Status: Single
City: Los Angeles
State: California
Country: US
Signup Date: 12/16/2006
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December 1, 2009 - Tuesday
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Departure Gallery presents
Trident Way 2: The Southall Project
Exhibition:
Friday 11th - Friday 18th December, 11am-4pm daily
8 Trident Way, The International Trading Estate, Southall,
UB2 5LF
www.departuregallery.com
Artists:
Louise Ashcroft, Helen Barff, Nathan Birchenough, Neela
Basu, Doug Burton, Anka Dabrowska, Danielle Drainey, Livia Garcia, Nathalie
Guinamard, Elizabeth Hancock, Investigation Three, Doug Jones, Helene Kazan,
William Mackrell, Gemma Nelson, Savvas Papasavva, Assunta Ruocco, Jeni Snell,
Sara Twomey, Nicolas Vass, David Snoo Wilson, Charlotte Young. Curated by
Louise Ashcroft
Getting there:
Southall Station is 12 minutes from Paddington by train.
Services run regularly until midnight
Departure Gallery is a nomadic platform for contemporary
art, which temporarily reclaims empty urban spaces to provide unique
architectural contexts, showcasing cutting edge work by exceptional emerging
and established artists.
Investigation Three comprises of a group of four people who
came together at a workshop conducted by Ultra-red as part of their residency
at Raven Row, London in 2009. The collaborators are Lucie Galand, Anna
Kontopoulou, Robbie Lockwood and Rashmi Munikempanna. Having chosen to listen
to Elephant and Castle Investigation Three works with sound and amplified
soundwalks in the area around the themes of regeneration and gentrification.
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December 1, 2009 - Tuesday
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If you happen to be in Seattle anytime from today until
January 31, 2010, you can visit Chris's four-channel sound installation, "N30:
Live at the WTO Protest, November 30, 1999" at the Henry Art Gallery:
http://www.henryart.org/exhibitions/show/1117
"N30" melds DeLaurenti's front-line field recordings of the
heady and harrowing protest against the WTO with intercepted transmissions from
local and national law enforcement agencies. It is at once a memorial and a
blueprint.
Listen to the work free on UbuWeb: http://www.ubu.com/sound/delaurenti.html
To make your own version of the installation, stream
selection 2, "N30: Who guards the Guardians?" six seconds after
selection 1, "N30: Live at the WTO Protest, November 30, 1999" and
the two sync up.
For those who live in and around Seattle, the Seattle
Phonographers Union celebrates the release of a new CD with two shows, December
11 and 12. Perri Lynch opens on Dec 11; I open with a solo set which includes a
piece sponsored by 4 Culture, "Darfur and Disney," on Dec 12.
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November 29, 2009 - Sunday
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Cornelius
Cardew (1936 - 1981) was an experimental British composer whose
activities, particularly with the Scratch Orchestra (1969 - 1974), both
reflected and contributed to the breaking down of barriers between
different disciplines that took place during the 1960s.
This book reflects on the legacy of Cornelius Cardew and the Scratch
Orchestra in the light of contemporary art forms that engage with
collaborative, participatory and improvisatory practices. The book complements an exhibition of the original score of Treatise (1963
– 1967), Cardew’s impressive 193 page graphic score, original
manuscripts, Scratch Books and other archival material brought together
for the first time in the UK.
The contributing artists, writers and curators pursue and rekindle
the questions and contradictions that Cardew's practice incorporated.
Published on the occasion of the exhibition Cornelius Cardew: Play For Today at The Drawing Room, London, 5 November - 13 December 2009.
Publisher: The Drawing Room
Authors: Andrea Phillips, Adrian Rifkin, Rob Stone, Grant Watson, Michael Parsons, John Tilbury, Ultra-red and Otolith Group To order your copy go to: http://www.cornerhouse.org/books/info.aspx?ID=3227&page=0
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November 28, 2009 - Saturday
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Ultra-red SCHOOL OF ECHOES SCOTLAND Introductory Sessions in Glasgow and Dundee
What is the sound of community organising?
