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ebony golden


Last Updated: 4/11/2009

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Gender: Female
Status: Single
Age: 32
Sign: Libra

City: new york
State: New York
Country: US
Signup Date: 3/16/2006

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September 28, 2009 - Monday 17:16
3rd Annual In the People's Hands Arts and Activism Project 
Community Writing Intensive 
Poetry. Hip Hop. Performance. Instead of Prisons. 


Contact Ebony Noelle Golden
inthepeopleshands@gmail.com
www.inthepeopleshands.synthasite.com
919.423.3780 


Durham, NC—Oct. 1-4 Artists from North Carolina, South Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual In The People's Hands Community Writing Intensive in Durham, NC. This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. Visit http://www.inthepeopleshands.synthasite...com to register and see full schedule of events. 


This year's writers-in-residence, Shirlette Ammons, Matthais Pressley, and Olokun Olugbala Shangol, bring a wealth of knowledge and skill in the field of creative writing, community-based art and media making. The writers-in-residence will lead free community workshops, manuscript, and performance conference, and read at the open mic at The People's Channel in down town Durham. 


Participants will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities. Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. 
SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal." 


This year’s intensive features: 
Free workshops 
Workshops led by community poets and community organizers 
Travel Scholarships for commuters 
Youth-led workshops 
Writers-in-Residence 
Performance workshops 
Action-based community dialogue 
Manuscript workshops 
Open-Mic 
Virtual release of e-zine www.inthepeopleshands.synthasite.com Establishing a community board of artists and writers in the rooted in the south east 


The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all". 
June Jordan crafted Poetry for the People with three guiding principles in mind:
1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish. 


For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org. 


This project is made possible by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities, the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, and SpiritHouse-NC.


For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Noelle Golden at 9194233780. To register for the intensive, visithttp://inthepeopleshands.synthasite.com 


-END- 
-- Ebony N. Golden, MFA, MACreative Director
www.bettysdaughterarts.synthasite.com
"creating radical expressiveness in community" 


Check out...Gumbo Yaya/or this is why we speak in tongues"Creative Healing and Expression for Women of the Diaspora"www.iamnotaproject.wordpress.co..m
Source: www.inthepeopleshands.synthasite.com
September 25, 2009 - Friday 22:29


Photobucket

Join the Hip Hop Mental Health Project in Durham, NC for the Hip Hop and Community Wellness event at New Horizons School October 1 at 12 noon!!! www.hiphopmentalhealth.org

September 11, 2009 - Friday 13:38
3rd Annual In the People's Hands Arts and Activism Project
Community Writing Intensive
Poetry. Hip Hop. Performance. Instead of Prisons.

Contact
Ebony Noelle Golden For Immediate Release 919.423.3780 www.inthepeopleshands.synthasite.com
inthepeopleshands@gmail.com

Durham, NC—Oct. 1-4 artists from North Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual Community Writing Intensive in Durham, NC at the New Horizons School and The People's Channel.

This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. The intensive will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities.
Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is so absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal."

This year’s intensive features:
· Tuition-free workshops
· Workshops led by community poets and community organizers
· Travel Scholarships for commuters
· Youth-led programs
· Writers-in-Residence
· Performance workshops
· Action-based community dialogue
. Manuscript workshops
. Open-Mic
. Virtual release of e-zine www.inthepeopleshands.synthasite.com
. Establishing a community board of artists and writers in the rooted in the south east

The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all".

June Jordan crafted Poetry for the People with three guiding principles in mind:
1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish.
For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org.

The Community Writing Intensive is sponsored by the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, SpiritHouse-NC, and the North Carolina Humanities Council.

For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Golden at 9194233780.

To register for the intensive, visit http://inthepeopleshands.synthasite.com/registration.php.

-END-
April 8, 2009 - Wednesday 15:42


http://www.youtube.com/watch?v=PQOmyebFVV8
Betty's Daughter Arts Collaborative continues the "Working Our Rainbows Series: Critical Approaches to Africana Women's Performance Methodology"

Betty's Daughter Arts Collaborative continues the "Working Our Rainbows Series: Critical Approaches to Africana Women's Performance Methodology"

"Am I a Feminist or Womanist" by Staceyann Chinn
Watch the YouTube Performance
Peace family. As I continue to think about "women's work", political division, art, community and sustainability I am critically looking at these terms-feminist and womanist and how they create/define/conflate/re-iterate power dynamics among Black women.

