Gender: Female
Status: In a Relationship
Age: 24
Sign: Scorpio
City: Franklin
State: Tennessee
Country: US
Signup Date: 10/29/2005
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February 5, 2007 - Monday
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Current mood:  blank
Category: Writing and Poetry
Disappear
Not three weeks gone
and I can barely speak of you.
Every memory I recall
gets caught inside and stifled.
I remember secrets –
secrets I would only bare
to someone who would cradle them
and I, in turn, cradled yours
when you chose to let me in.
You were the light I found
in an unfamiliar world.
You outshone any shadow
that lay in my way.
Some days you cast a shadow of your own,
but every day I believed –
I believed in you.
I felt you fading long ago
but I held on –
I still believed.
You slipped away so slowly,
I didn't see
until all that was left
was an empty space.
You sunk into the paradise
in your brain,
the paradise in which I never belonged,
and I tried to be disgusted.
I tried to despise you,
and every time I see your pictures
I see you somewhere,
happy,
free,
alone,
anywhere but here with me,
and I loathe you –
but not for long.
I imagine your smile
and you crush me
with your complacence
and the way you've let me go.
I called on you;
I cried to you that I'm alive
just once.
You said that I should wait
and that I have –
I've waited through the dirt
shoved into my ears.
I've ignored the possibilities
thrown at my face like stones.
But even knowing all I know,
and all I shouldn't…
even as I wait, I wonder every day -
why did you disappear?
© Misty Jones
4 February 2007
2nd edit
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November 30, 2006 - Thursday
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Current mood:  content
Miss Jane
I should have been there.
I couldn't be.
I didn't want to see you
wilting like a storm-torn flower,
cheeks sunken,
eyes accepting.
You were ready –
I wasn't.
I didn't want this altered form,
this empty mannequin,
this failing, dying woman
as the final picture taken
in the camera of my mind.
I wanted to remember
crayons on the kitchen table,
homemade cookies, flour flying,
stuffed turtles on perfectly made beds,
bouquets of dandelions,
long walks and magnolia trees.
I couldn't save my pictures –
I used the last one on the roll
to photograph you lying there
in a bed of silk and flowers.
I'm grateful for time
that has darkened that last picture,
that has darkened most of them.
Sometimes all I can see
are you,
me,
and magnolia trees.
© Misty Jones
27 November 2006
3rd edit
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November 30, 2006 - Thursday
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Current mood:  blah
Burned
I went to the bookshelves
in my brain,
neat, ordered,
organized,
to find my definition.
I chose the book
I knew contained
my self-discovery,
plain, paperback,
pocket-size.
I read voraciously.
Before I finished I was stricken
by a mass of thoughts and theories
not my own.
I was interrupted by my professors,
my ranting father,
television.
I put my finger in the pages,
tried to save my place.
When I finally shut my teachers out,
half-ignored my father,
and put down the remote,
my book was lost,
its pages ash,
my bookshelves burned.
© Misty Jones
1 November 2006
4th edit
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November 6, 2006 - Monday
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Current mood:  pensive
My second piece of creative non-fiction.
Human
for Crystal Lynn Phinney
There was nothing my sister wouldn't do. She performed her normal sisterly duties, like teasing me in front of her friends and blaming me for things she'd done and getting me in trouble – you know, the stuff in the older sister contract. Sometimes she'd even go as far as stealing from my room – she was an overachiever.
I, on the other hand, failed my younger sisterly duties. I rarely fought back – I just yelled and occasionally got the guts to throw something at her, followed shortly by running away. She still supposedly has a spot on her leg where I threw a pencil at her and a bit of lead stuck. I probably got beat for that one.
I saw my sister in one of two lights, depending on what kind of day I was having and who was around. Sometimes, especially when my sister was with her friends, I saw her as a goddess, a model of everything I wanted to be, an example of "cool" and "mature." I longed to be worthy of fanning her with a great palm leaf or feeding her grapes, and I dreamt of being just as amazing as she was. Then there were other days – days when she was a monster, an antagonist, an enemy put on the planet by God to punish me for all my wrongdoings and then some.
A lot of the things she used to do to me are a haze now. I'm glad to say I've grown enough to forget most of the sisterly torture, the jealously, the humiliation, the anger and the frustration in my powerlessness.
But one day, one mistake on my sister's part, will never leave me.
