Having received some replies to my random generic-college-radio-sounding James cover linked in my previous blog, I thought I'd put up a link to the other "solo" tracks. Some of them I had previously put up and claimed as Detached songs, which I've later come to realize that the other .5 of The Detached doesn't really like it - maybe he doesn't like the tracks, or more probably he just doesn't like songs we didn't collaborate on being proffered as songs from our little group. So, eventually I'll migrate them off The Detached websites (unless Dave would like to re-record them with me, but he doesn't like cover songs anyway) and just link them hear, possibly claiming them under the moniker of my other going-nowhere project, "the kill signal."
So here they are, songs I perhaps wrongly once claimed as Detached songs, that Dave doesn't really like being put on the random cd-r ad hoc demo discs I will hand out here and there:
"Every Day I Die"A "cover" I did in a seedy motel in Silcon Valley of an early Gary Numan /Tubeway Army track. I extracted the instrumental tracks from the original 1979 recording, minus the bass and vocals, recorded the vocals in the hotel and layed down the bass guitar when I got home to Texas. I re-mixed and eq'd it, and there we have it - a glorified karaoke I guess.
"Something in the Way" This is a cover/re-interpretation of Nirvana's Something in the Way; rather than the unplugged version which I was singing along with in the car on the way home from my grandfather's funeral which gave me the notion to record the song, I did a version with no acoustic instruments. Call it "Nirvana: Re-wired" if you will.
"Laid" This is a version of the song "Laid" by James, which isn't nearly as cool as the original, and as a friend said to me, this song didn't really need to be redone like this but I had it in me and wanted to get it out, lest it spill over and effect the next Detached tunes. *shrug*
"Forgotten Foam" This is an instrumental track that after recording, I laid down some overdriven (almost everyone who heard it said it sounded like Marilyn Manson) vocals, turning this into a cover of "Mr. Crowley" because that's what the moog-lead somehow reminded me of. I horrified and appauled Dave so I removed the vocals, making it again an instrumental but added a classical-ish piano interpretation of the pipe organ (and mellotron?) intro to Ozzy's classic, again to the chagrin of my partner-in-thedetached, Dave G.
I call it Forgotten Foam, in reference to some friends of mine and because unbeknownst to them, that phrase they created also happens to be a line in an Aleister Crowley poem. In keeping with the "classical" motif, it is subtitled "Variations on themes from Ozzy Osbourne" :-)