Status: Single
State: Baden-Württemberg
Country: DE
Signup Date: 8/19/2006
|
|
|
|
Monday, August 03, 2009
 |
I just found out that the label that released Raviindras "Songs of Devotion" has included some sound samples on the website! You can hear me on "Song No. 5234" and "Song For My Love." Enjoy!
 | Currently listening: El Cielo By Dredg Release date: 2002-10-14 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Saturday, July 18, 2009
 |
Current mood:  nostalgic
I was thinking the other day about my musical origins. Well, the thinking was inspired by my MP3 player and the fact that it's mostly filled Hard Rock and Funk. I love Funk. It's not just that it's because I'm a bass player, and we're sorta pre-programmed to like bass heavy music, but I've always listened to Funk. It's probably actually why I was drawn to the bass--even when it was playing bass in a Hard Rock setting. I had the good fortune to go to high school up not way too far from Washington, D.C. when Go-Go was happening. Now that grooved. E.U., Chuck Brown and the Soul Searchers, and other acts like Cameo--that was the bomb. But my interest in Funk started even earlier than that. I was 8 years old when Saturday Night Fever came out, and that with Disco and especially the really funky disco bands like The Commodores,KC and the Sunshine Band or Kool & the Gang who had enourmous hits in the late Seventies, were just as influential on my musical upbringing as was that cassette I had of Kiss's Double Platinum.
I also specifically remember watching Soul Train ("with yo' host, Don Cornelius") on Saturday afternoons, and perferring it to American Bandstand. At the time I thought it was because the people looked like they were having more fun, or maybe because I thought the music was better. Of course, now I know that they were indeed having more fun, because the music really was better. And I loved the hair. Afros. Afros and Jheri Curl. You won't believe it based on my current picture and my haircut as a monument to the unholy hybrid of a tennis and bowling ball, but I used to have (and assume that I would still have if I grew out what was left) curly hair. Lots of it. And because I like low maintenance, I just let it curl and grow, so I had a white man's Afro. One afternoon, I remember watching Soul Train, and they had a commercial for Jheri Curl, and the slogan was (something like) "For Our Kind of Hair." Now, at the time, I'll admit to having been a bit racially naiive. (My parents raised me without any type of racial programming, and let me figure things out for myself, for which I am very grateful.) I didn't really understand "Our Kind of Hair." So, I asked my mother: Oliver: "I want to get some Jheri Curl." Oliver's mother: "Uh, why's that?" O: "Because it's for our kind of hair. And the comercials are cool. And the music is cool." OM: "I don't think it's really for your kind of hair." O: "Well, then, what kind of hair is it for?" OM: "It's for, uh, people with curly hair." O: "BUT I HAVE CURLY HAIR!" OM: "I'll explain it to you when you get older."
Anyhow, I like Funk. Especially 70's and 80's Funk. With or without the Jheri Curl.
 | Currently listening: Tales By Marcus Miller Release date: 2002-04-09 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, May 27, 2009
 |
Do you meditate? There's a short article in Scientific American about the science of meditation. I also recently read David Lynch's book on Transcendental Meditation, Catching the Big Fish. I looked at Transcendental Meditation website for information on a course, and when I saw the prices, and then, when I read about levitation, I started thinking things like "Scientology!," "Moonies!," and "Amway!" But, y'know, I'm a type of trained scientist, and when there's hard science backing this stuff up, I'm more inclined to take the proclamations of some of the artists whose work I admire more, uh, realistically. So, do you meditate? What's your experience? Have you taken the TM course? What's the Straight Dope on (transcendental) meditation without the levitation?
 | Currently listening: Rhythm N Jazz By Alain Caron Release date: 2006-07-03 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Tuesday, May 12, 2009
 |
Current mood:  pleased
I got invited to sit in on a few songs on Sunday with Los del Lago, a Latin band doing Latin Rock, and more traditional Latin songs. It was a really fun show, and I really enjoyed the gig. It was really a great experience finally getting to play some Maná songs live. I've been a big fan of theirs ever since I stumbled on "En Vivo" in a CD store in Medellín, Colombia in 1995. The real wacky part of the gig, was that I've been charting out songs for the gig for a couple weeks now wating for a call to find out when rehearsal would be. Instead, I got the call for "just show up at the gig--you don't need to rehearse this stuff." Amazingly, it went very well. Fortunately, I've got big ears. I'll be sitting in with them in Isla Bonita again in two weeks. See you there!
