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Last Updated: 11/25/2009

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Status: Single
City: Los Angeles
State: California
Country: US
Signup Date: 7/9/2004

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Tuesday, June 09, 2009 
  June 9th 2009 -

  Feb.
 
  Valentine's day trip to Detroit to go rock with Echoverse crew. This was a great 2 night love celebration. Folks
  here know how to do it right! It was Detroit in Feb. though, cold and snow. Highlight of this trip was a lunch in
  Mexican Village and a bit of a drive in which I got to see the facade of the old Tiger Stadium. One of the places
  I am so bummed to have never visited before they tore it down. Sad postscript to this trip was that my guitar
  was mangled on the flight home.


  May
 

  I got to rock once again at the incomparable Flypoets. One of the longest running shows in the country. Above
  is some work by Mr. Norton Wisdom, the interpretive resident artist and a hot commodity nationwide. The piece
  on the left is in response to Paul Mabon's (below left) poem, The Magic Pussy (!) May also brought me to Tampa
  for the annual Heatwave festival where I appeared at the Orpheum in the poetry portion of the show. Pics below
  of The Lobby-St. Pete where I'm always treated with class, The Orpheum crowd in between sets, Tampa poet
  Xzotiqa (below left) doing her thang. 


  

  On the set of Poetry in Motion (below right). Poetri's (da poetry lounge) new tv show, for which I was asked to
   write the theme song! It's gonna be a huge hit! Look for it on a computer near you..haha!

   May/June
  




 
Thursday, May 28, 2009 

-Soul Tracks-
www.soultracks.com


It would be an understatement to call Kevin Sandbloom’s Under Pink and Bourbon Skies minimalist. Sparse might be a better word. Much of this record is totally acoustic with nothing more than Sandbloom’s guitar and his expressive voice. Under Pink and Bourbon Skies is kind of like Raul Midon’s State of Mind, only a little more intimate.

 

The minimalist nature of Under Pink and Bourbon Skies makes this a deceiving record. Listeners fall into trap of thinking that this record falls into one mood or stays at one tempo. However, nothing could be further from the truth. Sandbloom moves from singer songwriting balladeer on songs such as “Sentimentally Yours,’ to a funk philosopher on “Up From the Cracks.”

 

He delivers an acoustic rendition of “A Song for You” that would make Donny Hathaway proud. Sandbloom also proves to be an excellent lyricist. Even on a song with relatively few words such as “Coffee And a Strong Desire,” Sandbloom manages to show that he can paint a verbal picture. The words tell the story of late night lovemaking and early morning coffee.

 

The lyrics and the vocals are definitely the strong point of this record. Sandbloom seems to know that his assignment in making such an intimate record is that people are going to listen to what he has to say. He doesn’t waste time. “Sweetness,” “Sentimentally Yours,” “Up From the Cracks” and “You Should Know” are four songs that exhibit Sandbloom’s ability to vary the tempo, use his voice as an instrument and paints pictures with words.

 

“Sweetness” is an acoustic blues, funk gem that displays the singer’s feathery vocal touch as the upper range of the tenor spectrum. The song includes one of best pickup lines I’ve heard in a record in a long time: “When you wear that candy dress/Will you look at this old mess/In the service of that wish.”

 

On “Sentimentally Yours,” Sandbloom channels the musical spirits of the singer songwriters of the 1970s. “Up From the Cracks,” shows that acoustic music can have a hard-bitten edge.  The song’s lyrics also paint the picture of an artist trying to grow from the ground up and on his own terms. The Latin tinged “You Should Know” shows that Sandbloom spent more than a few hours listening to performers such as Midon. Artists such as Sandbloom occupy the space once filled by the soul folk icons of the 1970s, and Sandbloom is at home there.   Recommended.

 

Howard Dukes

-------------------------------------------

More often than not, an album is created more by the clever engineers in the studio than by the actual artist. Which is why in a world oversaturated with borrowed beats and computerized enhancements, Kevin Sandbloom’s Under Pink and Bourbon Skies is so refreshing. Stripped down to a blend of soft acoustic guitar, soulful vocals and beautifully crafted emotional lyrics, Sandbloom brings the soul back into soul music. Reminiscent of a classic D’Angelo, Sandbloom makes music that is about the music, pure and simple.


