Status: Single
Country: UK
Signup Date: 2/1/2006
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Monday, June 22, 2009
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Category: News and Politics
It's an honour to judge the John Betjeman Young People's Poetry Competition. In fact I'm really really excited about it. Pass the following info onto any 11-14 year oldsters you might know:
The John Betjeman Young People’s Poetry Competition
** CALL FOR ENTRIES **
The John Betjeman Young People’s Poetry Competition sponsored by Shell is open to 11-14 year olds in the British Isles and Republic of Ireland.
The prize of £1,000, (£500 to the winner and £500 to the English department of their school), is donated by John Murray (Publishers) Ltd. The first prize winner, runner-up and highly commended will also each win three Eurostar standard class return tickets to either Paris or Brussels.
Entrants are invited to send one poem about any aspect of their local surroundings or any aspect thereof, whether it be a house, a street, a garden, a park, a city or a wider landscape. The spirit behind the competition is to encourage young people to understand and appreciate the importance of place.
The prize giving will take place on 20th October 2009 at St. Pancras International Station.
Completed entry forms which are available on request need to be received by 31st August 2009.
For the full list of rules, entry form or for further information about the prize please visit www.johnbetjeman.com or email justinagowers@yahoo.co.uk
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Wednesday, April 15, 2009
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April is coolest month! * Joel Stickley and I have finally got round to recording our podcast. I've heard people wax lyrical about how seeing something truly amazing inspired them in their own careers, eg " I saw Pele play when I was a lad and it inspired me to become a professional footballer." Pah, faced with such genius I'd be put off. What inspired Joel and I to do this podcast was the sheer banality of the other podcasts by comedians we'd heard. We thought "we can be that banal." And Lo, here we are. The podcast is called Joel Stickley and Luke Wright Practice Being Spontaneous and you can subscribe via iTunesor listen online at my website* This Saturday (18 April) I'm on Saturday Live - 9am, Radio 4. * I'm also doing some gigs this month: Friday, 17, April, 2009 | 7:00pm Bush Hall Presents … with Stephen Merchant - Bush Hall - London Bush Hall,310 Uxbridge road, Shepherds Bush, London, UK w12 7lj mystery headliner / stephen merchant / luke wright / milton jones / mc simon munnery. Wednesday, 22, April, 2009 | 9:30pm The Petty Concerns of Luke Wright - London - Hen & Chickens Hen & Chickens, 109 St. Pauls Rd, London, UK A very early run of this show. It's possible it won't be all finished by then, if not I'll throw in some golden oldies. It'll be an interesting hour. Thursday, 30, April, 2009 | 7:30pm Premieres and Poetry - London - The Poetry Cafe The Poetry Cafe, 44 Betterton Street, London Live musical responses to live readings from contemporary poets. 6 Composers and 6 poets are ‘paired up’ and the resulting work is bound into a dramatic performance with orchestral instrumentalists. The poetry and the readings are separate, the music responding to the text. I'll be doing Colonel Crampon with Ben Oliver composing the music. Tickets: £15, £10 concessions. * I also begin my 3rd UK solo tour with A Poet's Work Is Never Done. Here are the dates until the end of May: 25 April ADC Theatre (for Cambridge Word Fest) CAMBRIDGE 01223 300 085 3 May Komedia (for Brighton Fringe) BRIGHTON 01273 647 100 NB (3.30pm show) 4 May Lakeside Theatre, Essex University COLCHESTER 01206 573 948 with support from John Osborne and Molly Naylor 6 May Wicked Words, Seven Arts Centre LEEDS 0113 262 6777 7 May The Brewhouse Theatre TAUNTON 01823 283 244 14 May The City Screen YORK 0871 704 2054 15 May The Merlin Theatre FROME 01373 465 949 With support from Molly Naylor 20 May Norden Farm Centre for the Arts MAIDENHEAD 01628 788 997 With support from John Osborne * I've got some more tour dates in late June and July, but I'm having a break after 20 May because Sal and I are expecting a baby. So in amongst all these podcasts, gigs and new shows I'm attending ante-natal classes and flicking between intense excitement and intense worry. * Finally, my lyric of the week is a Morrissey classic from his much derided 1995 album Southpaw Grammar: "He thinks he got the whole world in his hands Stood at the urinal" Lol, as the kids are saying. Pip-Pip Luke.x
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Wednesday, January 14, 2009
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So I run
this site off Wordpress, which is an excellent blogging format. Behind
the scenes here at lukewright.co.uk I have loads of plug-ins and extras
that make maintaining my own website a joy. One of the extras is a
little dialogue blog that lists other blogs that are linking to mine.
