Gender: Male
Status: Single
Age: 44
Sign: Virgo
City: Phoenix
State: Arizona
Country: US
Signup Date: 2/23/2008
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Friday, November 06, 2009
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Current mood:really don't want it, really don't need it....
Category: Life
Jesus, I'm dead?! That's news to me....By now, some of you have probably read about how I helped dispel the Chuck Biscuits death rumors that were choking the internet a week ago Thursday. Some of you may have even followed my posts (here, there, and this one, too) as I made some attempt to stem the tide of misinformation as it was rapidly spiraling on the web. The whole story is fascinating, especially as it points out some of the more serious flaws in modern journalism and the internet's power.
Basically, a rock critic and blogger named James Greene, Jr., was the subject of a nasty practical joke, preying on his love of the D.O.A./Black Flag/Circle Jerks/Danzig/Social Distortion drum dynamo. Someone had been emailing Greene for months, posing either as Chuck or his wife, claiming Chuck was dying of throat cancer. The punch line, delivered in the form of a phony email from Chuck's family claiming he'd passed Oct. 24, had some decidedly unfunny consequences.
Once Greene posted this obituary for Biscuits, it's shocking how viral it went. More shocking was how quickly it was picked up by mainstream media, including NPR and the NME (although they quickly retracted their item once the truth was out, posting this, instead). This modest blog post was accepted as the gospel truth on Biscuits' death, with no one asking the family for confirmation, it seems.
I first got word of the possibility of Biscuits' death when a pal asked what I'd heard about it. He then turned around and asked punk artist Bad Otis Link, a former business partner of Biscuits' in the '80s, who shot back that he'd received an email from Biscuits just the night before. My pal then mentioned that Otis had just gotten off the phone with Biscuits' older brother, Bob Montgomery, and the family had not been notified. That's when I got suspicious.
I quickly added Otis on Facebook and began reposting his own status-messages-cum-bulletins refuting the rumors. (Sample, spelling and grammar Otis' own: "Otis Link CHUCK BISCUITS!!!! Not True to me until the dead guy sings!
I cant keep up with the calls and the emails, here is what I know.
Chuck sent me an email last night at 11:55 DEAD MEN DONT EMAIL!
I talked with Bob, chucks brother today, Chucks family has not been
notified of a death. Normally they are told if their brother or son is
sick or dead.
A rumor started in august about cancer, Chuck was fine then too.") Pretty soon, another mutual friend of mine and DOA leader Joey Shithead confirmed he'd just gotten off the phone with Shithead, who had just gotten off the phone with an irritated and confused Biscuits. (I love the Biscuits quote Otis relayed to us: "This is fucking retarded!") I simply passed the news along as I got it, knowing the lies were upsetting a lot of people. It all climaxed with a note from Bob Montgomery's wife, Tabitha, personally thanking me for helping get the truth out there and offering confirmation that Bob had spoken with a very much alive-and-well Chuck Biscuits.
In all honesty, I am as surprised I was a source for the truth as I'm sure James Greene, Jr., was in inadvertantly being a source for the misinformation. (As can be seen in his follow-up blog, Greene was quite embarassed and humiliated in accidentally originating the story.) I'm glad I could help, but I was merely being a good journalist.
Some serious lessons can be learned from this incident, ones which could be taught in journalism classes. For one, why did mainstream news outlets take the word of a blogger at face value and not contact the family of Chuck Biscuits himself in reporting this "news?" Nor even contact perhaps a publicist for one of the many bands Biscuits had passed through, especially Danzig, which was a successful act during Biscuits' time therein? I know I was taught you need solid confirmation and a few quotes from relevant parties before you dare go to press with a story like that. Verily, can anyone imagine the grief the Montgomery family was put through that day, never mind Chuck Biscuits' many fans who went public in celebrating him in his "death?"
I can't completely throw stones. I will admit, in the past, to hastily perpetrating rumors in MySpace bulletins and the like. Hence, when Lux Interior died, I made sure to get solid word before absolutely announcing his death. The internet is a very powerful tool. As this illustrates, news can spread at lightning speed because of the 'net. This is very good thing. But any good thing can be abused and misused. Who knows what scruples, if any, the originating pranksters have. They probably didn't care that a whole lot of people could be hurt in the process when they sent James Greene, Jr., those communiques from "Chuck." They just wanted to make him look foolish, for whatever reason. Equally uncool.