-Heidi Gress (publisher Sphere Magazine, creative director Aperture Marketing)

Saturday, April 25, 2009 

the rasx() context:
I preach these Blues, then choose my seat and sit down.

Kevin Sandbloom’s New Red Llama Music Release, “Under Pink and Bourbon Skies”
 
   So you ask, “Hey, rasx()! What is Kevin Sandbloom?” Well, you take the extremely talented D’Angelo and the extremely talented Ani DiFranco, mix it with the mystery of even more humanity and you get Kevin Sandbloom...

read the whole thing here:
rasx() review



and this:

Apr 25, 2009 11:46 AM
Kevin, you're burning up my music charts!

http://www.last.fm/user/jwRADIO1

Thursday, March 27, 2008 

By Daniel Howden
Monday, 14 May 2007

Deforestation: The hidden cause of global warming

In the next 24 hours, deforestation will release as much CO2 into the atmosphere as 8 million people flying from London to New York. Stopping the loggers is the fastest and cheapest solution to climate change. So why are global leaders turning a blind eye to this crisis?


The accelerating destruction of the rainforests that form a precious cooling band around the Earth’s equator, is now being recognised as one of the main causes of climate change. Carbon emissions from deforestation far outstrip damage caused by planes and automobiles and factories.


The rampant slashing and burning of tropical forests is second only to the energy sector as a source of greenhouses gases according to report published today by the Oxford-based Global Canopy Programme, an alliance of leading rainforest scientists.

Figures from the GCP, summarising the latest findings from the United Nations, and building on estimates contained in the Stern Report, show deforestation accounts for up to 25 per cent of global emissions of heat-trapping gases, while transport and industry account for 14 per cent each; and aviation makes up only 3 per cent of the total.

"Tropical forests are the elephant in the living room of climate change," said Andrew Mitchell, the head of the GCP.

Scientists say one days’ deforestation is equivalent to the carbon footprint of eight million people flying to New York. Reducing those catastrophic emissions can be achieved most quickly and most cheaply by halting the destruction in Brazil, Indonesia, the Congo and elsewhere.

No new technology is needed, says the GCP, just the political will and a system of enforcement and incentives that makes the trees worth more to governments and individuals standing than felled. "The focus on technological fixes for the emissions of rich nations while giving no incentive to poorer nations to stop burning the standing forest means we are putting the cart before the horse," said Mr Mitchell.

Most people think of forests only in terms of the CO2 they absorb. The rainforests of the Amazon, the Congo basin and Indonesia are thought of as the lungs of the planet. But the destruction of those forests will in the next four years alone, in the words of Sir Nicholas Stern, pump more CO2 into the atmosphere than every flight in the history of aviation to at least 2025.

Indonesia became the third-largest emitter of greenhouse gases in the world last week. Following close behind is Brazil. Neither nation has heavy industry on a comparable scale with the EU, India or Russia and yet they comfortably outstrip all other countries, except the United States and China.

What both countries do have in common is tropical forest that is being cut and burned with staggering swiftness. Smoke stacks visible from space climb into the sky above both countries, while satellite images capture similar destruction from the Congo basin, across the Democratic Republic of Congo, the Central African Republic and the Republic of Congo.

According to the latest audited figures from 2003, two billion tons of CO2 enters the atmosphere every year from deforestation. That destruction amounts to 50 million acres - or an area the size of England, Wales and Scotland felled annually.

The remaining standing forest is calculated to contain 1,000 billion tons of carbon, or double what is already in the atmosphere.

As the GCP’s report concludes: "If we lose forests, we lose the fight against climate change."

Standing forest was not included in the original Kyoto protocols and stands outside the carbon markets that the report from the International Panel on Climate Change (IPCC) pointed to this month as the best hope for halting catastrophic warming.

The landmark Stern Report last year, and the influential McKinsey Report in January agreed that forests offer the "single largest opportunity for cost-effective and immediate reductions of carbon emissions".

International demand has driven intensive agriculture, logging and ranching that has proved an inexorable force for deforestation; conservation has been no match for commerce. The leading rainforest scientists are now calling for the immediate inclusion of standing forests in internationally regulated carbon markets that could provide cash incentives to halt this disastrous process.