Normally it’s just sites that are listing me for forthcoming gigs and it
isn’t very interesting, but occasionally you get another blog with
someone commenting on a poem or a gig (someone printed my Channel 4
poem in response to Mahmoud Ahmadinejad Christmas speech, which amused
me).
One day before Christmas I logged into
my site to see a new listing in this dialogue box, from a blog called
fiend1981, I clicked through and found a post that seemed to be about
John Cooper Clarke. The blogger was waxing lyrical about the bard of
Salford’s second album, Snap Crackle and Bop. Ah, a like minded
individual I thought and read on.
The blogger concluded that the album
had changed his mind about performance poetry, which he had only ever
regarded with contempt, adding:
“I shared a William Blake seminar eight years ago with this self-assured cockend - www.lukewright.co.uk”
I never even did a William Blake
seminar. And surely eight years is a long time to be carrying that kind
of resentment around with you. And he’d clearly googled me to find my
website. Is that his hobby: “oh, who’s that guy I hated in my English
class eight years ago, best Google him, cos that’s a great use of my
time.”
I had no idea who the blogger was, though reading through the blog I managed to find out that he was:
a) working as temp for Norwich Union;
b) had gone back to university part time;
c) had at some point been a teacher but had given it up.
I also discovered that all he talks
about is how shit the NME is (it’s for children, stop reading it) and
how he likes to listen to music on aac format rather than drm free mp3.
I mean, truly it was fascinating stuff. Eventually I managed to find a
name (nothing is private). The chap’s called Steve Fiendley. Yes,
Fiendley. And he was a teacher. Mr Fiendley! That’s the best teacher
name ever.
- Who gave you detention, boy?
- Why sir, it was Mr Fiendley, he caught me with a copy of the NME.
Ahh, Steve Fiendley, you angry man, why
did you take against me so much? Why wait till now to tell the world?
Oh Steve, we could have had something!
But not now. I’m very sensitive.
So I told John Cooper Clarke about
Steve Fiendley the following week at the gig we were doing together.
Dismayed at the actions of one of his fans Johnny recorded a short
video message to Steve Fiendley.
..
We laughed about it on the night, got
drunk and I forgot about it all. That is, until last week when I
noticed the blog listed on the dialogue blog again and the deceit of
Fiendley and his love of the aac format came back to me.
I went onto his blog and posted the following message:
Dear Steve,
I don’t remember our William Blake
seminars but I apologise if my self-assurance ruined them for you.
Below is a message from John Cooper Clarke. Best of luck with it all.
Luke.x
Then I imbedded Johnny’s message below.
A few days later I went back and found
that he had deleted his entire blog! I feel really bad. Steve, if
you’re our there (grinding your teeth and swearing at the monitor) come
back. I’m sure there are people out there who want to read about the
advantages of the aac format, after all, it occupy less space on your
ipod (or other mp3 player). You didn’t have to delete your whole blog
and livejournal profile, I was just playing.
And really Steve Fiendly wins, because
by turning this episode into a self-congratulatory blog I do come
across as a bit of a self-assured cockend. Maybe I’ll podcast it - in
aac format, of course.
