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The Good, The Bad & The Queen



Last Updated: 3/11/2009

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City: London
Country: UK
Signup Date: 8/8/2006

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Tuesday, May 13, 2008 
For one night only, Saturday 5 July, Honest Jon's takes over the Barbican Centre in London. An Honest Jon's Chop Up features a stellar line up of musicians - all of whom have recorded for the Honest Jon's label - including but not limited to: Hypnotic Brass Ensemble, Kokanko Sata, Simone White, Candi Staton, Victoria Williams, Tony Allen, Lobi Traore, Afel Bocoum + more tbc.

The first release on Honest Jon's (set up by the celebrated record shop of the same name in London's Portobello Road) was 2002's celebrated Mali Music, featuring Damon Albarn, Afel Bocoum, Toumani Diabate and a host of Malian music makers. Since then, the label has specialized in nothing except wonderful music, from post-war black music in Britain to African highlife, from 70s English folk music to modern Southern Soul.

In Lagos, a chop up is a lavish feast. For one night only this outernational array of musical talent will come to the same table, performing separately and together as the spirit moves them. Expect good times and good music, from the blistering Afro-beat of Tony Allen to the magical Malian blues of Lobi Traore; the blazing brass of the Hypnotics to the soulful folk of Simone White.

Tickets are £12.50/15/20 - for more info and booking details visit barbican.org.uk : https://www.barbican.org.uk/music/event-detail.asp?id=7388

The Honest Jon's travelling circus will also be appearing at the Lincoln Center Festival, New York (July 12) and the Nuits de Fourviere Festival in Lyon, France (July 10). Please check the festivals' websites for details on the line-up which will vary from show to show.
http://www.lincolncenter.org
http://www.nuitsdefourviere.fr
Tuesday, May 13, 2008 
'Diverse, intermittently moving reworkings of the Afrobeat king's tracks' MOJO
Read the full review here : http://webassets.emimusic.co.uk/parlophone/MOJO.jpg

Lagos Shake, a remix album featuring the work of GBQ's own Tony Allen, is out this week on Honest Jon's. It's a storming summer record, perfect for these scorching temperatures!

Two years ago, Honest Jon's travelled to Lagos with Tony, to make his first recordings there since his time with Fela Kuti — an album entitled Lagos No Shaking, a classic of contemporary Afrobeat. Honest Jon's invited friends of the label old and new to take these tunes and do whatever they wanted with them - and the result is Lagos Shake.

The album features legends of dance music including Basic Channel in Berlin and founding father of Detroit techno, Carl Craig; young tigers like Dizzee Rascal's Newham Generals; MIA producer Diploin Baltimore and carioca sensations Bonde Do Role from Rio De Janeiro; plus new recordings from Cairo, Saturn, Bogota and Kingston, Jamaica.

Afrobeat, dub, jazz, chalupa, electro, highlife, techno, grime, carioca, champeta and funk from all corners, fizzing away together — it could only be Honest Jon's!

You can buy the CD through honestjons.com: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link22 or at any of the handy links below.

Buy at Amazon.co.uk: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link23
Buy at HMV.co.uk: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link24
Buy at Play.com: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link25
Download from iTunes: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link26
Buy at 7Digital: http://email.parlophone.co.uk/a/tBIJC9lAQUBzFB7RAlEAAAAAAJw/link27
Monday, April 21, 2008 

Jerry Dammers brings The Good The Bad and The Queen to LMHR

Specials Founder Jerry Dammers is hosting the LMHR Carnival '08 Finale, which will feature a set from Paul Simonon (The Clash), Simon Tong (The Verve), Tony Allen legendary afrobeat drummer) and Damon Albarn (Blur) - playing music from their The Good, The Bad and The Queen" album.

Jerry and The Specials played the last-ever Rock against Racism carnival in 1981, and Jerry has played a leading role in the LMHR =campaign; Jerrysaid: "Love music hate racism; always say that you don't have to love music, it's the second part that's important! Hating racism should be as natural as liking music, or breathing air for that matter. Anti racism is not "political" it's normal. Please support Love music Hate Racism and help correct the hysterical lies and distortions of the B.N.P."

Paul Simonon also played the 1978 concert, as bass player in The Clash and is also a supporter of LMHR, "It is what it is... musicians against racism. I was against it then and I still am today".