Leading international
sound art collective Ultra-red launch the Glasgow Sessions of School Of
Echoes. For over 15 years, Ultra-red have been at the forefront of
developing ways in which the tools of sound art and those of community
organising can cross fertilize. The School of Echoes Project, initiated
at the beginning of this year, focuses specifically on issues of
radical education and sound art in relation to social struggle.
Ultra-red are visiting Glasgow at the invitation of sound art
organizations Arika and Sound & Music, Tramway and the CCA, in
order to meet and share ideas with local artists, community organisers,
activists, students, education and art workers.
In order to
establish the best ways for us to work together, and to think through
how best Ultra-red can both share information and learn from local
organizing, you are invited to a short informal seminar, where
Ultra-red will share reflections on their own work, and can learn from
you about yours.
Ultra-red have used sound-based procedures to
investigate anti-racist organising, the struggles of migration, social
housing mobilisation, and AIDS activism. Their interest is to
understand the contribution sound and listening can make to organizing
around these and other concerns. The Glasgow Sessions will explore
procedures for collective listing, reflection and organizing drawn from
the collective’s almost two decades of enquiries. Workshop activities
could include walking tours of the city, making site-specific audio
recordings, analytical listening to recorded sounds, generating new
strategies for collective action, and investigations into the crucial
concepts of collective process, participation, and political action.
Please come along and join us for an informal chat. All events free and all are welcome.:
Monday 7 December: 6-8pm Meeting Room, DCA 152 Nethergate, Dundee, DD1 4DY, 01382 909 900
Tuesday 8 December: 4-6pm CCA5, CCA, 350 Sauchiehall Street, Glasgow, G2 3JD, 0141 352 4900
Wednesday 9 December: 4-6pm Tramway, 25 Albert Drive, Glasgow, G41 2PE, 0141 276 0950
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November 19, 2009 - Thursday
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Ultra-red and School Of Echoes present THE CARDEW OBJECT 21 and 22 November 2009, 1pm to 6pm both days ICA on The Mall, London, London and South East SW1Y 5AH
Ultra-red present a two-day, ten-hour performance, "The
Cardew Object," in collaboration with members of School Of Echoes in which
we facilitate a collective investigation into the problematics of the late
avant-garde and radical composer Cornelius Cardew. All are welcome and invited
to participate in the investigation.
For the realization of The Cardew
Object members of Ultra-red and School Of Echoes organised themselves among the
following individuals: Gabriella Alberti, Nelly Alfandari, William Crisp, Lucie Galand, Andrea Giulivi, Janna Graham, Chris Jones, Fozia Khaliq, Anna
Kontopoulou, Robbie Lockwood, Rashmi Munikempanna, Dont Rhine, and Robert
Sember.
Presented as part of the two-day symposium "Play for
Today: Cornelius Cardew" co-organised by The Drawing Room. Through talks,
performances and panel discussions, this two-day symposium aims to remake –
rather than repeat – the legacy of Cardew, examining the questions and
contradictions of his practice for their contemporary relevance. Also featuring
musical performances of Cardew's compositions by John Tilbury (musician, Cardew collaborator and biographer), Frederick Rzewski (composer and pianist), and
Dave Smith (musician & Scratch Orchestra member). For a complete program
follow The Drawing Room link below.
Ultra-red's performance is free and open to the public. To
attend other events in "Play for Today" admission is £8 / £7 ICA
Members per day. £12 / £10 ICA Members for both days. To book the package price
for both days please call the Box Office on 020 7930 3647.