Greene isn't to be pilloried for this. He had no idea what would result from what had been intended as a tribute to a hero he'd thought dead. Thankfully, the internet was used to get the truth out there as quickly as it had spread the lie. Unfortunately, many who use the medium would rather abuse the internet than use it. I don't see that changing anytime soon.
Here's a good example of what would have been lost, had Chuck Biscuits actually passed: Vintage DOA with "World War 3," featuring a 13-year-old Biscuits detonating his drumkit like the bastard punk rock spawn of Keith Moon. Enjoy!
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Thursday, November 05, 2009
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Current mood:just seems a little weird....
Category: Jobs, Work, Careers
I'm being trained, and my trainer and I are talking. Suddenly, we hear the gent on the other side of the partition ask, "Hello, may I please speak with Rick Nielsen?"
Naturally, my trainer and I shoot each other a look.
The guy over the partition gets rebuttalled hither and yon until he's finally off the phone. I ask, "Hey, by chance, were you calling Rockford, IL?"
"Why, yes I was," he answered. "Why?"
"You," I smiled, "may just have pitched the lead guitarist from Cheap Trick...."
No, Rick didn't purchase a home-based business plan today. Then again, I wasn't the one who called him, either....
Still, I wonder if Rick told the old guy, "I'm on the road 200 dates a year! I don't have time for a home-based business!"
More tomorrow, including a bit on the Chuck Biscuits death hoax. Thanks for reading this.
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Friday, October 23, 2009
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Current mood:curious
Category: Life
........
Greetings from my concrete bunker in
Central Phoenix (or, as it will be known when “RADIO NAPALM”
returns, “the new swamp-cooled, adobe garage in Central Phoenix”).
No, I still don't have internet service there. I had a backup plan to
get it temporarily going before my roommate arrives next month, but
that'll have to be shelved now that I've lost my job.
Yeah, I know. No, I really don't want
to talk about it. Suffice to say my sales were not suiting the big
boss. Fine. The good thing is, I seem to be able to get hired as
quickly in this town as I've now become accustomed to in my middle
age. But it's harder to do when you have but one more check coming,
and your internet usage is confined to when you can sit at wi-fi
hotspots.
It is what it is. Yeah, I'm bummed.
Not emotionally crippled, just bummed. Not even publicly soliciting
sympathy, as I've been known to do in the past. I'd rather just get
on with it and try to make this condition as temporary as possible.
Guess I've done some growing up, huh?
A side effect of not having internet
which has been both good and bad has been being cut off from the
news. Since I refuse to have a television (and I can't for my life of
me find a daily paper here other than the statewide Arizona
Republic, which appears to have
a rather conservative slant from what I can tell), my only source of
info has been the i-nets for awhile. It's been deliciously good for
my health not having to read about whatever's the latest thing Mr.
Obama has done that's got the Crazy White People screaming bloody
murder. This level of fanaticism has been greatly taxing on me, and
it's nice not to have it assaulting me, whether it be from the wire
services or via various Facebook pals' postings.
But in the process,
I've missed a few items that would definitely have concerned me. One
would be the death of Brendan Mullen. The other would be the
President being awarded a Nobel Peace Prize.
There'll
be a good many of you grunting “who?” at Brendan's mention.
Unless you were there or are a punk history buff, you'll have no idea
who he is. The man was simply at the center of most things musically
interesting in Los Angeles since 1977, when he opened a club beneath
a porn theater in Hollywood called The Masque, an absolute toilet of
a performance space that ended up punk rock's Ground Zero in LA. He
gave a stage to bands you likely now worship like X, The Germs, The
Weirdos, The Bags, The Go-Gos, Fear, The Screamers, The Flesh Eaters,
The Plugz and hundreds more, when they couldn't get a stage
otherwise. He would go on to book other worthy venues, like Club
Lingerie, then became LA punk's recording angel. In said function, he
authored or co-authoed the excellent We Got The Neutron
Bomb (which took Legs McNeil and
Gillain Cain's Please Kill Me
concept, applied it to LA, and may have possible improved on said
concept), the Darby Crash/Germs bio Lexicon Devil,
and his recent book-length Masque photo essay, Nightmare In
Punk Alley. And now he's dead
way too young, just turned 60, apparently from a stroke.
Those
are the bare facts. I knew Brendan, but not well. He and I met via
Facebook earlier this year and kept up a spirited correspondence, and
not always the most cordial one (although it was always with respect
and affection). The man, like any good Scotsman, was opinionated and
feisty as hell, and never afraid to speak his mind or get in a good
scrap. The very first time we had an IM chat, we actually got into it
over whether the New York Dolls could actually play
or not! Followed immediately with his insistence, “Tim, you
misunderstand me: I love
the Dolls! But they still couldn't play for fuck!” (I just had to
pause and laugh at that one.)