She had gone to the store with her friends, and I had probably wallowed in jealously and longing earlier in the day to be the one who was old enough to go off to the store without parents. It turns out that she and those friends, all those people that I wished I could be, had stolen some Tamagotchi's, the popular toy at the time, and had been caught.
I found out when the police arrived at the house. I don't remember who told me or exactly when, but the first thing that went through my mind was, "I thought it was bad when she stole my Sailor Moon stickers."
Then I began with a series of thoughts that I still regret. A stream of "I told you so's" and "serve's her right's," some "I'm not surprised's" and probably a "she's in trouble now."
But as soon as my parents went outside to talk to the police, my sister came in, bawling uncontrollably. I immediately felt sorry about the thoughts I'd had, about my attitude toward my sister who, even though she had done something wrong, seemed to feel genuinely apologetic.
And then she did the unthinkable. She came to me and choked, "I'm sorry."
I don't know what she was apologizing for, but in my finite little sister mind, I took it as an apology for ever having wronged me, for ever having gotten me into trouble or making me look like a dork, for ever having stolen my Sailor Moon stickers, for ever having disappointed me.
She said, "I'm sorry," and in my head, I said it, too. For ever having doubted her, for ever having judged her, for ever having been disappointed with her to start with.
That day my heart broke for my sister. That day she was no longer a goddess, no longer a monster. That day she became human.
© Misty Jones
5 November 2006
1st edit
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November 3, 2006 - Friday
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Current mood:  tired
Category: Writing and Poetry
Here's my first attempt at creative non-fiction. I'm pretty pleased with it. I've only had it workshopped once though so any suggestions would be just grand. 
Snow Days
They used to say there were three seasons in Michigan: construction, winter, and taxes. You can guess which one was my favorite – it had to be everyone's favorite. Winter meant something in Michigan. It wasn't just a time of year – it was a way of life. I don't remember a time when the cupboards weren't stocked with chicken noodle soup and hot chocolate. You know that box you put up in the corner of your closet full of sweaters, scarves, and gloves? We filled that box with our tank tops and flip flops. Most times of the year you'd find piles of wet socks hanging over the heater next to my neon pink snow pants. We gave "It's Beginning to Look a Lot like Christmas" a whole new meaning. My sister and I made it a point to stay outside until either we couldn't feel our extremities or our parents made us come inside anyway. When we went outside, we were twice the size of our normal selves in all the layers. On really cold days, we'd wear ski masks. I'd be minding my own business, rolling up a snowman's torso, and my sister would peg me in the back with a snowball. When I'd turn to her, I could see the knitting of the ski mask tighten and I'd know she was grinning at me. Even my dog, a carefree golden lab with the most fun of spirits, liked to join in the festivities. We lived at a dead end street, so the snow plow would come through and push all the snow from the road up onto the dead end with a grinding crunch and leave us a huge bank to build a fort. We'd bring my dog outside and take him over to the bank, point at a spot in the snow and say, "Get it! Find it, Ranger!" and he'd dig like that was his purpose in life, bits of snow and ice flying everywhere in a spray behind him. Needless to say, it didn't take us long to build snow forts.
When I found out my family was moving to Alabama, the last thing on my mind was the weather change. I was busy worrying about leaving home, leaving friends, leaving life as I'd known it for ten years. I remember my first winter in Alabama. I had unpacked my winter clothes as normal. We put up the tree and the lights. We got the nativity scene out and set it on the coffee table. We had presents and stockings and everything red and green. But we kept the curtains closed. I didn't want to look out my window and see the apartment complex pool full of water or the neighbors walking around in shorts. The first snow I experienced in Alabama, if you can call it that, was a light dusting, a layer that had melted by noon. The best I could do was to scrape a bit of snow off the top of the car and build a six-inch snowman. He was gone by nightfall. Apparently, though, the locals take such a dusting much more seriously than I do. A forecast for an inch of snow can cause an uproar here, a wild dash to the nearest supermarket. You never can have too much bottled water or bread, and you might as well make sure you have enough canned food to last you the winter just in case that one inch of snow traps you in your house for a few months or more.