For more information:
ICA
http://www.ica.org.uk/Play%20for%20Today%3A%20Cornelius%20Cardew%20Conference+22278.twl
The Drawing Room
http://www.drawingroom.org.uk/corneliuscardew-symposium.htm
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October 12, 2009 - Monday
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Friday, Oct 16th, 2009 // Viaduct Theater, CHICAGO
Live Electronic Set in CHICAGO @ the Viaduct Theater Line-up: CP-303 (Palestine/Tunisia/France) + Special Guest DJ MARK GERGIS (Sublime Frequencies + Porest)
Doors 10:30pm
Venue information: www.viaducttheatre.com
(See Flyer) Line-Up: Checkpoint 303 (Live Electronics) + Mark Gergis (Sublime Frequencies / Porest - DJ Set) Event Description: Arabic Sound
Hackers: Did you say Palestine? Yes, we did. Forget about world music,
forget about oriental exotic lounge mixes. Expect a night of raw
no-nonsense tunes from the Middle-East and beyond. The menu:
experimental field recordings, middle-eastern breakbeats, recycled
sound, audio collages and exquisite audio piracy by an underground
international sound hacking brigade. Checkpoint 303
(Palestine/Tunisia/France) and special guest DJ Mark Gergis (Sublime
Frequencies / Porest) invite you to tune in to hacked airwaves and
chopped sound bites: A ride that will take you from Palestinian
underground grooves to Syrian Glamour Dabke, rare sounds from the
depths of south-east Asia and everything in between. From Ramallah to
Aleppo, Tunis to Beirut, Bagdad to Cairo…A sonic journey of abstract
beats and activism for peace, justice, freedom and the right of all
populations to self-determination.
Find out more about Checkpoint 303: www.checkpoint303.com www.myspace.com/checkpoint303
Find out more about Mark Gergis and the label sublime frequencies: www.sublimefrequencies.com www.porestsound.net
Tuesday, Oct 20th, 2009 // The Dark Room, CHICAGO
Live Electronic Set in CHICAGO @ The Dark Room
2210 W Chicago Ave, Chicago, IL 60622-4827, USA.
Line-up: CheckPoint 303 (Palestine/Tunisia/France) + more bands/DJs
8pm / $10
Venue information: www.darkroombar.com
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September 16, 2009 - Wednesday
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After All, Everything Is Different In The End
Opening: September 25, 2009 at 18.00 HISK / Higher Institute for Fine Arts, Charles de
Kerchovelaan 187A, 9000 Ghent, Belgium
Open: September 26 - October 18, 2009, Thursday to Sunday
from 14.00 till 18.00 HISK / Higher Institute for Fine Arts, Charles de
Kerchovelaan 187A, 9000 Ghent, Belgium
Film program: October 5, 2009 at 20:00 Art Cinema OffOff, Begijnhof Ter Hoye - Lange Violettestraat
237, 9000 Gent, Belgium
Mike Carremans / Brandon LaBelle / Gent Clapping Group / Nate Harrison / Jeuno JE Kim / Raimundas Malašauskas / Joris van de Moortel / Tisha Mukarji / Sarah Pierce / Thus & Hence / Ultra-red / Katarina Zdjelar / plus Jean-Luc Godard, Len Lye and Norman McLaren
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July 31, 2009 - Friday
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Investigation Three are happy to invite you to a public event at the Elephant and Castle Shopping Centre this Saturday, the 1st of August at 14:30.
The
event is part of our residency at “The Elephant Rooms” gallery
(29/07-02/08). The event involves an amplified soundwalk, as in
attentive listening and possible recording within the spaces of the
shopping centre. After the walk, we invite everyone back to the gallery
space, to listen together and discuss “what did you hear”, focusing on
the relationship between attentive listening and the regeneration
process.
For further information, please visit our blog http://investigationthree.blogspot.com
or
feel free to pop-in and have a chat with us during our residency at the
Elephant Rooms, the shop at lower ground floor, opposite old Woolworths.
Warm Regards,
Rashmi Munikempanna, Lucie Galand, Robbie Lockwood, Anna Kontopoulou
[Note: Investigation Three came together as one of the three teams during Ultra-red's Raven Row Sessions of the School Of Echoes. The team have taken up a sustained inquiry into the soundscape and struggles around the Elephant and Castle neighbourhood of London.]