Forestry experts and policy makers have been meeting in Bonn, Germany, this week to try to put deforestation on top of the agenda for the UN climate summit in Bali, Indonesia, this year. Papua New Guinea, among the world’s poorest nations, last year declared it would have no choice but to continue deforestation unless it was given financial incentives to do otherwise.

Richer nations already recognise the value of uncultivated land. The EU offers €200 (£135) per hectare subsidies for "environmental services" to its farmers to leave their land unused.

And yet there is no agreement on placing a value on the vastly more valuable land in developing countries. More than 50 per cent of the life on Earth is in tropical forests, which cover less than 7 per cent of the planet’s surface.

They generate the bulk of rainfall worldwide and act as a thermostat for the Earth. Forests are also home to 1.6 billion of the world’s poorest people who rely on them for subsistence. However, forest experts say governments continue to pursue science fiction solutions to the coming climate catastrophe, preferring bio-fuel subsidies, carbon capture schemes and next-generation power stations.

Putting a price on the carbon these vital forests contain is the only way to slow their destruction. Hylton Philipson, a trustee of Rainforest Concern, explained: "In a world where we are witnessing a mounting clash between food security, energy security and environmental security - while there’s money to be made from food and energy and no income to be derived from the standing forest, it’s obvious that the forest will take the hit."

 

Saturday, December 29, 2007 

December 28th 2007 -

            Happy Holidays~ I am in New Year's mode . Excited about the coming year and it's
            possibilities. Wishing everyone happiness, prosperity and success in all your endeavors.
      
            Wanted to let you know my music is featured all through a new independent film "I Used To
            Love Her", out of 1555 Films in Chicago. The film stars my good friend Mel-Rob, who is an
            all-star poet and chairman of the Red Llama Music fan-club. The film will be screened in Los
            Angeles in February but you can watch the trailer right now.

           

Monday, November 19, 2007 
November 18th -

            Currently in Fayetteville, AR. Playing a noon-time show outside and it's California
            warm and beautiful! I am a serious laggard on the tour pics and update, but can
            you blame me? I am serving as my own driver and booking agent for the moment
            so time is scarce, but I just got a new camera and have been documenting as much
            as possible.

            One show I have to tell you about was DREAM Studio in Kansas City. Run by my
            good friend Shane Evans, the place is b-e-a-utiful and we had a great turnout of really
            supportive folks. He even recorded and videotaped the whole thing so look for
            live material to show up from that hopefully sometime soon.
           
 
            I have been doing some work in Houston with Rebel Crew and wrote and sang the hook
            on a song by New York MC, Lenky Don, which recently received a write up on FADER.
            You can check out the song here.

           
http://www.thefader.com/articles/2007/10/15/audio-lenky-don-vanessa
           
            If you missed my recent appearance on Lincoln Heights, not to worry. You can
            watch it online. Hit the link below, go to Lincoln Heights and watch the episode,
           "The Feeling We Have".

           
http://sneakpeek.abcfamily.go.com/abcfamily/path/section_Videos/page_Video

            I'm right at the beginning.
      
          Cheers.

Thursday, September 20, 2007 

I was just reading that prosecuters in LA. couldn't find anything to charge the white kids who hung nooses from a tree for. Aren't there federal hate crime laws? Or has George Bush turned those over too? A-mazing. It's time to shed light on the justice system disparities....did you know that you can get more jail time for possesing crack cocaine than you can for powder? Who do you think that law was intended for? Peace and godspeed to those marching in Jena. It's time to fix this shit people.

Thursday, May 17, 2007 

  

Hey people. What's good with ya? Alright, so there have been a few things brewing over
     the last couple of months as far as the record, a video shoot, our next tour, etc.

     First of all, Graehme, my 6 year old son, got up on the mic recently at Whittier college. He
     rocked so hard, Taaj Freeman, put part of his poem in a haiku. He is a natural ham-type...so
     unafraid it's amazing.