I
won't instantly deify Brendan, as many will be wont to do. After all,
how can I worship a man who'd speak so ill of the Dolls? Hahahaha! I
do know he was a wonderful thinker and a great spirit that I wish I'd
gotten to know much better. It was in the cards: We made loose plans
to get together and tape a “RADIO NAPALM” episode he'd co-host
next time I made it to LA. Sadly, this will now not happen. I've no
idea if he suffered in death, or in life, for that matter. I do wish
him peace, however. You have my eternal respect, Brendan. Even if you
now can't take back what you said about the Dolls, fucker! Hahahaha!
As for
that Nobel Peace Prize: How does a President currently engaged in at
least two wars that I know of merit this? Admittedly, both wars were
inherited, but he doesn't seem to be doing much to end
them. And he's even amped up our
Afghanistan involvement. How exactly does this contribute to the
cause of peace?
Some of you may be
shocked to read these words from me. Yes, I support Mr. Obama
wholeheartedly. But he has also done much to disappoint me, although
I don't think he's the evil bogeyman all the Crazy White People seem
to believe he is. Maybe just not as progressive as he seemed, and a
little too soft-spoken and even-handed at times for his own good. But
under what criteria does he get this prize? If Obama ends these
wars, I will present him the Nobel Peace Prize personally, and give
him a hearty “Job well-done, Barry!” But in the meantime, you may
as well give me or Bullwinkle Moose a Nobel!
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Monday, October 05, 2009
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Current mood:searching out the alternatives....
Category: Life
........
Hope I haven't scared ya with my lack
of internet presence, of late. I simply haven't had internet service
at my place for the past week.
Through a lovely piece of serendipity, I have now inherited the apartment I've been staying at since arriving in Phoenix, thanks to my host family's finding and moving into a new place at rather frightening speed. In this time frame, I've also:
1.Left one job for another, after a misunderstanding. 2.Left the new job to return to the old job, after being treated like an incompetent asshole pretty quickly. It's a long story.
What this all means, is some gaps in income, as rent for my place now comes due. So, certain sacrifices have to be made briefly as I adjust. One of those being new internet service.
Hence, I post this from a McDonald's. At least Mickey D's has okay coffee in its' favor.
But don't think I've been sitting in the dark, twiddling my thumbs without having the internet as my friend. Dust has not been settling beneath me in the least. Majorly, I'm back at work on my long-in-the-works first novel, with an aim to finish by years' end.
I have spent at least four years writing notes (as well as an actual chapter here and there) for this autobiographical work of fiction, dealing with my severely effed relationship with my father as the basis for this story of a small-time, down-on-his-luck punk rock musician named John Paul Gentry (AKA Johnny Suicide) , traveling by Greyhound to his home state of Texas to settle the affairs of his long-estranged alcoholic father, OJ Gentry. As the bus rolls across America, he reflects on their story and discovers a few things about himself that rather disturb him. So far, so good. All I need is a title. And maybe a literary agent.
So, no worries, all. I'm alive, but taking a brief sabbatical to tackle more important things. I promise to be back in no time.
Thanks for reading this. Now if you'll excuse me, I surely have a million messages to answer....
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Sunday, September 27, 2009
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Current mood:doin' the dog....
Category: Music
Before there was punk rock, there was punk rock. And before that, there was punk rock. And I'd venture to guess if you'd dig even further back, you'd find punk rock.
Point being, there's many buried chapters in the punk rock story, ripe for exploring. Earlier this year, a whole lotta frenzy was whipped up by the discovery of demos from lost '70s Detroit monsters Death. Who knows how these scorched and healing ears will react once they get a load of The Imperial Dogs?
In short, LA's punk scene did not commence once Brendan Mullen opened the Masque and Slash began publication. It honestly began much earlier, when four graduates of North Torrance High School drove into Hollywood to see Iggy And The Stooges and New York Dolls at the Whiskey on separate occasions, and decided blooze-based rock was not the way to go. Black leather and chains and louder amps and sinister vibes and decadence all took hold, and they changed their name to The Imperial Dogs. For their trouble, they left behind four gigs and change, some shitty live cassettes and a rehearsal tape clear enough to yield a posthumous 45 and retrospective LP, and a song title ("This Ain't The Summer Of Love") and line in a chorus strong enough for Blue Oyster Cult to pay 'em a little money to refashion into a new song BOC would ride into glory. The singer (Don Waller) would become a rock critic of strong repute who would literally write the book on Motown, among other things. The others would do their things. And that should be that, right?
