Sign: Libra
City: Flagstaff
State: ARIZONA
Country: US
Signup Date: 6/7/2005
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October 11, 2009 - Sunday
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Want to cement yourself in the minds of your family members, society at large, or best of all, the whole world?
Commit
suicide while you are still young and useful—before you have exhausted
your potential and worn out your welcome. As the popular Neil Young
lyric states, “It’s better to burn out than fade away.” And isn’t this
so… a cliche yes, but cliches become cliches precisely because they are
true.
But you know, I never paid much attention to this
universal truth until recently. Now it rings terribly thunderous like
an alarm going off in my head—something I can’t turn off. And so I will
write about it. Perhaps it’s annoying presence will go back to sleep if
this journal entry is sufficiently cathartic.
Far from home…
1980—Ian
Curtis, vocalist for Joy Division, kills himself. He becomes a martyr
at 24. To this day, the music industry and fans can’t stop hooting and
hurrahing for this uber-talented rock god. He is a permanent record—the
default setting to which all other indie frontmen will be compared. And
god forbid if you happen to be an animated, baritone Brit. You will be
forever shackled to this point of reference—never free—never number
one. You are condemned to be number two for eternity. The gatekeepers
will never let you pass through the gates. Curtis is the hero—the
Batman. You are Robin and don’t you fool yourself into thinking
otherwise. You see, Curtis never burnt out—so he’ll never fade away.
Sadly, Tom Smith, vocalist for the English band Editors, can’t shake
the media’s obsessive habit of comparing him to Curtis. Do you think
that if Ian Curtis were alive today he would have this god-like status?
I don’t. But try telling that to the worshipers in the Curtis Cult.
Your dissent will fall on deaf ears.
A little closer…
Another
example of this better to burn out phenomenon is the haunting of Eddie
Vedder by the ghost of Kurt Cobain. To this day, Pearl Jam’s frontman
is asked to give defense against some silly, unfavorable remarks about
him made by Nirvana’s Cobain. These retarded, insensitive journalists
apparently find it irrelevant that Nirvana released only three
albums—of which only one, “Nevermind,” is regarded as a masterpiece.
The others are forgettable. Oh but Cobain isn’t. He is here to stay and
don’t you forget it Eddie! This is simply pathetic. Vedder, along with
the other Pearl Jam members, have released nine studio albums, numerous
bootlegs, solo works, garnered prestigious awards, and have a huge
international fan base. Plus, Eddie Vedder can sing any song with any
artist. Just check out his versatility and talent on YouTube—amazing
stuff! Kurt Cobain’s status rests mostly on his promising future—his
potential to give the world another “Nevermind.” It does not rest on
his merits. Pearl Jam’s “Ten” is at least as brilliant and
groundbreaking as “Nevermind." These guys are even in 1993. However,
Eddie can safely claim to have out-shined Kurt. Pearl Jam has been a
band for the last 18 years and is still rocking. Nirvana lasted 7
years—extinguished with Cobain’s suicide in 1994. And so Eddie sings,
“I’m still alive!” Indeed. But the idiots don't listen. His voice is
muffled by their obnoxious shouts, “Give it up Vedder! Cobain is the
godfather of grunge. You are a second-rate a poseur!”
Right where it counts…
My
brother Jeff was not a rock star. But his legacy shines on nonetheless.
Since his suicide in 2005, not a day goes by that I don’t think about
him. He has forever secured himself permanent residencies in my heart
and mind. Were he alive today, this wouldn’t be so. He would be thought
of—of course—but not with such a grand, intense, penetrating magnitude.
Famous when dead. Better burn out before you fade away.
“Rust Never Sleeps.” ~ Neil Young
PS--Don't
commit suicide. You may be thought of often. But is that a good way to
leave a lasting impression? Live well and long instead. You will have a
greater impact. Plus you will be alive to see your influence in all its
wonderful glory.
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October 6, 2009 - Tuesday
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Dissolve
Love...
Behind a brick wall Cannot know what's on the Other side.
Lust...
Draped in a red curtain Dies once it exits The stage.
And soon...
Those sweet and tender moments Lose themselves in the Hourglass's sand.
Of course...
Days pass. Months go. Years overflow.
And you know...
Love, lust, and compassion Don't stay.
They dissolve. They decay.
And so...
Before too late Hope succumbs to fate.
And the promise of forever Sinks into the abyss.
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October 6, 2009 - Tuesday
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September 20, 2009 - Sunday
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September 7, 2009 - Monday
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I want to be discovered! I'm waiting here patiently... To be found out.