    

    

     For those of you who made it out to The Mint, we want to thank you and let you know that
     they want to bring us back on a regular basis. Whatever it is about that room really lends
     itself to our music, because folks tend to go nuts whenever we play there. It's a seriously good
     feeling. We will keep you posted on our next Mint throwdown.

    

     The new record is still being worked on but there is a version of Viva Los Angeles on our
     myspace page if you want to check it out. It seems to be a new favorite of those who hear
     it and we like it too. Some of the versions of the songs on the sampler we gave away at
     The Mint may or may not be on the final CD. We are still working on different versions
     of some of the songs and basically trying to get the CD feeling good overall. We had it
     scheduled for a mid-June release but it may be late June, early July. Look for a CD release
     show
right around then.

     There are some muy talented individuals who are working on making a couple videos
     for us. The songs we are slated to shoot for are Viva Los Angeles and All That Money. We
     will be needing extras for the Viva Los Angeles shoot
so if you are interested, please
     e-mail or myspace me and let me know. We'll be making a general announcement shortly
     when we know the exact shooting schedule

     Sandbloom tour will be kicking off shortly after the record is done somewhere around July
     28th. If you are a promoter, venue organizer or talent buyer, please let us know if you are
     interested in having us perform this summer as we will be working on a schedule very soon.
.
     Oh and one more thing, one of the members of Sade's band passed on our CD to Sade
     and this is what we heard the other day: 

    
Hi Leroy, Sade heard Kevin's cover of 'Is It A Crime' and she thinks it's beautiful. I love it too. Please
     pass this on to him and send regards from Sade. Hope you are fine, Leroy. Lots of love, Lynn x

    Awesome, no?

Thursday, February 08, 2007 
Feb. 7.07

     Just received a really awesome write-up by Mike the Poet in the the latest Kotori magazine.
     I believe they are available at most news-stands, but if you want to get a copy, let me know.
     We have many.

    

     There are few voices that can stand alone with an acoustic guitar and truly rock a crowd. Kevin
     Sandbloom is this rare dude. His voice is timeless like the great ones. When asked about his
     inspiration he says, "Marvin Gaye was a big influence vocally...as well as Sly Stone". Other
     influences include Bob Marley, Stevie Wonder, Steely Dan, De La Soul, Outkast and Sade (his
     Sade cover never fails to give an entire room the chills).

     Kevin Sandbloom has two decades of musical experience. Growing up in the foothills above
     LA in the chaparral of Altadena, a ripe location with a long history of great musicians and artists,
     he says, "I used to write songs in my head at an early age...took drum lessons as well as sang
     choir. I picked up guitar in high school and was in my first band soon after that". Among the many
     talented musicians Sandbloom grew up with were LukeCage, Damon Aaron, Raashan Ahmad of
     Crown City Rockers and Mr. Grizzly.

     Usually accompanied by Melany Bell's angelic voice, their harmonies and music culminate into
     one powerful aural energy field. Notable local  journalist Charles Watson writes, " Sandbloom
     understands the recipe for making good music - not a note, measure, nor lyric is wasted".

     Sandbloom's latest release "From A Bird" has picked up fever with a slow, but steadily growing
     burn. " I have to say it's been the overall acceptance and support of folks almost everywhere that
     has taken me by surprise...two things that jump out are the we night played the Nuyorican Cafe...the
     place just went nuts and the crusty guy at the door was like, "I have never seen this place go that
     crazy over an artist". That was awesome. And the first time I was in Philly, this guy at a gas station
     was looking at my car and said, "you're a long way from home son", and he asked me to play him
     something so I did....so there I was playing a little personal show at the gas station...he was like,
     "That's real nice".

     The momentum over the last few years makes 2007 look extremely bright. The new CD is being
     completed as we speak. He says, "We already have a few 'hits' we've been playing on the road
     and heads are really anxious to hear these on CD...working title of the record is "madloveactivate"
     ...we are committed to getting it out a.s.a.p. Once the new record is done we are going to embark
     on a 6-month to a year tour...there are so many places we haven't gone to yet...our manager is also
     trying to get us over to Europe".

     They also have a back-burner project which is "more jazz-ballad chordally intricate stuff". They enjoy
     getting in front of different audiences, so this recording will be geared towards a traditional jazz/soul/blues
     crowd.