Wrong. A primitive live video surfaced, from a time when it was rare for young garage bands to create such documents. And it shows them doing what they did best: Creating a noise that could be an American Radio Birdman, wedding the snotty Stones rock of the New York Dolls and '60s garage bashing with the intellectual metal of BOC, in front of a collegiate audience looking positively poleaxed. And now it's out on DVD, available directly from the band themselves.
A website has been set up just for this, featuring a pair of video highlights to sample. You can click here to dig in full, as I recommend you should. And for their story in full (written by yours' truly, natch), the forthcoming issue of Ugly Things garagezine will present just that. Meantime, I offer you a little taste of The Imperial Dogs before you go to the band's website: Their anthem "Midnight Dog," which The Stooges likely would have killed to have written. Enjoy!
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Friday, September 25, 2009
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Current mood:trying to shake the grog factor
Category: Jobs, Work, Careers
* Not every phone job will require you to convince some hostile ass that he's actually more "innarested" in your kind offer to cut the price on his Playboy subscription than he realizes. Some will actually allow you to hang up and move on.
* This significantly cuts down on stomach acid levels.
* Not everyone is as old and full of arcane knowledge as you to understand why the name "Krishna P. Dass" appearing on a phone list is funny. Some of them will be your boss. (NOTE: If I'm not mistaken, that is the name of the founder of Hare Krishna, isn't it? I'm actually most likely completely off, and The Boss was right to look at me like I was a small, dull child.)
The melatonin regime (see yesterday's blog) is cutting my patience and creativity. Therefore, I shall keep this one brief. Meantime, I leave you with one more reason to keep living and believe in the healing power of the electric guitar: Magic Sam, caught live and loud, tearing the shit outta Earl Hooker's guitar in glorious black & white. For more on Magic Sam and why you really need to suck up all he put out, check out Jim Marshall's immaculate The Hound Blog entry on Sam, by clicking right here. And now, I do believe I need to dust my broom....
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Thursday, September 24, 2009
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Current mood:scraping the mucous off my brain
........ Welcome to my nightmare....
Okay, this must be the part of the
sleeping cycle where I can't get to sleep until dawn for a couple of
nights, so I'm forced to take melotonin for awhile until I get back
to my normal sleeping cycle. Then I sleep past my alarm and feel like
shit for awhile, until the coffee kicks in. Geeze, I love that....
Yup, it's been awhile since I checked
in. And major changes are up, all for the better. The big one
starting today would be a new job.
The last one? Well, it got my foot in
this town's door. Met some great people, friends I'll probably carry
through life. But the job itself still wasn't the greatest idea.
It was a sales job, for one thing. And
although I'm a phone professional of 12 years' standing, I hate
doing telemarketing. I'll do survey work, appointment setting,
qualifying, customer service, anything BUT telemarketing. And I
violated my own law for once, just to start making a paycheck.
But...three
weeks in, and the joint's ownership decides production's not what it
should be. Everyone's sales are down, due to the natural scaling back
of purchases once school kicks in and families are reeling from
having just bought clothing and school supplies, etc. But the
ownership decides we're all just slacking. So crap gets dumped on the
management's heads, and it starts running down and plopping on the
heads at my level.
Well,
I was micromanaged last week until I had four anxiety
attacks in a row. After not
having any of those for a year. Is this healthy, I ask you?
Not
for me, it isn't. And when Sunday night became Monday morning, and I
was still awake, listening to my alarm go off, and I get a fifth
anxiety attack thinking about having to go to work on no sleep,
knowing I had been promised yet another talk about my
performance (when I am doing the
best I can with what I have), I decided I wasn't going to sit through
that talk. Nor would I sit in that office again.
Two
days later, I applied at a magazine subscription service for a
customer service position and got it. I start today, at a far better
pay scale than what I had at the telemarketing place.
Now I
gotta run. I need to clean up and do some stuff before going in for
my first shift there. More tomorrow and the next day, including some
big changes at “RADIO NAPALM,” a new (to you) obscure protopunk
band's resurrection, and all that other fun stuff. Thanks for reading
this.
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Wednesday, September 23, 2009
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Current mood:hitting the dusty trail....