I'm in need Of a rescue From mediocrity.
Someone save me Please!
Hey, I know I'm Quite special... This I don't doubt.
But I need a cheerleader... Arrogance is lonely without.
Did I hear you say You're on your way, Only moments away?
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August 23, 2009 - Sunday
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Continuing on yesterday's romantic film themed blog post...
Period Flicks For Chicks... You know, those romantic, costume dramas set in the beautiful English countryside, majestic, turn-of-the-century America, Florence, or aboard a sinking ship... all of which are certain to include lots of corsets, ribbons, tea cups, star-crossed lovers, and repressed sexualities.
Realitybites' Handy Dandy Dictionary defines Period Flicks as films particularly suitable for a woman during that special time of the month when her hormones are out of whack and emotions run high... when all she wants to do is hole herself in for the day and immerse herself in a melodramatic tearjerker that's ending is sure to have her crying, cheering and clapping, or better still, jumping up and down on the couch. 
These are my faves:
A Room With A View
Pride & Prejudice (2005)
Pride and Prejudice (1996)
Atonement
Valmont
The Duchess
Sense and Sensibility
Emma (1996)
Marie Antoinette
Titanic (1997)
Little Women (1994)
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August 22, 2009 - Saturday
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Taking a break from watching documentaries on Netflix and elsewhere, I have been catching up on my consumption of feature films. And wow, I have seen some great ones these last few weeks.
I am a sucker for romance. Though I do realize that romantic movies are fairy tales. We never see the stress and conflict that these celluloid characters would most definitely experience once the camera is turned off. The viewer is left with a relationship stuck in time. Love forever. But still, I enjoy these over-the-top dramas.
Just tonight, I watched the 2005 remake of Pride & Prejudice with Keira Knightley. She is quickly becoming my new favorite actress. I can't think of a better person to play Elizabeth Bennet. She is Elizabeth Bennet.

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August 20, 2009 - Thursday
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What...Am I reading? The Beckham Experiment: How the World's Most Famous Athlete Tried to Conquer America
The Rise and Fall of The Third Reich: A History of Nazi GermanyWhat am I creating? Decorating a dollhouse
Making an art book with my poetry, prose and pixel artWhat celebrity crushes do I have?
Tom Smith of the band Editors (all of him)
David Beckham (minus his high-pitched voice)
Eddie Vedder (all of him)What is my favorite news source?New York Times onlineWhat do I think of Twitter?Twitter is for Twits. What secrets am I willing to reveal right now?I do not wear a wedding ring (I don't wear any jewelry.).
Diamonds are for people who like to make Debeers very rich and Africans very poor.
My husband adopted my surname.
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August 7, 2009 - Friday
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10 minutes with Meryl Streep
The film legend talks about channeling Julia Child, anti-Hillary sentiment -- and the problem with male bloggers
By Kerry Lauerman
Aug. 07, 2009 |
So
we were offered a stiff challenge: Interview film giant and legendary
chameleon Meryl Streep. The rub? Complete it in roughly the time it
takes to holler the line: "The dingo ate my baby!"
Challenge accepted. Salon chatted with Streep, who
recently turned 60 -- and is as luminous and articulate as ever --
about channeling Julia Child in the new "Julie & Julia" (her 53rd film role) and anything else we could possibly fit in before time ran out.
You've played plenty of real-life characters
through the years, but rarely such a familiar person as Julia Child.
Did that worry you? Did you worry about playing it too broadly -- like
Dan Aykroyd's caricature on "SNL"?
Well, probably it should have. But I had just finished "Doubt" and didn't have any time to think about it. And before "Doubt"… I didn't have time to think about that. I think generally I'm better when I'm thrown out on the stage with a [mimes a confused look] "What, what, what do I do?" [Laughs]
I really do. I think the more time you have to worry about something --
actors that prepare for a year to work on something -- I know I
couldn't do it, because I'd over-think. I would definitely over-think.
I just had the same outlines in my mind that everybody
had. You know, the voice, the posture and things like that. But really,
what I attached to in my imagination was her spirit. She was so similar
in spirit and approach to life to my mother that I got to do a little
tiny homage to Mary Streep while I was doing this. Which meant a lot to
me and sort of located me centrally in a body I loved.