I have definitely had more snow days in Alabama than I ever did in Michigan. I guess when the salt trucks are at the ready and the plows are out in the middle of the night, no amount of snow can stop a Michigander from getting to school. We knew we'd have to go, but we'd get up earlier than necessary just to watch the news and wait expectantly for the school closings. We were usually disappointed. You know those stories you hear, about how your grandpa used to walk to school for miles in six feet of snow, barefoot, uphill, both ways? I can't say I ever had it that bad, at least not the barefoot and uphill parts. But I have walked a couple miles to school in the snow and it was uphill, one way at least. It's always colder in the morning. Imagine taking up the better part of an hour walking to school in the early morning cold. Taking in that 6 a.m. Michigan air is like breathing in a solid icicle, and as soon as it hits your throat it bursts into a million shards of pleasant little pinpricks. If the salt hasn't melted the snow on the sidewalk, the only sounds you can hear are the cars zipping by and the repetitive crunch of your boots – you can almost hear the microscopic bits of ice being pressed and latching onto one another – like a thousand little mouths biting into a thousand little ice cubes. But the entire splendor that is experiencing a Michigan winter's day is lost when sleet is involved. If you stand in front of a fan blowing at twenty miles an hour and someone throws a bucket of thumbtacks into the current of air and into your face, you might have an inkling of how the sleet feels, at least how it felt on that particular day. When I finally got to school, I got my regular shoes out of my backpack and changed out of my dripping boots and went to my math class. Now, the day was bad enough – my clothes were soaking wet, I had little red scratches all over my face, and I was forming a puddle underneath my seat – but I had math first period. My teacher was only trying to be nice; she asked if anyone in the class had a hair dryer for me to dry myself off. I was humiliated enough without her help. No one had a hair dryer anyway.
Alabama's monthly temperature ranges from a high of 91.5 degrees Fahrenheit to a low of 30. To an Alabamian, the average low of 14 degrees in Michigan is astounding, and the thought of it frequently being colder than that is mind-boggling. Somehow over time I've lost my tolerance to moderate coolness – around 50 degrees I start getting chilled. But as the temperature continues to drop and everyone else is getting colder and colder, I stay about the same. It can be so cold in Michigan, you can't even feel it. My sister and I went to the same high school, so once she got her car, she used to drive us to school. The senior parking lot was about a quarter of a mile's worth walk away, and there was no getting closer, no matter how cold it was. As soon as my sister pulled the keys out of the ignition and the heater hummed to a stop, the cold started to seep in. We dreaded opening the doors. The cold would explode into our faces as if propelled by some great force. It was awful. But as we climbed the hill up to the school, gradually the cold would fade and a sort of numbness would set in, starting with our noses. By the time we got to the main entrance, we'd forgotten it was winter at all – it was just a school day. We remembered, though, when we walked inside. Just as the cold had hit us earlier, a blast of heat would strike our faces and seep down our bodies, making the layers unbearable. There was no comfort on a winter school day.
The whiteness of a Michigan winter could be blinding – sometimes dressing to play in the snow meant that sunglasses would be a necessary accessory. But I've never seen the earth look so spotless. Everything mankind had ever done to the world could be remedied by a good, cleansing snow, a snow that drowned out all the contamination of humankind's doing. But leave it to us to ruin that pristine cleanness. The morning was the best time to see it, spread out evenly over everything in sight and perfectly white, a white you can't see in anything else. But the roads were always the first thing to go. The mix of dirt from the roads and the smog coming out of an endless stream of tailpipes, the salt and sand and all sorts of debris combined with the snow created another not-so-attractive aspect of a Michigan winter – slush. Slush was worse than not having snow to play in at all. Slush was dirty and slippery, unsightly, a reminder of something once beautiful now soiled. Snow turned to muck in only the first few minutes of rush hour. But Alabama has its comparison. Instead of dreaming of a white Christmas, I'm expecting a red winter. My first experience with the red clay of Alabama happened down the road from my grandmother's house. I went with my cousin to play on the towering piles of gravel in a nearby lot. When you don't have snow forts, this is what you resort to. When it started to rain, I didn't mind. On the contrary, I was glad – playing in the rain was always fun and it's the second best thing to playing in the snow. But as the water kept falling harder and harder and the puddles got deeper and deeper, I noticed my cousin's clothes. I could've sworn jeans were supposed to be blue. The color spreads like a wildfire from the base of your shoes, up the legs of your pants, until you're consumed in a dull redness that can't be removed with any amount of water, dish soap, Tide, club soda, or Greased Lightning your grandmother might have stashed away. My mom might have been mad, but I was content. I'd never seen such a thing, a landscape of red water. Sometimes, against the backdrop of a fiery mountainside, even the winter rain looks red.