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Friday, January 02, 2009
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this is from the new aisle16 show for kids:
Some loves are ballet shoes they walk on tip-toes, sit in rows sow their names onto their clothes paint their entire houses beige some loves are scared to loose some loves will always act their age
some loves sit at the back and nod their heads or tap their feet live their whole lives on the same street arrange their books in alphabetical order some loves get lazy and fat some loves leave lists for each other
Some loves are country walks games of cricket on village greens Monday lunchtimes in school canteens Saturday morning crossword puzzles some loves cross off the noughts some loves are no trouble
some loves obey the law wear Gortex and use direct debit are happy to sit for hours in traffic perch on stools at the end of the bar and nervously watch the door some loves never go too far
II
not ours, our love is loud like the last night of the proms motorways and atomic bombs a tuba, a teenage drummer our love is straight backed and proud our love is a beach in summer
our love is electric guitars it's a fat man getting fit a bull in a orchestra pit a giant's sneeze, tourette's disease our love is formula one cars and it makes cats fall out of trees
our love inspires rock stars to smash up their dressing rooms it's in tequila and exhaust fumes it ricochets off satellites it's in the capsule we sent to Mars and the radios on buildings sites
our love is screamed in car parks by drunken lads out on the town squeezed from novelty flowers by clowns our love is scrawled under desks it's kissed for luck by card sharks our love always resists arrest
our love is a belly laugh in a church, new years in New York a class that refuse to be taught it tells inappropriate jokes on dates it pulls faces for photographs and it loves to exaggerate
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Monday, December 08, 2008
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Blimey-flimey, what a week it's been. From Wednesday 26 November to Friday 5 December I was in schools. I think I did something like 20 performances and about 20 workshops. Knackering to say the least. But fun. I met some really great teenagers along the way and saw them write some really cool poems.
Last school was in Haywards Heath and I went straight from there on Friday morning to Somerset to pick up Zara and head down to Devon to meet the first couple to be featured in our documentary. We're going to feature seven couples all together and the idea is that I write their stories up as poems and then give the words back to them for them to perform/read for the cameras. It's a fairly avant garde idea as far as prime time documentaries go.
It's a very nerve wracking process for me. These are people's lives I'm trying to squash into iambic. When you're writing a poem details change to fit metre; names, colours and places morph as the rhyme dictates. In this case I can't do that, these are actuals events and memories and I must be true to them. My poetic license has been revoked.
We weren't filming on Saturday but we went to meet Victoria and Nick as theirs is a particularly sensitive story and Zara and I felt I couldn't' finish their poem without meeting them face to face. Nick has Pick's disease, which is a bit like altzeimers. He is loosing his words and now can remember very little of his past. Victoria has written their memories down because she feels that without Nick to remember them with she'll loose her memories as well. It's a sad situation, but what I got from Victoria and Nick was a really life-affriming. The love they have for each other is so strong, many people never feel that their entire lives.
I had written most of their poem before we arrived. I was up at dawn on Saturday, watching the sun rise from my freezing bedroom in the B&B, trying to make Victoria's words scan and not loose their potency. We met them at 10am and spent an hour or two walking around the beautiful town of Topsham where they live as Zara was scouted locations for the shoot. When we got back to theirs I showed Victoria the poem. It was a very tense moment. I was so scared she would be offended or hurt. I had so many details from their life together I felt like a trespasser. Poetry can be so evasive. It can be a weapon. And it can be the opposite. She loved what I had so far. By the end we were all nearly in tears.
Nick showed me his poetry collection. He can't understand the words now, but he knows he used to love them, the books still bring him pleasure. He also showed me the drawings he does now. He copies misericords (medieval carvings found on church pews) from books. I was astounded at his creative verve, the pencil drawings were beautiful. Drawing was not something he had ever done in his youth, the visual creativity something he picked up as his words started to leave.
I now feel like I have enough to finish the poem. In fact I feel more inspired than I feel for a long time. I am on a train at the moment heading to London to meet some 7 year old kids who will be the first people featured on the doc. I am going to run a little workshop to find out what love means to them. I think it will be nice for the doc to start with 'love' being dealt with in a very catholic sense before we focus in on romantic love.
I'll keep posting our progress as we go along. I won't post up the poems though, I want you to hear them as they were intended on the doc when it's aired on 13 February on Channel 4.
In the mean time here's one I knocked up at the station this morning:
KATE BORROWED MY T-SHIRT
There is a woman at Norwich station with a canvas bag that reads KATE BORROWED MY T-SHIRT Kate's a celebrity. It's an ironic statement a big joke we're all in on
the bag is taking part in a cultural discourse the bag is like Tom Paulin or Stuart Maconie only made out of hemp and with room for a laptop
The woman eats a Thai chicken wrap Her husband picks his nose passers-by glance at the bag KATE BORROWED MY T-SHIRT it says to students, young mums men in tweeds, women in trouser suits.