Category: Music
TIM SEZ: Oddly enough, the Austin Chronicle website dropped my byline on this, one of the pieces I'm proudest of. But write this, I did. And I'm damned proud of it. Exchange left out of the article: "TIM: Have you ever written a bad song? WILLIE: (with a twinkle in his eye) Nope! (much laughter) At least, none that YOU'LL ever hear...." First published February 9, 1996....
Mother never said there'd be days like these. She never said that 12 years of professional rock
journalism wouldn't be enough preparation for this spectacle: sitting in the
driver's seat of the sort of deluxe tour bus strictly reserved for Nashville's
royalty, waiting to do an interview, watching a near-Beatlemania crush of
humanity outside on Sixth Street. Watching an audience waiting for at least a
glimpse of the bus' cargo, 63-year-old Willie Hugh Nelson, son of Ira
and Myrtle, native son of Abbott, Texas.
And the mob scene just a windshield away is nothing compared to the one that
could be seen inside the Hang 'Em High Saloon, where Nelson had minutes earlier
completed a set that was his usual updated and expanded version of Willie
and Family Live, right down to the traditional fanfare of "Whiskey River"
into "Stay a Little Longer" into his And-Then-I-Wrote medley of Nashville
songmill standards a la "Crazy" and "Funny How Time Slips Away." So
intense was that crush, that the cabbie taking me home would grouse
about he and his wife sitting inside Hang 'Em High for several hours before the
concert and getting pushed out into the melée once Nelson and Family
took the stage some five-odd hours later, never to reclaim their seats.
Outside, part of that melée, young nubile women flirting hard with
stony security, are hoping to god for a chance to share their dangerous charms
with a man old enough to be their father twice over. Inside the bus, Nelson
does have a visitor: Bruce Springsteen, in town to play a show of his own. He's
come by with Joe Ely to pay his respects. The only sane reaction to this whole
scene has to be, "What in Christendom's name was Columbia Records thinking,
dropping any artist who can inspire this?"
What, indeed. Nashville's none too kind to its veteran artists these days. To
listen to modern country radio is to believe the music's history started with
"Achy Breaky Heart." Eighteen years' worth of remarkable songs, adventurous
records, and music governed by nothing but sheer artistry that somehow manages
to play with the masses... all that apparently means nil to Columbia, outside
of a three-disc box set. Maybe radio is too preoccupied with hat acts to give
Nelson some play, but surely anyone who can inspire such rampant Williemania
can still sell records.
"You would think so," muses Willie Nelson, a man remarkably unaffected by 18
years of scenes like the one above. "You would hope that they would think
that," he laughs. "But in reality, maybe they wouldn't. Maybe they still don't
get it.
"But it's a fad, it's a phase," he reasons, graciously pouring another cup of
strong black coffee for himself and his visitor. "It's... something that will
pass. The good artists will survive, and the soundalikes... Somebody said the
other day that country music, nowadays, sounds a lot like bad rock & roll."
He laughs.
It sounds like the Eagles, a band that ruined rock & roll in the Seventies
and is now ruining country music in the Nineties.
"A lot of it does sound like the Eagles," agrees Nelson. "But it's hard to
water it down. It won't water down. Once you start watering a little
bit, it's so obvious: to me, to you, to most people out there. But there's some
point or other, I think, where if you water it down just enough, spread it out
into each market, you might tag a few of these and tag a few of those, or you
might fool some of the new folks coming in and tell 'em, ..This is country
music.' But when they come out tonight or whenever, they know better. They know
what they like. They might not be able to hear it on this station, but they can
hear it across the street at this other station."
Or they could go to Emo's. It's getting to where the best place for country
legends to find some appreciation is the alternative rock scene. (Neighbor, can
ya say "Johnny Cash?" I think ya can.) The honesty and spirit of the music
appears to resonate with that crowd. And Willie Nelson cuts as punk rock a
figure as anyone: the man has continually followed no master save for his own
creativity and imagination, told any record company or anyone else who advised
him to do otherwise to kindly go fuck themselves, and has been (oddly)
commercially rewarded for doing so. Therefore, it makes total sense that
Justice Records, the Houston indie that has released the most recent Willie
Nelson records, has put together Twisted Willie, a collection of the
man's stuff interpreted by several punk and grunge icons.
"I like the idea that it's happening," Willie says of the tribute record. "I
like [the] idea that the young kids are into my music. It's flattering." He
admits he hadn't heard much alternative music before hearing the record. "I'd
heard some of the names of the bands, but as far as hearing them, I've never
had an opportunity to. Now that I've heard 'em, they're bands that I'd go see.
I'd go see the Supersuckers. I'd go see L7 or the Reverend Horton Heat. There's
some good entertainers there."
