the
time. But, today I feel a little older and wiser. It’s just that
there’s no motion. No scenery. No feel. Very little inspiration. I drop
an Italian travelogue tape about Italian villas along each coast into
the VCR and flick it on. I smudge and start up the I-pod so I can
listen to the latest assignment High Noon/The Way It All Began and I
jump on the stationary to go for my morning constitutional.
There are no titles to any
of the songs. The notion that everything needs a title is only just a
little pretentious in a sense since the song is an entity of itself
that in a spiritual realm identity would not be necessary only just
being. To breathe the song into life and leave it to speak on its’ own.
A really truly four directions type of thought. This was a lesson that
I learned only just recently from a participant at a writer’s workshop
at Shakopee Women’s Correctional Facility who happens to be a
particularly gifted writer. It was a tremendously fascinating
experience but we can discuss that more later.
High Noon is a collection
of several Intertribal songs, contest songs and a great grass dance
song. There is something so tradish about this CD it makes me tingle
all over. The intertribal songs are for intertribal dancing meaning
these are songs to be sung during a dance where participants from
various tribes may be dancing together within the dance circle. Contest
songs are songs sung specifically for the fabulously colorful and
strenuous dance contests that are now very common among our people.
Grass dance is a northern Plains style of dance. The Grass Dance
assumed its contemporary form in the mid and late 1950’s. Modern grass
dance outfits are heavily fringed with yarn, which emphasizes a flowing
dance style. Resembles the blowing wind through the prairie grass.
It is important to any drum
circle for the drumming and singing to be strong and on. Not just
ordinary on but on all the time. The voices and the drumming must sound
as one. The sound of the men and women singing together should sound
like a harmony of sorts. High Noon delivers at all levels in every
regard. I am lifted up through the fog into another realm where the
grief don’t hurt so bad and your memories are only fond ones, where
death can’t touch ya, and you feel no pain. I’m gonna miss you Dave.
One of these days I’m goin’
to that pow wow in Naples, I understand the Italians can really sing
and dance and dance and the countryside is very ancient and beautiful
but on the whole, I’d rather be in Tucson.
Thank you for your attention to this. I think it ties more of the previous elements together, Uncle Jams.
ReporterJamison Mahtojamison@iicoc.comwww.iicoc.com
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Monday, June 01, 2009
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Category: Music
Martha Redbone Indigenous in the News Featured Artist Review
Skin Talk

The Dogg is a dumpster diver. I’ve furnished my entire apartment in dumpster deco. When I ride the alleys of the south side I pull a small trailer that started life as a child cart. I can haul a lot of salvage and recycling if I have to. Furniture is not out of the question. The Southern Cree reside in Rocky Boy, Montana and their CD Thunder and Lightning is loaded on the I-pod and I’m ready to ride.
The CD Thunder & Lightning starts appropriately with a thunderstorm sound byte followed by the title trac. I am met with a lot of young men’s voices singing strong and precise. The trac Longhouse Rocker really does rock and is a reference to the architecture of these people. The longhouse is the place where the people would socialize and gather.
Strutter is a reference to how a mating bird walks during the mating ritual and could be a connection to what young men do when they are trying to attract the attention of their intended.
The song Wandering Spirit is evidently a favorite with Southern Cree as it is sung with incredible passion and from the sound of the whoops and whistles the singers are really enjoying the feel of the drum at which they’re sitting.
Without really knowing to what the titles actually refer, the song Doo Wops might be referring to another form of vocalizing that this drum circle relates to as well as the people that sing that sound. A lot of classic rock can be categorized as doo-wop. It’s the back up vocals for numerous 50’s popular music.
The cut Baby-Girlz is obviously a song sung for the community’s female children.
When the song The Horseman starts playing, I can visualize those traditional warriors and their mode of transportation. Hey, I’m a horseman on a pedal horse in a different time but I can relate. It makes me feel all warm and fuzzy inside. I pull up to a dumpster but there’s nothing in it so I stop and pull out my water bottle and hydrate.