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Tuesday, December 09, 2008
 |
Current mood:  hopeful
I'm happy to announce that I'm the new bass teacher at the Musikschule Bodensee in Friedrichshafen. I've been in touch with Alp, the owner and director of the school, for a while now talking about the transition and what we want to do, my teaching philosophy, special events and so on, and I really think we're going to be on to something good here. I'm really looking forward to working with the other teachers to raise even higher the level of this already high performing private music school.
 | Currently listening: The Wall By Pink Floyd Release date: 1994-10-13 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Friday, August 22, 2008
 |
I was recently going through a folder of old pictures and stuff from assorted old bands of mine, and I stumbled on this gem that I didn't even know I had. This advertisement from April 1990 shows both the an up-and-coming-band, Hootie and the Blowfish who a few years later would sell mega-millions with a few hits, and my now defunct, but then also up-and-coming band Black Ice. We didn't actually play with Hootie and the Blowfish, (we played one week later), but it's a nice blast from the past. (You'll need to click on the image to see it clearly.) 
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Thursday, August 21, 2008
 |
Präsentiert von RACK Wann: 23 Aug 2008, 22:30 Wo Corsobar Emmishoferstr. 2 Konstanz, 78462 Deutschland Beschreibung:RACK Klicke hier, um den Event aufzurufen
 | Currently listening: Personae By Hellborg/Land Release date: 2007-02-01 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, August 04, 2008
 |
I went to see Deep Purple last night. Now that was an experience! I had given up on arena type shows a long time ago, because, well, they sucked. The sound was horrible, and I'd have to stand next to Jimmy Joe and Bobbi Sue and wilt in their enthusiasm for whoever their Rock hero was. I've been to some large festivals here in the Europe, and they've all been quite civilized, but I just didn't dig on big arena shows. This time, I decided to make an exception. A friend of mine, is friends with Ian Gillan, and said she could get me a backstage pass if I would like one. Hell, yeah! Naturally, I took her up on her offer. I went on Monday down to the ticket office to buy a ticket. The show had just sold out on Saturday. Fuck. What am I gonna do now? Ebay! I decided to check if maybe, just maybe, somebody had a ticket or two for sale on Ebay. The worst case would be that maybe I'd have to pay a little more than the face value, or maybe I'd have to buy two tickets, and try to sell one at the door. How did I get myself in a situation where I have a backstage pass but no real ticket? A quick look on Ebay, and sure enough there's one ticket available. With the Buy it now! option. And it's at a price of..hold on...I can't be reading that right. Does that really say for 10 EUR less than the ticket price? Hell, yeah! You can bet your bottom euro that I clicked on that Buy it now! button faster than the speed of light. I broke the laws of physics with that purchase, baby. Not only that, he lives just a couple of miles away and he'd bring the ticket to me! Man it just doesn't get any better than this. And then the Swedish Bikini Team showed up! Okay not really, but that would have been good. We arranged a meeting point, and money and ticket changed hands. I got to Ravensburg a little early on Saturday before the show to meet up with some friends who were also going to the show. Quite a few beers and a steak later, we made our way to the concert. In short, I was just thrilled to death with this show. The sound was fantastic and not horrificly loud. I remember seeing Judas Priest on the Defenders of the Faith tour when I was fourteen and my ears were ringing for days after that. I'm kind of weird about my ears and loud noises--my ears are my livelihood, after all--so I was really pleased that I didn't have to have earplugs for the show. That's right, I had Deep Purple unprotected. The arena was laid out so that the stage was on the long side instead of the short side, so everybody had a great view. The beer was normally priced (3 EUR), and the concert-goers were all civilized. I guess it helps that they were all old farts like me. Our rowdy days are behind us. The concert itself was outstanding. I've been a Steve Morse fan for a long, long, time (ever since I saw the Steve Morse Band open up for Rush in Richmond, Virginia in 1985), and it was just great to see Steve Morse again. I've been a Deep Purple fan since Perfect Strangers, and the chance to see Deep Purple was really something I'm glad I didn't pass up. The show was really, well, a great Rock show. Lots of solos, lots of lights, lots of great Rock songs. There's a reason Deep Purple is Deep Purple, and Deep Purple is monstrous. This is the way it's supposed to be. Loud, but not too loud :-), big, bad, and beautiful. After the show, I head backstage for the meet and greet. This wasn't backstage, where you go into the dressing room and partake in the catering--this was just the meet and greet after the show. I talked briefly with the band, had some pictures, and that's that. Now, here's where having a friend of Ian's as my friend came in handy. She know which hotel the band was staying at. So off to the hotel, and who do we bump into at the bar? Ian Paice. Finally, I get to talk to the drummer. Sure, I'm a bass player, but I always find myself wanting to talk to the other half of my brain. It's the drummers that make me sound good, and it's the drummers that call me because they know I make them sound good. It's a symbiosis, and it's really nice to talk shop with people like Ian, who are, well, giants. He's a very big fish in the biggest pond, and I'm just a medium sized fish in a small, but very beautiful, pond. He was really polite, and we talked for a while before he headed up to his room. Thank you, Deep Purple! You've given me hope that maybe Rock and Roll really isn't going to die. ..