KATE BORROWED MY T-SHIRT it chirps from Super Bowl car park KATE BORROWED MY T-SHIRT buying cat food at Tescos KATE BORROWED MY T-SHIRT collecting kids from piano
KATE BORROWED MY T-SHIRT it screams at job interviews, birthday drinks, Harvesters, bus stops, away days, used car lots, chemists, cafes and PC World KATE BORROWED MY T-SHIRT
and no one can remember why or when or what it looked like or if it was even Kate or just another stylish hag KATE BORROWED MY T-SHIRT and all I got was this lousy bag
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Sunday, November 09, 2008
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Luke's got a joke
Imagine a pub on Saturday afternoon with warm autumn sunlight being cast through the room the second pint started, the discourse fermented a large group of friends feeling fairly contented
And yet damn the conversation for Luke is not in it no one's paid him attention for nigh on a minute his lips start to quiver and his head starts to dip then all of a sudden, Luke stands up and lets rip:
Luke's got a joke, Luke's got a story here comes a witty line about Tories Luke's got an outlook it's best if you listen one way or another he requires your submission
Let's cut to a wake, the sound of Spanish guitar guests more focused on death than on Luke's repertoire which simply won't do so he bellows the question: who here's not seen my Austin Powers impression and without an answer he's poofed up his hair stuck out his teeth and said yeah baby yeah till everyone's squirming and forcing fake smiles and wishing someone had breast fed Luke as a child
Luke's got a joke, Luke's got a punchline hear his new theory from the literary frontline Luke's got an opinion about a game of sport He's not listening to you, he's just planning retorts
So let's visit Chez Luke and Luke and his missus entertaining some guests with coffee and biscuits and of course Luke holds court like some navel gazed teen before collecting applause and leaving the scene A friend takes the chance to recount her weekend, though as her yarn starts to mount to its witty crescendo Luke's back in the room and he's dressed up in new clothes Saying: hey don't I look cool and pulling a pose
Luke's got a joke, Luke's got a gift for writing himself into those urban myths remember that weird thing, that one off, that fluke yeah well that, that actually happened to Luke
He's so good at the voices just watch him act it's like John Cleese is right here in the flat no no no Luke we don't think you're a twat do your Mrs Doyle that's brilliant that no Luke don't stop, please tell us more just don't, you know, "mention the war" let's not bother with the Comedy Store just get Luke to do some of Blackadder 4
Luke's got a joke, Luke's got gag he'll repeat near verbatim lines from style mags Luke's got a verdict, shut up, let him rave and when he's finished give him what he craves
If you see a class enthralled in their lesson or a couple of lovers stealing a second a group of old buddies chewing the fat a brace of old dears going yakkety yak be sure Luke's not far from these charming vignettes with a perfect rendition of the dead parrot sketch or some neat aphorism from the cavernous jaws of a life that's just echo and hollow applause.
Family Funeral
And so, as sure as seasons, they arrive relations last seen heavy as trifle at some mid childhood Sunday lunch that dragged. Now monochrome, old they crunch up the drive the pin-stripped nephew in the red tie still lingering cocksure with iPod and fag.
We back slap each other grimly inside brothers peck the cheeks of their sisters with a renewed sense of purpose and time as chairs are chosen and hymn sheets are plied, the cynical looking for signs of fissures the rest for formality's comforting chime.
Which comes, steady as the grandfather clock that will later cause cracks, as a strong jawed stranger introduces us to a man we'd known all our lives. It isn't a shock what we had never learned about him, more a sense that we should talk whilst we still can.
And though one great aunt looks quite shaken by the time we're outside, no one cries a cousin gives a cousin a friendly shove and I can't believe that it has taken me twenty-seven years to realise it's not the death that makes us sad, it's love.