The trac Buffalo Spirit is a song to the animal that fed and clothed so many of us for so many years. I know the buffalo are not all gone and they are being brought back through extensive herd revitalization efforts all across the US. It is important to us that we regain our traditional dietary habits since it is healthier for us. Obesity and diabetes are cutting us down like shooting those ducks in the barrel at the county fair. The answer? Rejecting the US Government’s handout carbohydrates and starches and reverting back to our healthier traditional foods. Remember, more fruits and vegetables, poultry and fish, less red meat. When you do eat red meat it better be buffalo or venison. Hell, moose even!
The remaining tracs are all of similar caliber and although these are younger men, they are all about the passion and joy of the music.
There is one thing about winter riding. As long as the trails are clear of snow and ice, I am one of the only riders out here riding in the cold like this. Being from the old school, I am proud of my toughness because you’ve got to be hard in order to ride under these conditions.
Riding alleys looking for salvage and recycle is not like riding trails or street wolfing but, rather a long low and slow time for reflection, meditation and daydreaming. I cherish the alley shopping for those reasons and salvage just becomes the excuse that I use to compel me to ride as the sleet and freezing rain begin to fall.
I taste the damp dusty taste of the flakes as they land on my extended tongue. I’m sure that the guy taking his garbage out to his dumpster thinks I’m extending him a heartfelt greeting but, really it’s just me out here in this weather playing. If you can’t come out here in this weather and have a good time, you might as well just stay home and leave your flannels on because out here only the hard core survive.
 | Currently listening: Skintalk By Martha Redbone Release date: 2004-11-02 |
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Wednesday, May 06, 2009
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Category: Music
Southern Cree Indigenous in the News Featured Artist Review
Thunder & Lightning

The Dogg is a dumpster diver. I’ve furnished my entire apartment in dumpster deco. When I ride the alleys of the south side I pull a small trailer that started life as a child cart. I can haul a lot of salvage and recycling if I have to. Furniture is not out of the question. The Southern Cree reside in Rocky Boy, Montana and their CD Thunder and Lightning is loaded on the I-pod and I’m ready to ride.
The CD Thunder & Lightning starts appropriately with a thunderstorm sound byte followed by the title trac. I am met with a lot of young men’s voices singing strong and precise. The trac Longhouse Rocker really does rock and is a reference to the architecture of these people. The longhouse is the place where the people would socialize and gather.
Strutter is a reference to how a mating bird walks during the mating ritual and could be a connection to what young men do when they are trying to attract the attention of their intended.
The song Wandering Spirit is evidently a favorite with Southern Cree as it is sung with incredible passion and from the sound of the whoops and whistles the singers are really enjoying the feel of the drum at which they’re sitting.
Without really knowing to what the titles actually refer, the song Doo Wops might be referring to another form of vocalizing that this drum circle relates to as well as the people that sing that sound. A lot of classic rock can be categorized as doo-wop. It’s the back up vocals for numerous 50’s popular music.
The cut Baby-Girlz is obviously a song sung for the community’s female children.
When the song The Horseman starts playing, I can visualize those traditional warriors and their mode of transportation. Hey, I’m a horseman on a pedal horse in a different time but I can relate. It makes me feel all warm and fuzzy inside. I pull up to a dumpster but there’s nothing in it so I stop and pull out my water bottle and hydrate.
The trac Buffalo Spirit is a song to the animal that fed and clothed so many of us for so many years. I know the buffalo are not all gone and they are being brought back through extensive herd revitalization efforts all across the US. It is important to us that we regain our traditional dietary habits since it is healthier for us. Obesity and diabetes are cutting us down like shooting those ducks in the barrel at the county fair. The answer? Rejecting the US Government’s handout carbohydrates and starches and reverting back to our healthier traditional foods. Remember, more fruits and vegetables, poultry and fish, less red meat. When you do eat red meat it better be buffalo or venison. Hell, moose even!
The remaining tracs are all of similar caliber and although these are younger men, they are all about the passion and joy of the music.
There is one thing about winter riding. As long as the trails are clear of snow and ice, I am one of the only riders out here riding in the cold like this. Being from the old school, I am proud of my toughness because you’ve got to be hard in order to ride under these conditions.