I am reading also:

Revisiting "What's in a Name?": Exploring the Contours of Africana Womanist Thought
Nikol G Alexander-Floyd, Evelyn M Simien. Frontiers. Boulder:2006. Vol. 27, Iss. 1, p. 67-89,131-132 (25 pp.)

I will email this article to you if you are interested!

Please post your responses here or to my myspace blog!

Peace and performance!

March 24, 2009 - Tuesday 18:49








Peace Gumbo YaYa Supporters,
Thank you for your generous thoughts, participation and support since the first cycle of Gumbo YaYa in 2007. Gumbo YaYa has travelled from NYC to NC drawing on the power of sisterhood and creative healing in every session or workshop. The second cycle of gumbo yaya is wrapping up in Durham, NC.
Here are a few updates:
New Community Support!
Gumbo YaYa is pleased to announce new sponsor, The Body Shop. The Body Shop (http://www.thebodyshop-usa.com/bodyshop/) is providing wellness and beauty items for the Gumbo Yaya Sister Circle and supporters. Many thanks to our awesome intern, Kenya C. Harris, for solidifying this sponsorship. You rock Kenya!
Love is Radical Performance!
Gumbo YaYa is wrapping up its second cycle on 3/29/2009 with a community performance, panel, and potluck.
What: Love is Radical: Performing Mothering, Daughtering, and Sistering
When: 3/29/09, 2:30 pm
Where: 214 Broadway St.
Durham, NC
Who: The Entire Community
Cost: Free
Why: Because we want to share our magic with you!
Please bring a dish, dessert, or beverage for the community potluck.
More Information: bettysdaughterarts@gmail.com or 919.423.3780
Please tell everyone you know to come out and support Gumbo YaYa!
Gumbo on the Go!
A Gumbo YaYa session was presented at the 5th Annual State of the Nation Arts and Performance Festival. Accepted with open arms by a diverse community of artists and activists, women and men engaged in "Brilliant Tomorrows: Sister(ing) as Creative Communal Performance" session in New Orleans, LA. www.sonfestival.org.
Brilliant Tomorrows will also be presented at the first We Are 1 Women's Conference in Durham, NC. The conference seeks to bring women together regardless of sexuality, faith, ethnicity. Check them out at http://www.infinitydiamondclub.com/infinity_diamond_club_015.htm.
On the Horizon...
Gumbo YaYa, the movie!
Gumbo YaYa, the curriculum!

We want to hear from you!
-Join our list serv at http://bettysdaughterarts.synthasite.com/contact.php.
-Check out our website and leave a comment at www.iamnotaproject.wordpress.com.
In sisterhood and community building,
Gumbo YaYa/ or this is why we speak in tongues

March 18, 2009 - Wednesday 17:08
love-is-radical11
March 11, 2009 - Wednesday 14:46
ORIGINAL FOR COLORED GIRLS CAST MEMEBER OFFERS PEFORMANCE WORKSHOP!!!

The Theater of the Oppressed Laboratory (TOPLAB)
--a member of The Institute for Popular Education at the Brecht Forum--
--founded in 1990--
451 West Street
New York, New York 10014
(212) 924-1858
toplab@toplab.org
http://www.toplab.org

The Theater of the Oppressed Laboratory presents
Confronting Diabetes with Theater
Two Workshops with Robbie McCauley
Saturday, March 21,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-1?bc=
Saturday, April 25,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-2?bc=
Award-winning actress Robbie McCauley returns to the Brecht Forum to lead
a series of workshops called "Diabetic Dramas" based on subject matter
from her performance piece *Sugar*, which looks at everything there is to
see about sugar, from slavery to colonialism to American mythologies to
diabetes. An ongoing work-in-progress, *Sugar*, which will be presented
again at the Brecht Forum in June, will incorporate some of the story
exchanges by participants in the "Diabetic Drama" workshops facilitated by
Ms. McCauley. Through the interweaving of stories, images, facts and lore
we will see that diabetes is not only a medical issue but also one of race
and class, and we will also see how sugar is sometimes something that is
very bittersweet.
The first Diabetic Drama workshop took place in January and will continue
with two more workshops on March 21 and April 25. It is not necessary to
have attended the January session to enroll in the March or April
sessions.
 