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July 19, 2009 - Sunday
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Presented by The Wapping Investigation
Guest speakers: Anthony Iles, Mute Magazine Mara Ferreri, Isola Art Centre in Milano
SUNDAY 26th JULY 2pm til 4pm Discussion at Raven Row, 56 Artillery Lane, Spitalfields, London E1 7LS
Stemming from the recent Ultra-red 'School of Echoes' project at Raven Row in Spitalfields, participants in the workshops have been hosting discussions on Sunday afternoons on a range of differing topics.
For the final Sunday session, some of the participants will briefly share some of their sense of unease about contributing to both a gallery and its exhibition programme before opening up the room to conversation.
We invite you to come to this space and discuss many and more of the following themes:
In other cities in the world, there seems both space and practical action that that is able to bring together cultural projects with political activity that link-up and work as a resistance to local regeneration and gentrification. Increasingly in London the gallery or funded art institutions have become the host for (supposedly) interesting discussions and exhibitions around questions of political and cultural organising and not our own alternative spaces, temporary or permanent. Many people sustain themselves through work in and around these spaces (art education, publishing, exhibition projects in and out of the spaces). How does it feel to work politically from within spaces that can be described as a 'contested' spaces? Do we ever escape the vortex of accomodation and instrumentalisation that working out of these spaces often entails.
More pointedly and seeking to go beyond mere institutional critique, we ask the question why does London lack self-organised spaces where the contradictions between art, activism and gentrification can be explored from both the personal realm but at the same time expand collective working against the continuing enclosure of the city?
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July 8, 2009 - Wednesday
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¿Cuál es el sonido de una comunidad organizándose?
Fechas: Martes 14 y jueves 16 de julio (10 a 16 h.)
Dirigido a: artistas,
músicos,
interesados en movimientos activistas sociales,
trabajadores comunitarios,
investigadores militantes y estudiantes.
Información e inscripciones: educacion.ca2m@madrid.org o 91 276 02 27
Concierto Ultra-red jueves16 de julio a las 21:00 h.
en la terraza del CA2M El colectivo de artistas y activistas Ultra-red presenta un taller en dos sesiones en el CA2M Centro de Arte Dos de Mayo.
Partiendo de las experiencias y aportaciones de los participantes,
el taller incluirá derivas por el espacio urbano,
audiciones,
creación de nuevas estrategias para la acción colectiva,
e investigaciones en torno a conceptos cruciales de procesos políticos,
de participación y activismo político.
Ultra-red: fundado
hace quince años en Los Angeles, lleva a cabo Investigaciones
Militantes del Sonido junto a movimientos de justicia social en los que
el sonido es al mismo tiempo el medio y el espacio de investigación. En
este tiempo, Ultra-red ha usado el sonido para analizar los movimientos
anti-racistas, las luchas migratorias, la movilización de los sin
techo, los movimientos okupa y el activismo contra el SIDA.
Ultra-red dirige el activismo hacia los oídos: el sonido de las comunidades organizándose por sí mismas,
la acústica de espacios de disidencia,
las demandas y deseos en nuestras voces y nuestros silencios,
y los ecos de luchas históricas.
Esta investigación toma forma de grabaciones,
exposiciones de arte,
performances o simples derivas.
Los miembros de Ultra-Red trabajan con asociaciones como Rural Racism Project (Devon,
UK),
la organización comunitaria independiente Union de Vecinos (Los Angeles),
la alemana anti-racista Kanak Attak,
la Community HIV/AIDS Mobilisation Project (New York/Los Angeles),
y Woodcraft Rangers que desarrolla programas educativos en 61 escuelas en Los Angeles.
Traed vuestras experiencias con vosotros,
los oídos abiertos y actitud colaborativa.
Equipos,
materiales y comida corren de nuestra cuenta. INDICACIONES DE ACCESO www.madrid.org/centrodeartedosdemayo/el_centro/ubicacion.html Metro: Línea 12/ Pradillo Cercanías: C5 Móstoles (23 minutos desde Embajadores)
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