LMHR Carnival '08 is timed to celebrate the 30th Anniversary of the iconic 1978 Rock Against Racism (RAR)/Anti Nazi League (ANL) carnival and march. As with the original event there will be an Anti Nazi League-organised march against racism and fascism on the day, assembling at 10am at Weavers Fields London E2. coaches will be bringing groups from around the country to the event.

MORE INFO ON THE OFFICIAL RAR SITE:- http://www.lmhrcarnival.com/

Wednesday, January 09, 2008 
Happy new year to all fans of The Good, The Bad & The Queen! The Australian radio station Triple J is holding a 'tracks of the year poll' and two GBQ tracks are nominated: '80s Life' and 'Green Fields'. You can vote for them by following the link in the button below.
Vote for us in triple j's Hottest 100
Monday, July 30, 2007 

Watch an interview with the band, and a performance of their song 'Herculean' live in the studio, from the Henry Rollins show:-

Click here to watch the video

(Those outside the US should click the link for international visitors).

Friday, July 20, 2007 



NME

The Good, The Bad & The Queen

Tower Of London

Monday, July 9

It may not be burning down, but Damon's be-hatted crew emerge from the shadows to bring Dickensian London to its knees

Monday night outside the medieval walls of the Kingdom Of Doom, and as the bells of All Hallows strike 10, scattering the ravens across the moon, the jester and the executioner step from the shadows. The jester, one Squire Harold Enfield, places an execution block centre stage, the executioner, hooded and wiedlfing an obviously inflatable axe in one hand, drags behind him the once powerful wretch destined for the chop. They wrestle their victim to his knees, bend him over the block and - CHUNK! - the axe descends with panto thump and the jester holds aloft the severed plastic bonce of Tony Blair.

"I give you the head of the former Prime Minister," he bellows, and lobs it into the crowd, who bounce it around like a gruesome Muse orb. Seated above at a beaten-up piano, Damon Albarn surveys the macabre scene below. He gives a sparkling smile and sighs. "It's turned out to be a very nice evening..."

Now, clearly there is a laboratory somewhere in a cave in Mali where mad scientists are furiously cloning Damon Albarns at an inhuman rate. How else could he possibly have time to undertake so many different bands and projects and still make them all brilliant? So while Damon.28 is in Manchester and directing the Gorillaz opera, Damon.64 is hosing the Glastonbury sludge off his djembe drums after the Africa Express project and Damon.0 is buttering up Graham to lure him back into the band. But this Damon - let's call him Damon.7, distinguishable from the others by his Dickensian top hat - is touring the Electric Proms and national trust halls of the globe, taking care of the scathing political satire and anti-war rhetoric.

And it's with an almost tangible irony that The Good, The Bad & The Queen (which they are called, according to the all-knowing oracle that is iTunes, so we'll have no more of this 'band with no name' piffle, alright Damo?) should be invited to play the Tower of London. It is of course the very building pictured in flames on their album cover, and a monument to everything Albarn has come here to lament. Specifically the disintegration of our nation's pride and stature - the crush of all that's 'great' about Great Britain beneath the imperialist American jackboot and the fading and corruption of a grainy, romantic vision of old London Town. While the line-up for the Tower Festival 2007 is full of cap-doffing Royalists such as James Morrison and Bryan Ferry making the ravens flee the place with their wings over their ears, this is the very antithesis of Brian May widdle-wanking 'God Save The Queen' on the roof of Buckingham Palace under Beefeater guard, with the ghost of Anne Boleyn rattling her jewelled sceptre in the expensive seats. TG,TB&TQ take to the stage tonight resembling a terrorist attack on an East End Jubilee Day knees-up. The stage is backdropped with sketches of smog-swathed cooling cooling towers and crumbling palaces and draped with stained bunting. They will play their record in full, in order, plus one instrumental mood piece and a white reggae B-side called 'Mr.Whippy' with Syrian rapper Eslam Jawaad Auteur that's like the putrescence of 'Parklife'. It's got all of the bright-eyed street-party optimism of Britpop stripped of all its hope and glory.

More than any other 'supergroup'. TG,TB&TQ are the sum of its parts. Paul Simonon prowls the stage in natty spiv punk threads, playin his bass from the side like a machine gun, firing out ragga-punk Clash basslines that sound like they've just been pick-axed out of the foundations of the Westway where they've been buried since 1977. The Verve's Simon Tong stands precicion-plucking distant-heaven storms out of his guitar stage left. And Damon.7 hunches over his battered piano throughout the shattered national debris of a skag-jittery 'Kingdom Of Doom' like a pop Fagin coveting every plink, contributing his subdued melodic majesty, socio-political polemic ("Drink all day 'cos the country's at war") and waltzy post-carnival comedown atmospherics to the mix. The resulting noise is a beautifully British desolation drawn from three of the Crown Jewels of British rock history - the dark ska filth of 'The Guns Of Brixton', the searing fury of 'All In The Mind' and the broken remains of instrumental bits from 'Modern Life Is Rubbish' that sounded like a seaside postcard - having an amphetamine fit inside a piano.