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, July 23, 2008
 |
Category: Music
The stacked up pile of gig reports have finally made their way to the blog machine. 27 Jun 08, Alibi, Weingarten As reported earlier, you just can't win in the Summertime. Once again, we met the wrong weather for the gig head-on. This gig was supposed to be prize for RACK's winning one of the top two slots in the battle of the bands back in January. The battle of the bands was to decide who would be the opening slots for the Innenhof Festival, but as luck would have it, the organizers of the festival had some difficultly lining up the financial backing for the festival, and everything fell apart. Instead, we played the gig in Alibi on the planned date of the festival with the other winner from January, Manarum, a Reggae/Ska band. The weather was perfect! For an open air festival. That means that we played inside while most of the people listened from outside because it was just plain hot! Damn hot! in there. We played well, the gig came off well, and our Weingarten fans all came to see us, but it was definitely a bit of a letdown compared to the gig it could have been. However, it's always fun playing a gig when you don't have to run your own sound, and can just concentrate on the music, and the soundguys at Alibi definitely have their shit together. With any luck we'll be playing Alibi again in the Fall, but, if not, we've already got another date in Weingarten lined up at Havanna Club in November. 28 Jun 08, Schößle, WeingartenIt was kind of funny coming back to Weingarten on the next day for a gig with Sambinha. The good news is that the weather was still good and we were playing outdoors as part of the Museen Nacht (English: "Night of the Museums") at the Schlößle. The summer weather-gig curse is broken! What a great gig! We played it cool, and the crowd was very enthusiastic and appreciative. The owner of the museum was helpful and friendly, and basically acted as a role model for all other promoters. Afterwards, the promoter came to us and said, "You do realize that there were 1500 people here, right?" We had no idea! They were tucked a little bit away in the big yard, and we couldn't see them after it had gotten dark. We could hear them, but 1500? Cooooooolll. 29 Jun 08, Exil Bühne, Singen StadfestThe next morning it was back off to Singen to play on the Exil Bühne as part of the Singen Stadtfest. Exil is one of the best known music clubs in that area--RACK isn't quite big enough to play there yet. As the pictures show, the stage was huge and the sound was fantastic. This time we had great weather and were playing an outdoor gig, HA! HA! We've beaten you, Weather Curse!, but the weather was a little too good. It was hot! Damn' hot! But the crowd that made it out loved the show. We've talked to the booker, and we should be playing the Singen Stadtfest again next year. Whoohoo! 03 Jul 08, Halbhuber, Friedrichshafen. Sambinha returns to Halbhuber. Our gig, as part of the weekly Thursday Jazz shows put on by Jazzport, in 2007 was the best attended concert of the 2007 season. This year, we were hoping for the same. Brazil Music is Summer Music. The people love that stuff! Well, not when it's raining. There's construction in the airport parking lot, and I think that a lot of people that would have come, looked out the window and said, "I ain't walking 200m in that shit." Instead, we just had a very busy evening for Halbhuber--it seems that the attendance there has been a little lacking lately, so even the 60 or so people we drew were a lot more than the weekly average for the last little while. Playing in Halbhuber is always fun, but it's a bit of a bitch loading out after the show. The restaurant is on the second floor, and sometime around midnight they turn the elevators off. WTF!? so we have to carry everything down the stairs by hand. Fortunately, there's five of us, which makes things quite a bit easier when everyone helps out. The gig was, again, a very nice show, and the new singer, Angelina, continues to show her natural talent. She's turning out quite nicely. 05 Jul 08, Strassenfest, KißleggThis was not a great gig. This is the first not-great-gig that Sambinha has had in a long time. What was wrong? Let's see: - Big Stage. Check! The stage was quite large, but it was on truck trailer, so it rocked a little bit which was a little unsettling.
- Outdoors with good weather. Check! The weather was perfect! I'm still beating you, Weather Curse!
- Money. Check! The gig was nicely paid.