So like an ostrich
The poet strides across the boards reeling off his verse like some touched religious nut slowing down to emphasis the feeling he is sure will be aroused. Then a rut
of his groin at the front row, this means he's sexy too. Look at him there, smoldering away like Heathcliff, shooting the stale breeze to a crowd of teenagers bordering
on the edges of shrill hysteria have you ever seen a crowd more engaged? a final waggle of his posterior then poetry comes all over the stage. Silence. The students are slack-jawed and dumb 'til a hand's raised, tentative, polite Wryly the question begins with an um Then why on earth are you're trousers so tight? Skinny black almost elastic drainpipes Clutching those spindly pipecleaner pins taking sapling steps. You've seen the type - flat trainers and thighs that look like they're shins. That's what I always wanted: anorexic heroin chic, like those boys in The Strokes. I wanted to be thin with legs like sticks all rib cage, with biceps as thick as spokes. But as sure as man can't fly and Scousers can't take a joke, I can't wear skinny jeans yet still I tried to squeeze into trousers that had clearly been made for ditzy teens. Why did no one tell me that I looked a prat? Like an apple balancing on a pair of compasses; moon faced, sack stomached, fat giving off the unmistakable air of someone so completely out of place I'd stand out from all the other geezers sweat beading like gelatin on my pallid face - I looked like blamonge skewered on tweezers. And for what? What was the human lollipop impression in aid of? The gut on stilts. I was just frowned at like a golliwog - popularity falters as dignity wilts. Nothing stinks like effort, reeks like trying, Nobody wants to be too self-aware; that question made me see I was lying to myself. Time to find something else to wear. And with that my relief blew like a keg Months of a waistband imprinted on hips having a bollock squashed into a leg of fumbling with buttons, struggling with zips
months of avoiding shop window reflections for fear of catching a black denim sausage so like an ostrich, no ego inspections and yes, I looked a bit like an ostrich months of wondering if I pulled off this look like the man in the shop said that I did sniggering into his jeans order book or whether I just looked like a dick were over and it was clear to me then: if you're in a hole you should stop digging don't worry about all the other men If your ego's that fragile stop bigging yourself up. You should always quench your thirst a man should never be afraid to cough and if your jeans are too tight, just take them off. but only… wait until you get home first.
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Wednesday, October 29, 2008
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Current mood:  angry
So Russell's walked, and who the fuck can blame him?
And (to take the words of any Blarite MP) let's just make this absolutely clear: no one was more pissed off with him and portly try hard Jonathan Ross upon hearing about their lame duck of a prank call to Andrew Sachs than I was. It was misogynist, lazy and vulgar, but worst of all it gave my dad genuine ammunition in the age-old 'my world view's better than you world view' argument.
But seriously people. Seriously. What the fuck is going on? This is not top item news. Not even close. So what? Two comedians attempted to make us laugh and failed. So, the fuck, what? Do you have any idea how hard it is to keep on making you people laugh? Do you have any idea how soul destroying it is to keep on, week after week, cracking the punch line; to plunge ever deeper into the realms of bad taste to keep you cretins creasing up? We all love to see the clown break down and cry his wretched tears but we don't half hate seeing him up there swaggering away.
I don't think it was funny. It was crass and sexist. But Jesus Christ, get over it. I will say this now and I will say this once - Russell Brand is a brilliant comedian. In the words of John Osborne: "the phrase genius is bandied about too much is bandied about too much." Brand is a genius.
No! No! Shut the fuck up middle England. Shut the fuck up Mr Pringle-sweater-wearing-like-to-hear-you're-own-voice-talking-never-been-to-a-comedy-gig-in-your-life-Daily-Mail-Daily-Telegraph-alternating-voice-of-the-pious-people you do not get to wade in now and register your disgust. I am TELLING you. It is not a discussion. I have dedicated my life to watching comedy. I AM TELLING YOU you are wrong with your "Russell Brand's type of comedy is the lowest common denominator." You have no idea. You have NO idea!
Saying "I fucked your grand daughter" was not funny. It was misguided, yes. But it is not reason to push a man till he jumps. He's not going to get it right every time. Thousands of us have laughed at Ross and Brand every week for years. They make one fuck up and it's out on their ears. And don't even begin to give me the money argument. "Celebrities in massive wage scandal." What's new? Of course they get paid loads. That's how it works when people are famous. That's commercialism. That's capitalism. Don't like it, then great, change it, but this is not the place to start.
Listen to ourselves (me included). LISTEN! This is ridiculous. "Tax payers money!!" we cry. Well, look, calm down. How's about this: you can take double from my taxes to pay for Brand and Wossy and you can spend your extra on the Trident plan. I mean, I didn't want that. I reckon there's ATLEAST 18,000 of us who didn't want that, and yet … and yet …
So FUCK YOUR OUTRAGE. FUCK YOUR OFFENCE. You are not offended Middle England, you don't know the meaning of the word. You are bitter, jealous and angry at your own lives. If you invested less in television you wouldn't feel the need to complain of voraciously about it.