"Why's Willie suddenly a hit with grunge bands and punkers?" a friend asked
as we sat around his living room one night, giving Twisted Willie a
listen. I replied that it probably wasn't an instant phenomenon. The selection
of tunes is too much the work of a batch of connoisseurs: not just classics
like "Time of the Preacher" (sung by Johnny Cash, backed by a band consisting
of folks from Nirvana, Soundgarden, and Alice in Chains), "Shotgun Willie"
(Tenderloin) or "I Gotta Get Drunk" (Gas Huffer), but ultraobscurities like
"Three Days" (by L7 receiving an assist from Waylon Jennings) and "Hotel Motel"
(X). There's such an innate familiarity with the guy's work present on
Twisted Willie that Nelson's music had to be a daily fact of household
life among these musicians in their youth.
Nelson agrees. "That's the only thing that I can figure out. They must have
heard them a long time ago. Most of the songs -- all of 'em! -- are obscure
songs that you just don't turn on the radio and hear. None of 'em really got a
lot of airplay. ..Sad Songs and Waltzes' (rendered by Jesse Dayton) is from the
time I was living in Nashville, and sad songs and waltzes just weren't selling
that year!" He grins.
"But I don't know where they heard some of these songs. Some of 'em, like
..Bloody Mary Morning,' I do every night in my show. The Supersuckers, I know
where they got that one. That song, ..I've Seen All This World I Care To See'
(Jerry Cantrell)? Where in the world did they find that one? I don't think that
I ever recorded it, unless there's an old demo of it or something somewhere."
Which isn't to say old demos are where Nelson's music is currently residing.
In point of fact, Nelson has just signed a three-album deal with Island
Records. And true to form, he already has two records in the can, with a third
in progress. There's a fairly straight CD's worth of music, titled
Spirit, on the way, some of which was previewed at Hang 'Em High
(including a title track featuring a long, flamenco-tinged intro). Hot on its
heels is...
...a reggae record.
No, today's date is not April 1.
"It was [producer] Don Was' idea," Nelson explains as he reaches for his bus'
sound system and punches in a cassette. What comes out is heavy, deep, classic,
late-Seventies-style reggae, backing Nelson's unmistakable tenor sax-like
vocals and the Django-toned bark of his battered classical guitar, Trigger. The
versions of Jimmy Cliff's "Many Rivers to Cross" and "The Harder They Come"
that are previewed are easily solid enough that the man should consider
releasing a companion dub version of the record.
Also in progress is an electric blues record, featuring the talents of
Austin's finer blues players, including George Rains, Derek O'Brien, and Jon
Blondell. "Actually," remarks Nelson as we listen to a crying, B.B.-like track
from that project, "Island wants the third album to be a best-of or something,
where I go back and redo all the old stuff. But since I have this blues album,
I might try to talk them into putting that one out, instead. We can always go
back and do a best-of!"
Nelson envisions the latter album as having new versions of all the old faves
like "Blue Eyes Crying in the Rain," "On the Road Again," and the like, plus
true and ancient artifacts like "Crazy," "Night Life," and "Funny How Time
Slips Away." The record could work in ways such records rarely work,
considering how Nelson continually reinterprets even his own material, all but
sticking to the recorded arrangement. "That's mainly because I can't remember
how it goes!" he jokes.
If that's not enough to keep the man occupied, there's his tour schedule. "I
play 150-date[s]-a-year, between what I do with my band and what I do with the
Highwaymen. Leon Russell and I are gonna be doing some dates together, just he
and I. Gregg Allman and I are doing some dates together, just he and I. Merle
Haggard and I are gonna be doing some dates together this year. We're just
gonna go out with a couple of guitars."
That's a nice way to live your life: free to work with people you admire, free
to work in ways that feel good to yourself, free from having to work for
the marketplace. You have to wonder if Nelson will cut the 3,998,413th version
of "Got My Mojo Workin'" for his blues record, as the man appears to have had a
mojo working on his behalf since "Hello, Walls." And that mojo's made him
impervious to the tax men, to Columbia Records, to sinking commercial
prospects, to writer's block, and artistic bankruptcy. (Although, by all
reports, it hasn't improved his golf game any.)
It also must have granted him the strength to remain realistic and centered
enough to withstand mob scenes rocking his plush Country and Western Legend
Tour Bus on Sixth Street in our town or any other. And Williemania's only a
tenth as maniacal as the insanity that surrounded less hardy souls like Elvis
Presley. Maybe Willie Nelson can earn a little extra pocket change loaning
little pieces of that mojo to upstart legends in the making and help reduce the
world's tragedy quotient. I know a few folks who could use some of that mojo
now.