Robbie McCauley has been an active presence in the American avant-garde
theater for three decades. One of the early cast members of Ntozake
Shange's *for colored girls who have considered suicide when the rainbow is
enuf*, Ms. McCauley went on to write and perform regularly in cities across
the country, striving to facilitate dialogs on race between local whites
and blacks.
 
In the 1990s, she received both an OBIE Award (Best Play) and a New York
Dance and Performance (BESSIE) Award for *Sally's Rape*, which she wrote,
directed and performed.
 
A core member of the American Festival Project, she has practiced and
taught theater in several communities throughout the US and abroad. She is
anthologized in several books, including Extreme Exposure; Moon Marked and
Touched by Sun; and Performance and Cultural Politics, edited respectively
by Jo Bonney, Sydne Mahone, and Elin Diamond.
 
In 1998, her *Buffalo Project* was highlighted as one of the "the 51 (or so)
Greatest Avant-Garde Moments" by the Village Voice, a roster that included
work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage. Her
recent piece, *Sugar*, a work in progress, was presented at Ohio State
University in collaboration with several institutional departments and
organizations, and with members of Columbus' Near East community.
 
Robbie McCauley is on the Performing Arts Department faculty at Emerson
College in Boston.
Co-sponsored by the Theater of the Oppressed Laboratory (TOPLAB) and the
Brecht Forum.
Tuition--sliding scale: $15-$35
Pre-registration required.
Register online by using the links above or contact TOPLAB at
toplab@toplab.org or (212) 924-1858.
All sessions take place at:
The Brecht Forum
451 West Street*
New York City
* travel directions below
*****
Other Upcoming TOPLAB Workshops
March 28-29: The Rainbow of Desire
(info at http://brechtforum.org/events/rainbow-desire?bc=)
March 29: Closing party for Refuge and Resistance: Reflections on Gendered
Violence (an installation and performance piece conceived and executed by
Ocean Ana Rising)
(info at
http://brechtforum.org/events/ocean-anna-rising-presents-refuge-and-resistance?bc=)
April 18-19: Cop-in-the-Head
(info at http://brechtforum.org/events/cop-head-0?bc=)
May 23-28: Workshops with Augusto Boal
(info from toplab@toplab.org or [212]924-1858)
May 25: An Evening with Augusto Boal
(info at http://brechtforum.org/boalperformance-2009?bc=)
*****
Travel Directions
The Brecht Forum and TOPLAB are at:
451 West Street *
(between Bank and Bethune Streets in the far West Village,
1-1/2 blocks north of West 11 Street)
New York City
* Note: West Street is the same as the West Side Highway
Subway
IND Eighth Avenue A, C, or E to 14 Street or BMT Canarsie L to Eighth
Avenue (take a few minutes to look at "Life Underground", Tom Otterness'
series of whimsical bronze sculptures scattered throughout both sections
of the station). Walk down Eighth Avenue (against the traffic) to Bank
Street (at Abingdon Square). Turn right on Bank and walk west to West
Street. Turn right, walk a quarter-block to 451.
IRT Seventh Avenue 1, 2, or 3 trains to 14 Street. Exit at the south (12
Street) end of the station. Walk a short block west, across 12 Street, to
Greenwich Avenue. Turn left and walk one block to Bank Street. Turn right,
walk west on Bank Street to Abingdon Square. Bank Street continues on the
other side of the park; keep walking on Bank Street to West Street. Turn
right, walk a quarter-block to 451.
New Jersey PATH train to Christopher Street. Walk north (with the traffic)
on Greenwich Street to Bank Street. Turn left, walk west on Bank Street to
West Street. Turn right, walk a quarter-block to 451.
(From Penn Station or Port Authority Bus Terminal take the IND Eighth
Avenue A, C or E trains downtown to 14 Street and follow the directions
above. From Grand Central Station take the IRT Lexington Avenue 4, 5 or 6
trains downtown to 14 Street/Union Square and then change to the BMT
Canarsie L train heading toward Eighth Avenue. Follow the directions
above.)
Bus
#8 (Ninth/Christopher Streets crosstown) to Christopher and West Streets,
walk up West Street to 451.
#11 (Ninth and Tenth Avenues): From uptown--to Abingdon Square (at Bethune
Street). Walk south one very short block to Bank Street, turn right, walk
west to West Street. Turn right, walk a quarter-block to 451. No service
from downtown--Abingdon Square is the terminal stop.
#14A (Grand/Essex Streets/Avenue A/Fourteenth Street crosstown) to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451.
#20 (Seventh Avenue and Hudson Street/Eighth Avenue): From downtown--to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451. From uptown--to 12 Street (near St. Vincent
Hospital). Walk a short block west, across 12 Street, to Greenwich Avenue.
Turn left and walk one block to Bank Street. Turn right, walk west on Bank
Street to Abingdon Square. Bank Street continues on the other side of the
park; keep walking on Bank Street to West Street. Turn right, walk a
quarter-block to 451.
Car
Drive west on 11 Street all the way to West Street (West Side Highway).
Turn right for one block, to 451, between Bank and Bethune Streets.
Along the West Side Highway: From downtown--stay to the right and follow
the Highway to 451, between Bank and Bethune Streets. From uptown: Take
the Highway to Clarkson Street (exit left), make a U-turn at Clarkson and
proceed back up the Highway to 451, between Bank and Bethune Streets.
Note that there is no legal parking on many parts of West Street before
6:00 pm, and parking on the surrounding streets is scarce. Fines for
illegal parking are a minimum of $115, and your car could be towed.
Retrieval can cost you as much as $300. Fees at parking lots and garages
can run as high as $35 a day. WE URGE YOU TO USE PUBLIC TRANSPORTATION.