And if I ever have to sit next to a couple at a table in an Indian restaurant alternating between laying down the moral law about comedians' conduct and making lazy racist comments I promise I will take it fully out on them and not you guys.
"Hari Krishna" as Russell would say.x
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Friday, October 10, 2008
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here's a new 'un. it's not in final draft format. maybe you have a suggestion?
So Like An Ostrich The long poem reaches its crescendo it's stark epiphany uttered breathless. The poet bows, a low, majestic swoop and then stands back. Any questions? The students sit there awe-struck and dumb until one plucky girl raises her hand tentatively she asks the poet outright 'cuse me, but why are your trousers so tight? Skinny black almost elastic drainpipes Clutching those spindly pipecleaner pins taking sapling steps. You've seen the type - flat trainers and thighs that look like shins. That's what I always wanted: anorexic heroin chic, like those boys in The Strokes. I wanted to be thin with legs like sticks all rib cage, with biceps as thick as spokes. But as sure as man can't fly and Scousers can't take a joke, I can't wear skinny jeans but that doesn't stop me from squeezing into trousers that have clearly been made for ditzy teens. Why did no one tell me that I looked a prat? Like an apple balancing on a pair of compasses; moon faced, sack stomached, fat giving off the unmistakable air of someone so completely out of place I'd stand out from all the other geezers sweat beading like gelatin on my pallid face - I looked like blamonge skewered on tweezers. And for what? What was the human lollipop impression in aid of? The gut on stilts. I was just frowned at like I was a golliwog - popularity falters as dignity wilts. Nothing stinks like effort, reeks like trying, nothing's so icky as being too self-aware; that question made me realise that I was lying to myself. Time to find something else to wear. months of taking a deep breath before I buttoned tracing the print on my fleshy hips at night tucking my balls between my legs and picking the mysterious spots on my thighs months of avoiding shop window reflections as my top-heavy frame tottered past so like an ostrich, my ego buried so like an ostrich, (as in I looked a bit like an ostrich) months of wondering if I pulled off this look like the man in the shop said that I did (the pushy, sniggering man in the shop) or whether I just looked like a dick were over. It was clear to me now. that when you're in a hole you should stop digging It had all been a mistake and I knew how when you're ego's this fragile stop bigging yourself up. Always scratch the itch, quench the thirst If you've a frog in your throat - just cough and if your jeans are too tight, take them off. but next time… wait until you get home first.
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Wednesday, October 01, 2008
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On 6 September 2007 I was at home in Norwich feeling depressed. I had recently come back from the worst Edinburgh run of my life. I was thousands of pounds in debt and I felt my career was spinning out of control. In desperate need to cheering up and forgetting about work for a while I shunned my wife's suggestion to go out for day and instead logged into my Google Analytics account and checked the statistics for my website. I'm fun like that. Googling oneself is always a great activity when you're depressed. Like opening a drawer stuffed with hate mail. Poorly written and badly spelt hate mail, which somehow makes it all more threatening. When someone says "I want to punch that Luke Wright in the ball's" and erroneously puts and apostrophe between the 'l' and 's' of balls it makes it all the more likely to happen.
So I checked my Google Analytics account and saw that the day before I had had 4,000 visitors to my website. Now that's a lot. That's 8 times what I was getting in a month at that time. In one day. I couldn't believe it. I thought something must have happened. Not just anything: IT. IT had happened. I had made IT. Eight years of plugging away at this, eight years of performing in car parks and toilets; eight years of going to Luton for fifty quid and an audience of six have paid off. People are engaging with my work. I had fans! I checked to see where all the traffic was coming from. The Guardian's website. I had fans, and not just normal fans – left wing, middle class fans. Fans rich enough to afford merchandise and kind enough to buy it. What would I wear for my Channel 4 special? Who would I thank when I won the TS Eliot? How do you address the Queen?