That's interesting to know, because your performances are closely scrutinized for their potential influences. In "Manchurian Candidate"
[2004] you said you'd watched women like Karen Hughes and Peggy Noonan,
but a lot of people were convinced you were playing Hillary Clinton,
and --
I thought it was fascinating that people thought it was
her. Because, honestly, I'd never thought about her for one second
while I was doing it. But there was so much anti-Hillary vitriol in the
press at that time that anybody with a bubble haircut -- you know? Even
though [my character Eleanor Shaw] was a brunette and from the South
and looked like me! I think the women that are sort of driving,
aggressive ambitious presences in films are still terrifying -- and in
life, I guess. It's still something society is chafing to accommodate.
You had a famous quip in the 1990s about how
difficult it was for older women to get good roles -- that Hollywood
producers don't want to cast women who remind them of their first
wives. Recently, you've said that you don't think anything has changed
dramatically. And yet you're wildly in demand ...
I don't think they have changed dramatically, otherwise all
the actors my age would be working as much as I am. And I think I have
surfed a wave of very good fortune. I guess, starting with [ "The Devil Wears Prada"]
it has to do with the money coming back in big blockbusters. But if
there were more female-driven, interesting projects that were widely
distributed ... That audience is there, they want to go.
There does seem to be a strange amnesia after women-targeted films, like "Mamma Mia," are huge hits.
In the blogosphere. Because the blogosphere is still
mostly fellas. Somehow they have all the spare time because -- I guess,
someone else is cooking, or cleaning, or doing whatever it is that
needs to be done. [Laughs]
You said recently that you're still "shocked" when you get a role. Is that really true? Come on, you're Meryl Streep!
Yeah. I don't know, I think [pauses to consider]
I'm a valuable commodity to a project. But I'm always shocked that
there's an interesting, full-fledged, ambitiously wrought role for
somebody like me, that somebody's willing to put in a movie, it's
unusual, that's what I mean by shocked. I'm not shocked because …
"Gosh, me? How do I know how to act?" [Laughs]
But there's so many unbelievably talented, richly talented women and men that are older, that just don't get a chance.
In a recent New Yorker profile on Nora Ephron,
you talked about the role a personal life plays in one's career, saying
that "we're all sustained by good marriages, to the extent that we
are." What did you mean by that?
That was part of a longer thing and I was talking about,
we're all sustained by relationships. Sometimes it's by marriages,
great friendships, by a sustaining relationship to a parent. But that's
the glue of society, it's very home-centered and very simple. It's part
of a larger conversation about the rise of fundamentalism and the
terror of modern culture and what you're talking about in terms of why
we love cooking shows.
We love cooking shows because they take us back home,
they take us into the kitchen. It's a very elemental – you know, round
the hearth, where we understand safety and nurture and all those good
things, all the good things, because the world -- all the things that
pull it together -- is spinning out of control.
-- By Kerry Lauerman
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August 6, 2009 - Thursday
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Favorite Film Characters A Subjective and Dynamic List
Edward Norton as Monty Brogan in 25th Hour
C. Thomas Howell as Ponyboy Curtis in
The Outsiders
Matt Dillon as Bob in Drugstore Cowboy
Christian Slater as J.D. in Heathers
Keanu Reeves as Officer Jack Traven in Speed
Kevin Spacey as Lester Burnham in American Beauty
Jodie Foster as Clarice Starling in Silence of the Lambs
Julian Sands as George Emerson in A Room With a View
Mathew Broderick as Ferris Bueller in Ferris Bueller's Day Off
Mary Stuart Masterson as Idgie Threadgoode in Fried Green Tomatoes
Ethan Hawke as Troy Dyer in Reality Bites
Colin Firth as Valmont in Valmont
Johnny Depp as Edward Scissorhands in Edward Scissorhands Harrison Ford as Indiana Jones in Raiders of the Lost Arc
Mary Stuart Masterson as Watts in Some Kind of Wonderful
Adam Sandler as Robbie Hart in The Wedding Singer
Drew Barrymore as Julia in The Wedding Singer
Kathy Bates as Evelyn Couch in Fried Green Tomatoes
James Spader as Graham Dalton in Sex, Lies, and Videotape
Shirley MacLaine as Tess Carlisle in Guarding Tess
Jack Nicholson as Garret Breedlove in Terms of Endearment
Shirley MacLaine as Aurora Greenway in Terms of Endearment
Ewan McGregor as Christian in Moulin Rouge
Clint Eastwood as Robert Kincaid in The Bridges of Madison County
Timothy Hutton as Conrad Jarrett in Ordinary People
Dianne Wiest as Peg in Edward Scissorhands
Greg Kinnear as Simon Bishop in As Good As It Gets
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July 18, 2009 - Saturday
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Category: Writing and Poetry
A Card For No Reason
A card for all seasons. A card for no reason.