     After playing with at least three different bands, years of hitting the open mics around Southern
     California and several cross-country tours, Sandbloom now stands like an acoustic Too Short; a
     musician that created his own street buzz by playing live and selling CDs out the trunk. Lacking a big
     budget or any promotion, the buzz has grown by word of mouth. Keep your ears open this spring for the
     this savory flavor of acoustic soul.
    
     - Mike the Poet

Tuesday, December 12, 2006 

Hey now. I'm writing this from somewhere deep in the Ozarks [Fayetteville, AR]. Sound scary? Not really....I can't get any cell reception, slighty annoying for sure, and it's cold as hell here....10 degrees last night. It's been a whirlwind kind of trip so far. LOTS of driving....L.A. to Atlanta and back in 12 days....in time to play the Les Nubians show at Temple Bar on Thurs. I have seriously neglected taking pics but you can forgive me for that,
yes? 
 
I have made a vow to discontinue any touring until our next record is done....I can only do so many things at once and the new record is TOP OF THE LIST. So we are L.A. bound for the near future [unless a decent offer for our services is made....go ahead, make us an offer!]. We have a few things that are starting to sound pretty
cool...I will be posting some samples to listen to shortly so keep your eyes and ears open...
 
So our trip started in Las Vegas at the new Untamed Tongues location at Barcode....a nice upgrade in venues. It's got the space to put on a serious show there and they are doin' it. Warrick and Takicha Roundtree are the most welcoming of hosts and they put on a class show....they also let Melany and I crash with them
when their whole family was in town for Thanksgiving, very cool....onto Phoenix where we hit Entertainment Alley, a Sunday spot hosted by Divine....I have to say, this is one of the most supportive crowds we have run into in a while. I urge anybody to hit up this spot...nice intimate but enthusiastic crowd. Divine is a great host BTW....can't wait to go back. Melany flew back the next morning to get back to work, boo. And I had to make it to Houston for a show at Taft St. on Tuesday. A long drive for sure but I have been getting more comfortable with putting in the road hours...not sure if that's a good thing or not, but I'm reserving judgment for now...Taft St. was love and lots of new folks as well as a good crew of friends from the area made it just great. And I got to crash on Millie's couch so that's was cool. Next day, gig at Southern University in Baton Rouge....they have a cool small poetry thing on Weds. and the students there totally made me welcome, as did the host, G.H.O.S.T. The vibe was very loose and like family... everyone was clowning on everyone else and I found myself just
laughing in the back all night. Good night....next stop Backtalk poetry in Tallahassee....good crew...again, a must check spot for anyone in the area and a very pretty town overall. So, one of the main purposes of the trip was to get out to my good buddy Kelsy Davis' birthday bash at Apache Cafe in Atlanta...what a night! It seems like the whole creew of folks I met last time out was there and it was again, very family with Colarum hosting [dude is one of the baddest poets ever] he kept it moving just like it should....the whole night was act after act of local talent and a few out-of-towns that was deep and all over the map stylistically. I don't know if I've said this before but Atlanta is seriously a happening city and very progressive in so many ways...good place...it was a bummer to leave. I made a stop in Memphis to visit an old friend of the family and that was cool but I really anted to play somewhere while I was there..anybody with any Memphis poetry contacts, hit me up! Onto
Arkansas to do a show that was set up by Rebel Crew partner Soul Free...cool spot...a nice ar/Restaraunt/Coffee Shop type spot in this college town of 60,000...it took me a little while to get into the roove at this show because it's not my usual gig...but it started picking up towards the end. I guess I've got a tanding invite so I'm sure I'll be back. Onto The Verbal High in Lawton, OK tomorrow where my friend Mannie olds it down and I've heard the crowd is one of the best...then back on the road home.....aaahhh, home.
Christmas. Melany. Can't wait. Have a good one people.
 
Oh yea, I almost forgot. 2 films to watch immediately, if you haven't seen them already.
 
   - An Inconvenient Truth
 
   - Who Killed the Electric Car
 
They're both at Blockbuster...go rent 'em now. Watch with friends and remember the words of Kermit the Frog, It ain't easy being green".
 
K
 
all blogs available at myspace.com/sandbloom