I went further into my stats. The hits were all coming from one page on the Guardian's site. I had already had a feature in the Observer that summer marking me a up and coming writer. That had produced no more than about ten hits on my site. This article must be incredible. I clicked. I went through to the Guardian's sports pages. More precisely the commentary on the England's one day cricket international against India. Luke Wright the cricketer had made his debut the day before and hit a half century. But why were people clicking on my website. Deflated, I figured it was probably some administrative error as I scrolled down the rolling commentary on the match. But it was about to get a lot worse.
You see cricket is a dull game. So dull that during the match the sports writers providing rolling commentary on the Guardian's site had got bored and started Google image searching "luke wright." Which let's face it, is a bit creepy. Googling's one thing, image searching a young sportsmen is another. In doing so they had found me:
"If you search for Luke Wright in Google Images, then you are treated to a picture of possibly the most foppish buffoon I've ever had the misfortune set eyes on." writes Rob Phillipson. "Seriously, luke at the state of him."
The word 'luke' from the weak pun linked to a picture of me on my website. Rather than fans I'd had 4,000 people click onto my website to laugh at me. 4,000 people going 'ha ha, look at that foppish buffoon, what a twat. I'm much cooler I read the cricket commentary on line."
"the most foppish buffoon I've ever had the misfortune set eyes on." The misfortune. My dictionary defines a misfortune as being: "an undesirable or unhappy event or circumstance." My face made a cricket commentator unhappy. It brought great sadness to another human being.
So disturbed by this misfortune the commentator returned the subject of my visage a mere 3 overs later, stating that I looked like:
"an unfortunate stage-school-bred lovechild of Bryan McFadden and Declan Donnelly."
That's not even possible. Two men can't have a lovechild. Am I to deduce that my features were so horrific it lead an educated man to assume that some aberration of nature must have occurred to produce me. The result of two sperm and no egg.
To be fair, the picture they were referring to is this one:

It's the press shot from Poet Laureate. It's ironic. I don't dress like that for fun. I'm sending up the traditional view of a poet. It's a joke. And now 4,000 people were looking at with cold faced mockery, not even a hint of irony in the air.
Luke Wright the cricketer is not the only Luke Wright out there trounching me in the popularity stakes. Below is a video form YouTube of another Luke Wright. The video is called - Luke Wright – Butt Burner. This one has cigars put out on his arse for fun. This video has four times the hits I've got for any of mine. Four times! Now I don't want to denigrate Luke Wright – Butt Burner, after all he's clearly at the top of his field, and butt burning is his art in the same way that poetry is mine, but surely what I do has almost as much worth as what he does.
.. --> Smart Youtube -->
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Tuesday, August 12, 2008
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Category: MySpace
Hello Myspace Lovers, I have just found out from a friend of mine that someone going by the name of poetrycriminal (see his page here) has been putting my poems on his blog and passing them off as his own. His profile has been set to private (embarrassed perhaps?) so I can't see them, but the lovely Penny Sailor informs me that he put A Poet's Work Is Never Done and I Don't Get Out of Bed For Less Than Ten Grand on his blog. He even had the audacity to change the name of the former. Fucking cheek. Because clearly I'm an illiterate cunt who needs his working editing by someone called poetrycriminal. Penny warned him she was onto him and I threatened him with legal action yesterday. He has now taken the offending items off his blog, but that hardly matters. This is not the first time this has happened. Last year a bloke called Gav performed whole sets of my work and passed them off as his own. Read the account here. When this happens a part of me is flattered that someone thinks enough of my work to rip it off, but only a small part of me. I'm a professional writer, I make my living from my poems and I am sufficiently confident in my abilities that I don't need to be ripped off to feel like I am achieving something with my work. It makes my blood boil that some fucking upstart has the audacity to pretend they wrote my poems. How. Fucking. Dare. You. I love being able to post my work online, either on my blog or my website. Often these are first drafts and get a decent enough response for me to want to continue doing so. I am not going to be be bullied into not doing so by asinine dickheads who think it's ok to claim credit for my hard work. But let me make this very clear to anyone considering doing the same as poetrycriminal or Gav. You might think my career sad and tawdry enough to rip me off and have no one notice, but I can assure you they will and you will get a terse letter from my solicitors. Do not take me to task on this one, you will find me a tireless and uncompromising opponent. Hopefully that'll be the last I have to say on the subject. I am currently in Edinburgh, you can read about that on my regular blog.
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