===
The Theater of the Oppressed Laboratory (TOPLAB)
toplab@toplab.org
http://www.toplab.org
"My fellow Americans, major combat operations in Iraq have ended. In the
battle of Iraq, the United States and our allies have prevailed."
                                       --George W. Bush, May 1, 2003
"...I told the American people that the road ahead would be difficult, and
that we would prevail. Well, it has been difficult--and we are
prevailing."
                                       --George W. Bush, June 28, 2005
"Our cause in Iraq is noble and necessary....America is engaged in a new
struggle that will set the course for a new century. We can and we will
prevail."
                                       --George W. Bush, January 10, 2007
"Prevailing in Iraq is not going to be easy."
                                       --George W. Bush, March 19, 2007
+U.S. military fatalities through May 1, 2003: 140
+U.S. military fatalities through June 28, 2005: 1743
+U.S. military fatalities through January 11, 2007: 3017
+U.S. military fatalities through March 19, 2007: 3217
+U.S. military fatalities as of March 10, 2009: 4256 (this figure exceeds
the number of people killed in all of the incidents that occurred on
September 11, 2001)
+Iraqi deaths due to the US invasion, as of September 2004 (estimated by
The Lancet): 100,000+
+Iraqi deaths due to the US invasion, as of July 2006 (estimated by The
Lancet): 654,965
+Iraqi deaths due to the US invasion, as of March 10, 2009 (estimated
by Just Foreign Policy): 1,311,696*
*These figures are based on the number of deaths estimated in The Lancet
(the British medical journal) study through July 2006, and then updated
based "on how quickly deaths are mounting in Iraq". To do that, Just
Foreign Policy multiplies The Lancet figure as of July 2006 by the ratio
of current deaths reported by Iraq Body Count (IBC), divided by IBC deaths
as of July 1, 2006. The IBC numbers, considerably lower than those cited
by The Lancet, Opinion Research Business (a British polling firm which
estimated 1.2 million Iraqi deaths as of September 2007), and even the
Iraq Ministry of Health, are based on the number of fatalities cited in
various news reports and have been criticized, with much justification,
for not giving an accurate assessment of the real Iraqi death count. The
much more rigorous and statistically-reliable study, conducted by teams
from Johns Hopkins University, Columbia University and Al-Mustansiriya
University, and published in The Lancet in September 2004, put the figure
at around 100,000 civilians dead. However, that data had been based on
"conservative assumptions", according to research team leader Les Roberts,
and the actual count at that time was credibly assumed to be significantly
higher. For example, The Lancet study's data greatly underestimated
fatalities in Fallujah due to the surveying problems encountered there at
that time. The second Lancet study, released on October 10, 2006,
indicated that 654,965 "excess" deaths of Iraqis have occurred since the
outbreak of the aggression and genocide committed by the United States
against the people of Iraq. The current figures provided by Just Foreign
Policy seem to be logically consistent with the increasing rates of death
from 2003 to 2004, and 2004 to 2006.
Sources: http://www.justforeignpolicy.org/iraq/iraqdeaths.html
http://www.antiwar.com/casualties/
http://icasualties.org/oif/
http://www.iraqbodycount.org/
http://www.zmag.org/lancet.pdf
http://www.guardian.co.uk/Iraq/Story/0,2763,1338749,00.html
http://www.agoracosmopolitan.com/Iraq_war.html
http://www.socialistworker.co.uk/article.php4?article_id=6271
http://olm.blythe-systems.com/pipermail/nytr/Week-of-Mon-20041025/008279.html
http://www.thelancet.com/webfiles/images/journal/lancet/s0140673606694919.
March 10, 2009 - Tuesday 17:06
 [joi+sears.jpg]
February 27, 2009 - Friday 5:40
Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
 Approaches to Mother(ing), Daughter(ing), and Sister(ing):
      Creative Arts Workshops, Performance, and Panel" (2:00-5:00)
 