Riding alleys looking for salvage and recycle is not like riding trails or street wolfing but, rather a long low and slow time for reflection, meditation and daydreaming. I cherish the alley shopping for those reasons and salvage just becomes the excuse that I use to compel me to ride as the sleet and freezing rain begin to fall.
I taste the damp dusty taste of the flakes as they land on my extended tongue. I’m sure that the guy taking his garbage out to his dumpster thinks I’m extending him a heartfelt greeting but, really it’s just me out here in this weather playing. If you can’t come out here in this weather and have a good time, you might as well just stay home and leave your flannels on because out here only the hard core survive.
Contact Southern Cree - http://www.myspace.com/southerncree
Reporter Jamison Mahto jamison@iicoc.com www.iicoc.com
If you would like to republish this article, please feel free to.
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Sunday, April 12, 2009
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Current mood:  busy
Category: Music
Listen to our Past Podcast Interviews with our "Artist of the Month" Honoree's and visit them also at at our Indigenous in Music Homepage! Visit our News show, "Indigenous in the News"
Hosts Larry Knudsen and Annette Joy bring you our "Indgenous in the News" program. Indigenous in the News Welcomes Annete Joy to the show!

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Tuesday, March 31, 2009
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Category: Music
Michael Bucher & Joanne Shenandoah
Indigenous in the News Featured Artist Review Bitter Tears | Sacred Ground
 I mount up and roll down 18th flowin’ strong at the start despite no warm up, headed south, thinking Minnehaha Blvd. west. The weather is going down hill and the scene is one of a sludge pile as the previous nights’ warm-up has left huge piles of semi-melted snow everywhere with dirt, soot, oil and grime the predominant ingredients. This is the only time of the year that Minneapolis becomes an ugly urban nightmare.
The new Shenandoah/Bucher collaboration CD Bitter Tears Sacred Ground spins me back in a time warp to dreams of road side souvenir stands a two mile ride away from Lake Winnie, soda pop ten cents, puppy love in a polka dot bikini, we never wore shoes all summer long. I remember hearing these songs in those days of skinny dips, beer battered walleye fish fry’s, wild rice and fry bread, cooked outside and the brilliant northern sunsets of true summer madness. Our dad bought us bikes at summer’s start. These are the summers of which dreams are made. Oh summer thou art goddess of my world.
This CD pays tribute to the contributions of three song writers that have had enormous impact on the lives of ordinary working class Native Americans and is steeped in the lives and lifestyles influenced by the Depression, mission boarding schools and the end of WW II. This CD is in honor of Peter Lafarge, Floyd Westerman, and Johnny Cash.
The song As Long as the Grass Shall Grow refers to the treaty signed before a dam covered up the Seneca nation and compelled them to move from their home. This is a beautiful rendition of a Lafarge classic addressing the results of the dam. The song acts as a foundation and background for the spoken word story telling skills of Joanne.
Mike’s baritone vocal does the song Apache Tears justice in examining the cause of the gemstones referred to in the title. Curtis Waterman does an incredible job with the harmonica playing on this trac as well as some of the following material as well.
Apache Tears is followed by another Lafarge classic story song sung beautifully in a duet by Joanne and Mike entitled Drums. I had originally questioned whether there were going to be duets as a result of this collaboration and I’ve not been disappointed. They trade verses and harmonize on the chorus. I remember this song coming out a brown plastic RCA radio as the women made the fry bread dough and we cleaned the fish on the pick nick table outside that reservation tarpaper shack.
This CD includes the Star Spangled Banner sung by Joanne acapella in a uniquely beautiful mission boarding school rendition. Indiancool. The national anthem segues smoothly from a short harmonica TAPS into the song that most people associate with Peter Lafarge; “The Ballad of Ira Hayes.” The story song about the Pima Indian that was at the top of Mount Suribachi and among the Marines that raised the flag.
The Talking Leaves the sixth trac refers to are the Whiteman’s talking leaves (or paper and writing) and speaks to the Cherokee alphabet created by the great Sequoyah. “If the Whiteman talks on leaves, why not the Cherokee?”