A card without cake. A card without balloons.
A card without chocolate, Or flowers in bloom.
A card without Santa, Or pretty, wrapped gifts.
A card for everyone. A card for no one.
A card without newborns, Or silky, black robes.
A card without tears. A card without shame.
A card about nothing. A card for no reason.
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July 3, 2009 - Friday
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Nobody hates phonies as much as Holden Caulfield—except me.
When I was ten years old, the worst insult one could garner from her peers was
to be labeled a fake. (Phony was not a popular term at the time.)
Being branded with this undesirable status meant that your peers would no
longer accept you. You would become a playground pariah, a loner without a
friend, an untrustworthy human being destined to be forever exiled from cool
groups or any groups at all, for that matter. Even the nerds wouldn't have you.
The bottom line was that you could not be trusted. That is what the label
meant. To be fake meant you were dishonest to us, them, and possibly even to
yourself. But that last part—dishonest to oneself is where it gets a bit
tricky. The phony may in fact be delusional e.g. schizophrenic. But those
aren’t the fakers that I am concerned with.
But why was/is being regarded as a phony worse than being called fat or lesbian
(two other classic middle school insults)? I think it was/is because we are
players in a social system that necessitates authenticity. In our supposed
meritocracy persons are recognized and rewarded for their abilities and
achievements. In this system, honesty is of the utmost importance. It is
necessary for each of us to present ourselves in a truthful way. Sure we all
have to fib now and then; and we all don different hats for the many different
roles we play in life. This is normal and acceptable. For example I may wear a
conservative, knee-length skirt and jacket to attend my daughter’s middle
school graduation ceremony. But that night I might put on a sexy black dress
and go dancing. Two different people? A phony? Not at all. We all have many
traits that make up our identity. They can be quite varied—even at odds with
one another at times. We are still who we are inside. What we are presenting to
the world is genuine—weirdness and all. We are being authentic.
Phonies are liars, manipulators, and cowards. They
misrepresent themselves to the world for personal gain—often at the expense of
others. They benefit from our system of honesty by banking on the fact that
most people are authentic. This gives phonies a great advantage. Those who are
trustworthy trust them; they appear credible to the credulous. In other words,
being a phony pays well precisely because the rest of us are not phonies.
It is a predator/prey relationship with the predator having a slight advantage…
because most of us don’t have the time, energy, or resources to check out every
fact and story for accuracy. So we assume
that the person we have befriended, or hired, or fell in love with is who
she/he says she/he is. Otherwise the whole system falls from its fragile
foundation.
Authenticity is highly valued in our society. It is a
virtue. It is a necessity. We need to trust the doctor who claims to be
licensed; we need to believe our lover loves us for the reasons she states; we
need to feel confident that our professor is qualified to teach; we must be
assured that the product we purchase is safe. We look for consistencies and
thrive on patterns. This makes us feel safe to navigate this big, sometimes
scary world.
And yet, most of us take this delicate, unspoken system for
granted. We don’t think about it much until we run into a phony. And then our
trust is shaken and our judgment questioned. Being great manipulators, phonies
are able to make us feel that we are imagining their deception, that our
perception is wrong. They are masters at spin and covering their tracks. We
feel betrayed; but they feel no remorse. It is all about them and their image.
It is a dog eat dog world and they must be number one—even if it means
cheating. It’s not how you play the game but rather who comes out on top. They
crave attention and will do whatever is necessary to look good in the eyes of
the prey.
OK, so we all agree that being authentic is a must for our
society to run smoothly. But faking rubs me the wrong way—on a very personal,
gut-twisting level. It is a major character flaw—a destructive weakness that is toxic to the rest of us.
Honestly, I would
rather do lunch with a bigoted, right wing fundamentalist theocrat than a
sweet-talking, despicable phony. At least the fundamentalist is being
authentic. With the phony—who knows? That filet mignon they’re serving might
just be horse meat.
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June 30, 2009 - Tuesday
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Did Michael Jackson die from complications related to anorexia?
The moment I heard the news of Michael Jackson's death, a 'cause' of death came to my
mind mind. Jackson—pale, frail, and emaciated—died from an electrolyte
imbalance brought on by dehydration— which resulted in cardiac arrest. His
cardiologist on hand most likely knows this is what happened, as he firmly
denies it was NOT because of any drugs he may have administered to Jackson.