Sunny days manage to change my entire mood to cheerfulness otherwise impossible. And being sung to sleep by a lullaby of rain is peaceful and priceless. Witnessing the power of a storm opens my eyes to a strength otherwise unknown. But no type of weather I've ever experienced compares to a fresh snow, a colossal snow in the morning, before the world awakens. Opening the door on those mornings and staring into the immaculate whiteness quieted even my mind. It is the only silence I have ever heard, not just with my ears but in my head. The kind of silence that fills you up and hums inside your brain. The kind of silence that makes you stop thinking, an audible silence that stills your whole world. The closest I can come to feeling the way I did in a Michigan winter, the closest I can come to the snow, the icicles, the taste and sound of such a time and place, is when I open my freezer and stick my head in, searching for a popsicle on a hot November day.
© Misty Jones
31 October 2006
5th edit
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October 11, 2006 - Wednesday
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Current mood:  accomplished
INK
The hard light beamed down from a single metal lamp, illuminating her bare back. Behind her, a man was pouring a bit of black ink out onto a paper plate. As she sat in the chair waiting, she stared around at the tiny parlor. The walls were blanketed in sheets of basic templates and photographs of complicated, busy tattoos. The shelves were overflowing with bottles, books, albums, and cleaning supplies, but everything was immaculately organized. Mirrors overlaid one corner of the parlor from floor to ceiling.
She stared at her reflection blankly. She never imagined she'd ever set foot in a place like this, but this was the only idea she had left. She'd done everything she could think of to heal and nothing had worked. But this…this would work. This is what she should've done first.
This is what Chelsea would have done.
"Absolutely not!"
"Why not? You haven't even given me a reason!"
"Chelsea," her mother gasped, "tattoos are permanent. What if you decide ten years from now that you don't want the tattoo after all? It's too late, then."
"I won't, Mom. You know Rita meant everything to me…" Chelsea tried to catch the tears as they started to fall but couldn't stop the flow. "Why can't you understand that?"
"Sweetheart, I do," she said, reaching out to her daughter and hugging her close. "I know you miss her terribly. I do, too."
Chelsea settled into her mother's embrace for just a moment. "Then let me do this," she said finally, stepping away.
"No, Chelsea, you can't."
"Why?" she said, exasperated.
"Because," her mother replied as if that one word were a sentence on its own. "Because it's just an impulse, dear. It might not even be what you really want."
"What I really want is to heal, Mom." Chelsea looked up at her mother pleadingly.
"No."
"Fine!" Chelsea shouted. She grabbed her purse off the counter and bolted out of the kitchen. The door slammed.
The phone rang about fifteen minutes later.
"Hello?"
"Hey, Dana. How are you? How's Chelsea?"
Dana smirked. "I'm all right, I guess. And Chelsea's not here. We had an argument a little bit ago and she left. She's so torn up about Rita."
"I know," said the woman on the other end of the line. "I know, Laura is, too. She actually came to me with the idea about getting Rita's name tattooed on her hip."
"Chelsea did, too."
"Oh, yeah? What did you tell her?"
"I said no, of course."
"Oh…" The woman's voice trailed off.
"Pam…did you tell Laura it was all right?"
"Well, I've heard of people doing it before. And it's Laura's body. She'll do it anyway even if I say no."
"Great," Dana mumbled. "I'll be hearing that as soon as she gets home. 'But, Mom, Laura's mom said it was okay for her…'"
"Oh, Dana, don't fret about it. You know it'll pass."
"I don't know… I'm beginning to wonder if she'll ever get over it. I really wish I could help her somehow, but her heart is so broken."
"Well," Pam began, "Rita's battle was a long one. Having to see her in the hospital for the entire summer really burdened the girls. And she was beginning to improve, too, and everyone thought she'd be able to come back to school this year… Well, and then she just died so suddenly. It really got everyone's hopes up."
"I know, but I don't see how getting a tattoo will fix anything."
"I don't think it'll fix anything, I just think it'll give the girls a chance to have some closure."
"You don't suppose that's where they've gone, do you?"
"What?"
"To get the tattoos."
"Well…I think that's where Laura was headed."
"Great."
Dana spent the next couple hours keeping busy, but in the midst of the mopping and even while she tried to read she kept thinking about Chelsea and how she'd talk to her when she got home.
I guess I can't be too mad, she finally decided. Not mad…just disappointed.
She sighed and shook her head slightly and glanced out the window. Night had fallen and Dana was anticipating headlights pulling around the drive at any minute.
Instead, the phone rang.
"Hello?"