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Friday, September 11, 2009
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Current mood:respectful
Category: Life
TIM SEZ: Repost from last year. Ike fizzled before he got to Austin, but the rest of this still applies
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Current mood: contemplative Category: Life
It looks pretty certain the day after my birthday, I'm riding out a
hurricane. Odd, for the Austin area. Where I grew up, it was more
common: I'd been through three by the time I was a teenager, the last
one I've been through being Allen back in 1980 (I think it was). Not a
big deal, really. By the time Ike hits here, he's gonna be a lotta wind
and rain, really.
But, come on, Ike: Could your timing be any worse?
It's
kinda par for the course, right now. Something about this decade and my
birthday has meant disaster for me. There was the girlfriend who
decided to break up with me the week of my birthday, just because that
would sting the most, I'm sure. Then, there was the birthday on which
Johnny Cash had the misfortune of dying. That really sucked.
But
I think the coldest was the group of middle eastern gentlemen who
thought it would be really cool to fly a couple of airplanes into the
World Trade Center the day before my birthday in 2001.
I slept
through it. I was homeless at the time and staying with a friend on 7th
and Ave. B, probably three or four miles from the Twin Towers. She was
out of town, and I was house-sitting, soon to move in with my friend
Sami Yaffa and his girl Karmen. I was working at the time as a
professional dog walker, and I got up at 11 AM. It was supposed to be
just another day: I was thinking about coffee, looking over the
schedule, wondering who the first dog of the day would be, etc., etc. I
turned on Howard Stern's show, as was my wont back then (until he said
something completely insulting about John Lee Hooker on the day Hook
died, and I swore I'd never listen to the tasteless bastard again). And
judging by the hysteria I was hearing, it was the end of the world.
I called my boss to find out what was going on. That was when I found out the towers had been hit.
From
there, people were calling in left and right, canceling walks; most of
our customer base worked in the financial district, so they were now
gonna be home. I was getting all kinds of bits and pieces from there:
The doorman at the building on Irving Place where a few of my dogs
lived looking up and seeing the first jet flying so close to the
ground, he could see its' markings. My friend Mark who lived two blocks
away calling me up and telling me he was on the phone, talking to his
mother, looking out his panoramic view of the southern end of
Manhattan...and seeing that same jet fly right past his building, shaking him and the whole building. And getting a front row seat at watching it crash straight into Tower Number One.
These
calls were going on for three hours. I couldn't sit down to eat.
Finally, about 2 PM, I was able to leave the apartment and walk down to
Ave. A, in search of breakfast. Every joint in the neighborhood was
crammed to the rafters, it seemed. There were hand-written signs in the
windows, advising that the Red Cross needed blood, go to this hospital
or that one, go to Bellvue, go someplace, we need blood. The air
smelled awful, like burning tires or hair, but worse. It would be that
way for months. And can you imagine what it does to a mind, knowing
that what you're breathing might be friends of yours'?
I finally
squeezed into Sidewalk Cafe, ran into friends I knew from the local
rock circuit. The waitresses and bartenders looked like they were gonna
have coronaries. My waitress confided in me that they were severely
understaffed, especially with the crush they were experiencing, and
people due to work that day who lived out in Brooklyn or wherever were
calling in because the subways were now shut down and they couldn't
make it in. She looked like she was about to cry. Seconds later, some
jerk at the table next to me started cursing her out about how long it
was taking for him to get his eggs. I slammed my fist on his table and
shocked him: "DUDE, DO YOU GET IT? CAN YOU LOOK AROUND YOU? DO YOU SEE
HOW OVERWORKED THESE PEOPLE ARE RIGHT NOW? CAN YOU TURN AROUND AND SEE
THE COLUMN OF SMOKE WHERE THE WORLD TRADE CENTER USED TO BE? CAN YOU
FOR ONCE IN YOUR GAWDFERSAKEN EXISTENCE STOP THINKING ABOUT YOURSELF
AND TRY TO PUT YOURSELF IN THE SHOES OF THE PEOPLE WORKING HERE AND THE
PEOPLE AROUND YOU?"
"What are you getting mad at me for?" he
whined. "It's not my fault they don't have enough people working. I'm
hungry." I just stared at him.