As you may recall, Karen Carpenter and Terry Schiavo both suffered from cardiac
arrest due to anorexia. Most people think anorexics die because of starvation.
This is not true. While anorexics suffer the highest casualties of any mental
health disorder, the most frequent cause of death is by suicide followed by
cardiac arrest from an electrolyte imbalance—not starvation. Calcium,
potassium, sodium, and magnesium are vital electrolytes that regulate the
heart's rhythms. Dehydration from starvation, purging, or exertion can deplete
these minerals from the body very quickly—especially in a person with a
long-term eating disorder—such as Jackson.
I think the good doctor knows what killed his patient. And I think the coroner
knows as well. Toxicology reports will take a few weeks. And I believe they
will confirm my theory—or at the very least will not be able to show any other
plausible cause.
I am not a doctor. But I am a survivor of anorexia. Every emergency room visit
of mine over the course of a decade was due to dehydration. It is no picnic
experiencing the beginning symptoms of a seizure—tingling and numbness in the
mouth and hands—realizing from past experience that you are beyond the
point of being able to help yourself. You cannot re-hydrate your body by
drinking—you need I.V. fluids and fast. You have no choice—you must get to a
hospital ASAP.
So what happened with Jackson? He had a cardiologist on staff. Well, I think
Jackson was a victim of his success in more ways than one. Not only did it
screw up his childhood—which I am certain has something to due with him
developing an eating disorder, but it also resulted in him being surrounded by
a bunch of yes-men/women-enablers.
A firm hand—by his father—was not what he needed at eleven years old. But at
fifty, somebody should have said, “No Michael. Enough is enough.”
....
Just my thoughts. I could be wrong about the ‘cause’
of death. Even so, I stand by the rest.
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April 7, 2009 - Tuesday
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Happiness, I'm chasing you.
But you are not playing Fair.
I can't keep up This pace.
You will have to slow-down, To even the odds.
Or I'll give up The chase.
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March 1, 2009 - Sunday
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Voluntary relinquishment of autonomy... exercising the freedom to choose to not have choice. Sounds crazy eh? You can't relate, you say?!
Ask yourself these questions to find out if you are living a life in chains rather than being a free agent.
Do you believe in a god(s) or higher power?
Do you think that the government should regulate marriage, drug usage, sexual relations, and foodways?
Do you believe in karma, fate, or destiny?
If you answered yes to any of these questions, then you are not free--by choice.
If you want to be free, you must bury your god--a god that was created by simple human minds long ago. You cannot be free if you have a puppet master telling you what to think and how to act. You believe in patriarchy.
If you believe the government should function as your parent--telling you what to eat, who you can marry, and what drugs you can consume, then you have kicked your autonomy to the curb in favor of paternalism.
Last, if you believe that there is a plan--a path with your name on it, then you believe that your life's meaning and course of action are preordained. You are a docile body merely following the laws of the universe. You believe you are powerless.
Those who truly celebrate freedom reject patriarchy, paternalism, and powerlessness.
Those who choose to be ruled and regulated by invisible, constructed forces have decided that enslavement is a good thing.
But why? Why reject freedom?
Well, freedom can be a frightening reality to embrace. It has conditions attached that you must accept. Being free necessitates that you be responsible for your thoughts, ethics, and actions.
Freedom means accepting the absurdity that you will die and that you have only one life to live. It necessitates that you make the best of this short time. There are no second acts. This play ends after act one.
Freedom means that you have no purpose. There is no compass to guide you. You are on your own. You must create meaning for your life. You are the conductor of your orchestra.
Freedom requires you to educate yourself and make sound choices regarding your diet, relationships, and drug use. Paternalism is not compatible with freedom.
Lastly, freedom requires you to accept the fact that life is unfair. There is no karmic justice. Your good deeds will go unrewarded after your death. And evil persons who are not punished by our criminal justice system, will not be punished after death by god or karma. They will literally get away with murder.
Freedom is no free lunch. It has a price--conditions. People defend the idea of freedom of speech. They often fight tooth and nail for it. Yet, these same people don't embrace freedom in all these other areas.
Why?
Fear. Fear of death... fear of walking life's tightrope without a safety net... fear of making mistakes that can't be corrected or forgiven by a loving god... fear of feeling insignificant... fear of being the choreographer of your own life... fear of the notion that you are alone--there is no loving, forgiving god looking out for your best interests. To be blunt, it means knowing and accepting the fact that the universe could give shit. The ball is in your court.
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