You can only finish a CD of this kind with a song like America. An original song written by Joanne, it is a song with a sentimental attachment to the Bitter Tears Sacred Ground to which the title of the CD refers. Again, the wonderful harp playing puts the mood right.
This CD examines artfully and profoundly some of the music that over the years has provided a sanctuary for Native people across the nation while presenting material that some how remains under the pop music radar. This is an extremely important CD in that regard. It is done with style, passion and intelligence. I like the approach that this material receives from two veteran Native American musicians and the Hondo Mesa Records people are to be commended for the solid production values they bring to the table
My dad bought us bikes so that we might experience the simpler time every body always talks about. Damn if I don’t love that old man for teaching me how to ride a bike. By the time I reach home, I’m riding in whiteout blizzard conditions but I don’t even care because I’m snug in the summer of which dreams are made.
Contact Michael Bucher - www.myspace.com/michaelbucher Contact Joanne Shenandoah - www.myspace.com/joshenandoah
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Sunday, March 08, 2009
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Category: Music
Elk Soldier Indigenous in the News Featured Artist Review
The Elk Way
The ride I listened to Elk Soldier the first time, I was hooked immediately by the sheer joy of listening to them have fun at the drum. It led to something of an epiphany and insight to who I am and what I am becoming. Listening to them sing with such exuberance with the women’s voices stepping lightly over top the men’s made me a better version of myself. I look for that in music. The CD begins with a spoken word piece spoken in traditional Nakoda language with courting flute in the back that talks about maintaining those values that have been the foundation of our tribal cultures. It is beautiful to hear the language spoken and extremely important that we as a community publish and produce in the traditional languages of our people. The song Cree Love impresses me because it shows this drum’s versatility and range doing a Cree love song when there are no Cree that sit at this drum. Another particular favorite song, Lightning McQueen, is reference to the anthropomorphic racecar and the main protagonist in the 2006 animated Pixar film Cars. Also another stand out is Oscar The Grouch who as we all know is a Muppet character on the television program Sesame Street. There are several songs that are obviously inspired by the children that sit at this drum.
Stomp The Yard must be a grass dance and is a clear reference to the “film that centers around DJ Williams, a college student at a fictional historically Black university who pledges to join a fictional Greek-letter fraternity. The film's central conflict involves DJ's fraternity competing in various stepping competitions against a rival fraternity from the same school.” It is a clever and smart metaphorical reference to the dancing that goes on around the drum. The Raven Strut refers to dancing as a reflection of the mating rituals of birds and we must not forget how important the Raven is to most tribes in our traditional stories and legends. The last trac The Way of the Soldier speaks to the issue of the traditional ways of the Elk Soldiers. When I started out, I headed west down the green way bike trail toward uptown to my favorite ride racing rush hour traffic northeast toward Hennepin Avenue and downtown. Out here one minor mistake could be your last. A car pulls up next to me and hesitates before going around me as if they think I’m stupid enough to pull in front of them. I give them the finger that represents their IQ or mine and the race is on. At each red stoplight I reach their back just enough for them to see me signaling their lack of driving skill in their rear view mirror. These old legs still have some steam left in them and I keep up with them enough to pass them and reach the Lowery hill before they do, jump off the bike, turn around, take my hat off, and give the BMW a big dramatic sweeping bow. At which the woman laughs and claps her hands with a gleeful smile on her face. When it comes to listening for healing, Elk Soldier is the absolute bomb and everything is going to be all right! I started out with some very high expectations and the latest Elk Soldier CD/The Elk Way delivers the goods. The old guy with the gray hair has still got it! On behalf of the Indigenous Internet Chamber of Commerce, the Circle News, the Native Times and Indigenous in Music I would like to thank Canyon Records and their prolific continual contributions to our efforts here at the review desk. Without the promo packs reviews would not be possible. Thanks for the new pack of POW WOW music.
Contact Elk Soldier - www.myspace.com/elksoldier
 | Currently listening: The Elk Way By Elk Soldier Release date: 2008-01-29 |
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