I decided to wander a bit after
eating and having coffee. People were then walking up from around the
disaster site, walking because the subways were shut down, and no cabs
can be found. They were covered in soot, looking like some ancient Jack
Kirby panel out of a '60s Marvel comic. I ran into Jesse Malin, on his
way to buy a protein bar and a newspaper. We started talking about The
Strokes' debut album, which had just been released a few days before.
(Or maybe that was only in the UK? Well, copies were obviously getting
around on import.) And I remember at the time thinking, "Why are we
talking about The Strokes in the middle of this?!"
My
cellphone rang. It was my mother. She'd been trying to reach me for
hours. The satellite dishes for the cellphone companies were based at
the Twin Towers. Finally, a provisionary satellite path was opened, and
she could know I was alive. The family were scared shitless: They had
no idea of the geography of Manhattan, and for all they knew, I could
be dead.
I went back to the apartment and finally turned on the
news. For hours, my eyes were raped with endless repeats of the footage
of those planes crashing into those towers. It was relentless. I
finally had to turn it off and order pay-per-view porn. After all,
what's amoral here: Being bombarded with footage of the WTC being
penetrated hard and fast by terrorist-commandeered planes? Or being
bombarded with footage of Jenna Jameson getting penetrated hard and
fast from various angles?
The days and weeks after were like
nothing I'd ever experienced. I remember having to wear a filter mask
as I did the dogwalks for a long time, and suffering massive headaches
from the air quality. For awhile, you would be forced to present ID at
two different checkpoints to MPs if you lived in the East Village, just
to get to and from your apartment. Armed personnel carriers would be
going up and down Houston St. The middle eastern guys who ran the deli
downstairs looked at me with pleading, fearful eyes that told me they
were already getting harassed for the color of their skins and their
accents. Probably by the same louts I heard that Friday up and down
Avenue B, drunkenly chanting, "U! S! A! U! S! A!" I feared those clowns
more than I did potential terrorists.
I can remember my mother
and I talking, and she kept telling me, "We all understand. We all are
with you. We're all going through this together." And I had to tell her
that no, there was no way she could understand unless she was here. She
got to watch this from the safety of her living room. This wasn't TV
for me or anyone else in NYC. This was our life. And it wasn't fun, and
I hoped that she (and everyone else who didn't live here) never had to
find out what I was going through.
The worst was finding out how
one of my dearest friends was affected by this: Johnny Heffernan was
one of my local brothers in rock. His band The Bullys was one of Napalm
Stars' brother bands. Johnny was frequently there when I needed him,
whether I needed to borrow an amp, or whether I was having to fend off
an obnoxious and violent stage invader. I considered him one of my best
friends. He was to have left on my birthday to go on tour with The
Toilet Boys, doing their lighting.
Johnny was also a NYC fire fighter.
He
was not supposed to be on duty on Sept. 11, 2001. It was supposed to be
his day off. He was working instead, trying to get in overtime before
he left on the road, to support his wife and young stepdaughter. His
company was among the first to repsond when Tower Number One was hit.
From what I remember, most (if not all) of his company was buried when
the tower collapsed. Johnny's bandmates, family, friends, we all held
hope that he was still alive. They pulled Johnny's crushed body out one
month later.
We all know who killed my friend, as well as the
many others who died that day. America invaded Afghanistan shortly
after, gunning for Osama Bin Laden. Over time, our leaders began
telling us Iraq had some connection with the WTC attacks, that they had
weapons of mass destruction, that Saddaam Hussein had something to do
with this. This, of course, turned out not to be the case. We are still
at war in Iraq. Osama Bin Laden, the man who commanded the men who
killed my friend and all those others, remains free.
Happy birthday. |
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Thursday, September 10, 2009
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Current mood:rockin' a little while
Category: Jobs, Work, Careers
... I found myself calling a Mr. Stiltskin (first name: Rumple) and Happy Gilmore. Yesterday, it was The Attack Of Names Without Vowels: How do you pronounce "Dkdk?" Is it "Dickdick?" Or like one of those African bushman languages that are all tongue clicks?
Last week, I dialed Mike Hunt. My boss claimed to have never heard that old joke.
It could be worse: The guy in the cubicle next to me had to call Ms. Bitchass Assbitch. That would have been a fun conversation: "Well hello, Ms. Assbitch. How are you today?"
Personally, I'd prefer dancing to this lost Motown nugget: Kim Weston, "Take Me In Your Arms (Rock Me A Little While)." It's both a dancefloor throbber and a tale of pure ache, and it'll be part of Saturday's "BOSS RADIO NAPALM" birthday celebration. Can your heart stand it?
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