"Oh my God, Dana…"
"Pam? What's wrong?"
"Oh my God!"
"What? What is it?"
"It's Laura, and Chelsea!"
"What? What?"
"They're dead…"
When Dana went in to officially identify the body, she muffled her sobs into her tightly closed fist. White-knuckled and leaning on Pam for support, Dana peered down at her daughter lying on the table. Chelsea's only visible injuries from the wreck were a cut across her forehead and a severely bruised abdomen below her shirt, cut to cover just above her navel. Dana noticed a wad of gauze taped to her daughter's hip. Without thinking, she reached out to remove the bandage. "Rita" was tattooed beneath it, fresh artistic letters spiraling around as vines covered in flowers.
She was glad the tattooist hadn't asked any questions. Even if she'd felt like giving him answers, she didn't have any. Chelsea said this would help her heal and since it was Chelsea's idea in the first place, somehow Dana knew it must work.
She leaned forward in the chair and laid her torso on her thighs, hugging her knees tightly. She heard the whir of the instrument starting up and got lost in the high buzz, staring down at the tiled floor, splattered with droplets of mismatched paint. When the needle touched her back, the buzzing dulled slightly and Dana could feel the outline of a 'C' being etched into her skin, and then an 'H.' As the 'E' and then the 'L' began to take shape, Dana could think of only one thing.
He might as well have penned it on her heart.
© Misty Jones
11 October 2006
2nd edit
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September 28, 2006 - Thursday
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Current mood:  exhausted
This next poem was an experiment using a painting as inspiration. I chose Norman Rockwell's "Triple Self-Portrait" (I suggest you click on it and look at it before reading).
Work in Progress
after Norman Rockwell's "Triple Self-Portrait"
We lift our brushes
to the canvas – life,
forever frown
in gilded mirrors – truth.
Our nimble hands
are painting smiles – lies.
The triple self-portrait:
how we see ourselves,
who we wish to be,
and who we really are.
© Misty Jones
27 September 2006
5th edit
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September 17, 2006 - Sunday
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Current mood:  pensive
My friend Kari and I are giving each other prompts now, and I tried to use the ones she gave me and it didn't work. Luckily, Ms. Butler (our Creative Writing teacher) gave us prompts for this week, too, one of which was rain. I was outside lying in the grass when I wrote this one. Lots of fun and very relaxing.
Earthsong
a palpable rush of air heavy with passion, laden with premonition, playing on the strings of grass - a harp of gilded green
soothing sky sounds dripping from burdened clouds, or heaven's uproar of percussion soaking the land, saturating it in rhythm
madly flapping wings and budding insect throats, like a thousand desperate sirens in an endless choral sway of crescendo, decrescendo, silence – determined to maintain the lead in earth's pulsating song
6 September 2006
© Misty Jones
4th edit
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September 8, 2006 - Friday
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Current mood:  thoughtful
Category: Writing and Poetry
Our professor gave us three prompts for our first assignment: toes, fruit, or hats. I gave up trying to write a poem about any of those things, so instead, I put a reference to each in this poem.
Masterpiece
for Calista Eve Phinney
It was so hard for me to lift you,
to carry you,
to swing you around the living room
upside-down
like a careful Snow White
with a fair-haired mop of a girl in hand.
I didn't know how to make you eat
that icky spinach or
how to keep the living room floor
clean of squished banana.
And diapers?
Not even worth pondering.
But I was so glad to see you...
so glad to powder your face
with a clean make-up brush,
so glad to smush your toes
into those little jelly shoes,
so glad to hear your alphabet,
all the way from E to Y...
I loved to dress you up,
even though your hat didn't match your skirt,
and I loved to watch you color,
even though you still can't stay inside the lines.
All the way from here
I hear you counting,
one through twelve...
you only missed a few numbers.
So sing your songs,
remember six, seven, and eight
and make your masterpiece.
30 August 2006
© Misty Jones
5th edit
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September 8, 2006 - Friday
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Current mood:  good
Category: Writing and Poetry
So I've decided that I'll start posting the things I write for my EN 455 Creative Writing class on here using the blog... maybe hearing some comments from some peers will encourage me to keep writing outside of class, something I used to do all the time and almost never do now.
AKA, feedback would be nice. Please don't respond with, "Wow, this is great. The End." Tell me why. Or tell me why it sucks. Please. ;) I'll post the first one later today. For now, I'm off to class!! :P Thanks, all.
~mj
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