"This one's inspired by the whale that swam just over there," Damon mutters casually before 'Northern Whale''s semi-Gorillaz electro plonk, while Tong fires guided missiles of space noise into the ether, and you realise that they may look like a bunch of haggard old lags having a lock-in jam in a Mile End boozer, but they're actually a distinctly modern antiquity. the Beach Boys-ish "aaah-aaahs" all over the shoo-woppy '80s' Life' and the funky monks darkening the verses of the methadone-Costello 'Herculean' are muscling up to deep electronic beats and bealk guitar lines that perfectly capture the simmering fear and desperation that Bozo Blair has left as his legacy. By melting its Red Wedge-ish protest language of gasworks and welfare states into the trip-hop slink of 'Behind The Sun' or the 'Ghost Town' funk of 'The Bunting Song' Albarn achieves the near impossible and encapsulates the state of a nation for the second time in just over a decade. Tonight proved TG,TB&TQ to be the most incisive and plain best project Albarn has been involved with since Blur's 'Blur'. And to think, somewhere out there Damon.597 is inventing a rave Nicaraguan noseflute deathcore as we speak.

This week in 1789 the French were force to storm the gates of their Bastille. Tonight TG,TB&TQ, touting a mellower, but no less devoted insurrection, saunter into ours whistling a sinister "Chim Chim Cher-ee'. Now bring us the heads of Elizabeth II, Prince William and Brian May.

- Mark Beaumont



Wednesday, July 11, 2007 

The Independent:-

Click link to bring up review in new window

The Times:-

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article2054804.ece


The TimesJuly 11, 2007

The Good, the Bad & the Queen

Pete Paphides at the Tower of London


As his recent involvement in projects such as Africa Express and Monkey: Journey to the West show, these days Damon Albarn is something of a global villager. However, it is his relationship with London that continues to inspire some of his most soulful work. And come the end of the year, it'll be the Good the Bad & the Queen – Albarn's brooding love letter to his adoptive hometown – that will propel him into 2007's Best lists.

That said, it has taken a while for the group to find their feet as a live entity. A high-profile debut at the Roundhouse was hampered by the audience's lack of familiarity with the songs and the fact that the group's on-stage chemistry had yet to assert itself. Eight months later, though, there was no mistaking the relish with which they took to the job. With Paul Simonon sketching out a lithe dub through a theremin-abetted Kingdom of Doom, a Fagin-stooped Albarn gazed from his piano at a view that took in a gleaming Gherkin and the Tower of London. Of the latter, he said: "This place has a lot to answer for, but . . ." He couldn't find the words to finish off the thought, although the music did it for him.

Albarn writes about London like a future historian might, lacing his words with an affecting melancholy. "Oceanographers are charting the rise of the sea," he sang on Nature Springs, as though the words had been found on a scrap of paper after some great flood. To his left, a choir added dissonant portent to the mix while the top-hatted female string quartet played with the sort of inappropriate jollity that made you think of the Titanic house band.

"This is about the whale that swam just over there," said Albarn introducing A Northern Whale – the song about the ill-fated mammal that captured London's imagination last year. The cumulative effect of these songs – apocalyptic and yet oddly Dickensian – was to cause greater consternation about changing times than Live Earth managed to do in eight hours.

For all the epithets recently lavished upon Albarn, few think of him as a folk singer. But in every sense that matters, that's precisely what he is. To borrow his own words on History Song, "If you don't know it now, then you will do."

Thursday, July 05, 2007 
Some information for those attending the band's Tower Of London show on 9th July, the running order will be as follows.

Doors 6.30pm
Music proper starts 7pm.
Band curfew 10.30pm

Compere - Harry Enfield
Support from K'Naan, Hypnotic Brass and John Cooper Clark.
Wednesday, June 27, 2007 
The band will play Bristol's Ashton Court Festival on 15th July.
Thursday, June 21, 2007 

The band will play Club "B1" in Moscow, Russia on 27th July.