- Crowd. Check! We were within earshot of several thousand people.
So what went wrong? This is a Street Festival in a backwoods town. Sure there were lots of people there, but unless you're playing festival/Fasching kind of music, it just isn't interesting for them. The crowd was polite, and a few really dug it, but most of the crowd seemed much more interested in finding the shortest route to Alcohol Poisoning. Sambinha, a Jazz band, is definitely not the right band for this gig. 11 Jul 08, Bisonstube Bodenwald, Bodman-LudwigshafenThe Weather Curse strikes back! With only a half hour before leaving for the gig, the heavens opened up and let loose a torrent of rain, and even a tornado that severely damaged the nearby town of Baitenhausen. The gig for RACK was supposed to be outdoors. Gig canceled! Dammit! 12 Jul 08, Private Party, Nersingen RACK's acoustic program really is a good thing. We get booked to do small intimate things like birthday parties, which really are a lot of fun. We get to go to the party; we get to play music; we get to meet new people. It's win, win, win. This time was no exception, and we had a great time. We're looking forward to the next private parties on the calendar. 19 Jul 08, Klangschiff, Friedrichshafen Time for something completely different. Sambinha's drummer and leader, Ralle Fricker, is a drum monster. He's spent time in Brazil, Cuba, and India studying the drums and rhythms at the source. He knows it inside out. Raviindra is his India project that showcases his compositions influenced by Indian Carnatic music. He asked me if I'd play bass for the gig, and naturally I jumped at the occasion. I've been turned on by Indian Music ever since 2000 when I was on vacation in India and I discovered A.R. Rahman (before Bombay Dreams, mind you.) Although I like the traditional classical Indian sound, I like the Indian/Western fusion even more, and that's exactly what Raviindra is about. Around 2000 is also when I discovered, or really started to pay attention to, the Western/Indian music of Jonas Hellborg and Shawn Lane. The truth of the matter is that this is the hardest gig I've ever done, just from a musical perspective. The scales are all wrong--I really had to work to get the pieces under my fingers. The rhythms are odd-metered and complex and performed on unfamiliar instruments. Uhhh, where's the one again? We were to perform the CD Goa because it's just been re-released in India. Did I forget to mention that Raviindra has a record deal in India? Hours of practicing. Hours of trying to internalize things like a 7/4 feel at 142 bpm. Hours of getting the pieces under my fingers. The result of all this work came to it's goal on 19 Jul: The single hardest gig I've ever played. It's all about Headroom. This is a concept that I was beginning to form in my head, before my good friend, Markus Setzer, formed it for me. You need to get your playing level high enough (enough headroom) that should anything happen on a gig, that you'll immediately be able to take care of it. Break a string? Not a problem; play it somewhere else on the neck. Topless girl in the front row? Not a problem; look and look for a long time. For this gig, I had gotten my level up to where I could play the material at the rehearsal with mostly no problem. But keeping my concentration during the gig, and this gig was T-O-U-G-H tough. We played at from 11am to 1 pm (read: High Noon), and it was hot! Damn hot! We were playing on a small stage made out of iron out over the lake, and it felt like sitting in a frying pan. Then came the distractions: the music is quiet, but the PA was loud. This is the kind of thing just asking for feedback, and we got it a couple of times. One time, either the heat made my preamp wacky, or I hit a button without realizing it, and I couldn't hear myself all of a sudden, but due to the bright sunlight, I couldn't read the LEDs to find out what the problem was--the bass was just gone. Other times, just when I was getting into the groove, a fish would jump out of the water with a loud splash. And the worst thing of all, twice planes flew very low overhead so that nothing could be heard. Keeping one's composure and concentration in this environment is very challenging, but we pulled it off. The press was positive, and I'm really happy to have been a part of the premier show of the Seeklang concert series. (with the debut performance of this line-up for Raviindra).
![]() | Currently listening: Oriental Bass By Renaud Garcia-Fons Release date: 2002-04-16 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, July 16, 2008
 |
Category: Music
HELP RACK put the ROCK back into ROCK AM SEE!!!Es gibt die Moeglichkeit RACK beim Rock Am See zu empfehlen. Geh auf die Rock Am See Seite und empfehl RACK. So einfach ist es.
Even if you can't read German, go to the Rock Am See web page and click on "Bandwunsch Abgeben." In the box, type "RACK http://www.rack-music.de". You don't even have to leave your name and adress, despite the asterisks. RACK loves you!
 | Currently listening: Lifecycle By Yellowjackets feat. Mike Stern Release date: 2008-05-20 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|