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com

Durham, NC- Feb. 26, 2009
Gumbo YaYa, ushers in Women's History Month with a series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.
  Gumbo YaYa Dates of Importance:
  March 1:  Alt(a)rations: Building Sacred Space in Community with SpiritHouse  (this session will begin at CAARE and move to
  other sites.)
  March 8:  The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden
  March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle
  March 22: Performance Rehearsal
  March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the
  entire community)
  Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities
Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."
Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response.  "Our sessions have been generously attended every week.  Mothers have brought their daughters and granddaughters.  I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."
 The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore
 the intergenerational relationships among black mothers, daughters, and sisters.
 All sessions, materials, performances, and discussions are free for participants and audience members.  Gumbo YaYa provides
 child care and dinner during every "sista circle".  Participants do not have to be students, or affiliated with any particular institution to
 participate.
 For more information about Gumbo YaYa  visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.
--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com
Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"
Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com
February 17, 2009 - Tuesday 17:18
Gumbo YaYa Continues Feb. 22
with "Meditation and Creative Visioning:
Building Intergenerational Bridges Among Black Women and Girls" led by Kenya Harris (3:00-5:30)      
 

 
Contact: Betty's Daughter Arts Collaborative                                                                                                                                 
Media Alert
bettysdaughterarts@gmail.com                                                                          
www.bettysdaughterarts.synthasite.com
 
Durham, NC- Feb. 17, 2009
 
The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC.  We are pleased to announce that Kenya Harris, Gumbo YaYa's Intern, will lead this session along with two youth participants Bryonna and Nadirah.   
 
The 12-week process, Gumbo YaYa, began January 4 and as is now gearing up to enter its third month with a series of performance workshops that will lead up to the final performance, March 29.  Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes.   The theme of this session is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)". 
 
The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.    
 
All sessions, materials, performances, and discussions are free for participants and audience members.  Gumbo YaYa will provide child care and dinner during every "sista circle".  Participants do not have to be students, or affiliated with any particular institution to participate. 
 
Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with  CAARE, Inc. for their generous sponsorship.
 
Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa.  This process will definitely help to continue conversations black women and girls are having about how we relate to each other.  We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."
 
For more information about Gumbo YaYa  visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.  
--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com
Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"
Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com