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Woodstock Taylor



Last Updated: 10/2/2009

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Status: Single
City: Edinburgh & London
State: Scotland
Country: UK
Signup Date: 10/21/2004

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Sunday, September 27, 2009 

Current mood:  cheerful
Category: Music
Competitions are not really my thing (see previous blog). But in spite of my radically moderate views about how we are all created equal, talented and generally nice-natured and how most of the world's problems could be sorted out if everyone just learned and practised good manners, every now and then I am seduced into wondering what might happen if I entered one. So a little while back I slipped three songs into a Song Of The Year contest, including a tune which had previously won an award without my having to do anything at all, and then promptly forgot all about it.

The award-winner and whatever the other one was (I've already forgotten) were knocked out of the contest after a couple of rounds and I was not at all surprised since I hadn't actually got round to telling anyone about the competition. But thanks to some very kind people voting for it, Tongue-Tied, one of the songs which has been on my profile pretty much since I joined MySpace, has made it through to the
semifinal (and - I think - genre final) in the Classic & Retro Rock genre at IACmusic.com. I am a bit confused about which round is what, as the contest structure is quite complex, but it's ever so nice to have got this far, and it would be ever, ever so nice to win the category.

Getting through to the grand final (where I believe songs from different genres will be pitted against each other in a mixture of public voting and judges' choices) would mean some quality exposure for this track and would be a nice way to acknowledge the brilliance of the musicians and production team who contributed to the song, notably Zoot Money, who produced it and played keyboards, Marc Johnson, who co-produced and engineered, and lead guitarist Brian Willoughby, whose
cracking rock'na'roll guitar crowns the song and has been a big factor in Tongue-Tied's success on this and other occasions.


Voting in The KIAC Best of 2009 Open Songs Competition semifinals is now open. If you would like to support Tongue-Tied, which I advise you to listen to at MySpace or IAC (click picture) first to find out if you like it, click here to link through to the Classic and Retro Rock category where you can vote up to 10 times daily during this round.
It does require you to join the site but this is quite painless and only needs to be done once.

update Oct 3 - Tongue-Tied is
up to third place in the Classic & Retro genre in the KIAC Song Of The Year Contest and I'm trying not to get too excited about it. Thanks SOOOO much if you've been taking the trouble to vote (I actually do mean that even though it looks a bit fake), and please don't be shy about doing it again, if you feel the urge. The counting machine allows you to do it up to 10 times a day. Obviously I would love to win, but aside from my own feeble desires I'm starting to feel quite righteous about the brilliance of the musicians on this track and how they jolly well deserve some sort of accolade.

update Oct 10 - it's definitely the final now - I thought the previous round was but counting was never my strongest suit.  And Tongue-Tied is now at #2 of a much shorter list in Classic & Retro. Everyone has been very supportive.  I don't know how long this round will last, but if you could keep on voting that would be ever so, ever so kind. We've got this far, after all.





Thursday, September 03, 2009 

Current mood:  chill
Category: Music
Last week I had the tremendous fortune to attend a songwriting retreat led by Donovan and Maria McKee. 

It was a truly amazing experience.  A long time since I'd done anything like this - in the 1990s I went to four workshops led by the wonderful Ray Davies where I learned heaps and made life-friends and became energised and enthused about the craft of songwriting.

This was nothing like those at all, apart from learning heaps, making life-friends and becoming energised and enthused about the craft of songwriting. 

I'd met Donovan once before in a previous life when I interviewed him for BBC Radio towards the end of my old career as a music journalist, and my recollection of him as a thoroughly decent geezer proved to be correct. Maria McKee I really only knew of as the singer on one of my all-time favourite singles, Robbie Robertson's Somewhere Down A Crazy River, but that was good enough for me. And what a pair they turned out to be. Very different from each other but both absolutely lovely and each totally inspiring in their own way. It was a total privilege.

The other participants were terrific too - it was one of those rare and fortunate groups without a weak link. Everybody had an equal amount to offer, offered it and was appreciated for it. Disparate though we were/are, everybody seemed to like each other, which is pretty remarkable when you think about it - there were 16 of us, after all.

I didn't come out with as many new songs as I did from the Ray Davies ones all those years ago (9 per workshop back then!) but thanks to the supportive and chilled out vibe of last week I have a few written and several in gestation.  And I feel better about myself as a songwriter than I have for a long time.

As an independent artist it's very easy to become overwhelmed by the infrastructure of the music business and the constant bombardment of well-meaning (and usually ultimately cash-seeking) advice as to how to navigate it successfully.  I bombed out of Sellaband last year, having originally embraced it as a great business model for people like me (which it might well be) because I couldn't keep up with the requirement to sell myself that hard. Which isn't particularly hard by some standards, but it was too much for me.

I am just not that competitive.  Every now and then I put a song in for this or that contest and almost always regret it as it seems to be that to win you have to nag your nearest and dearest to affirm their support for you on a daily basis.  That's not the relationship I want with my nearest and dearest, or with my "fans", whoever they/you are. 

Of course it's nice and heartwarming to win stuff, but I think people get fatigued by being marketed at all the time.  I know I do. There's a point at which we just switch off. Some artists are adept at getting the equation just right but not everyone is suited to a career in sales and marketing.  If we were, we'd be selling something with a higher commission rate.

And it's very easy to let worries like these take over the space needed for the creative process to the point when it ceases to flow as it should.

So thanks, Don and Maria - and all the lovely bohemianauts in our group - for helping me screw my head back on the right way round and remember I'm a songwriter.  It feels good.
Tuesday, January 06, 2009 

Current mood:  surprised
"Oh Yeah", a song I recorded last year with the terrific Stuart Epps in the producer's chair, has just popped up at Number One in the Alternative, Retro & Psychedelic chart at the leading indie music site iacmusic.com.




With absolutely zero promotion the track has even snuck into the site's overall top 40 at a discreet 36. Do have a listen - click on the title link or on the screenshot above to get to the song.


In the grand scheme of things, this is exceedingly small potatoes. But if this is the kind of pleasant surprise I'm to expect from 2009 I'm looking forward to finding out what other treats this year will have in store.


Let's all help ourselves to success, health, happiness and a great time over the next 12 months. Someone has to, after all.



ps - if you can't be bothered leaving MySpace, you can play the song from the IAC widget on my main profile page. It wasn't working last week but it's fixed now.

Enjoy!
Wx

Monday, May 19, 2008 

Current mood:  artistic

I was going to tell you What I Did On My Holidays but I've decided to put it in a song or two instead, so you'll just have to wait.  The weather was glorious, though, most of the time; the company utterly charming and the hosts generous and gracious.

What I can tell you is that I'm now four tracks into the album I'm making with the amazing Mr Epps, and you can hear one of them, "Oh Yeah", on the new KIAC player on my profile page.  The player contains some duplicates of the songs already posted here at MySpace, so I will probably change some of those soon as they've all been up here rather a long time.

For those who might be eaten up with curiosity as to what exactly KIAC is (heaven knows I was), it's the network of playlist channels at iacmusic.com. As opposed to a kayak, which is a small canoe-type vessel.  Except when it is a virtual golden one, in which case it's an independent music award that's been won by people as marvellous as Rachel Fuller & Pete Townshend, Steve Ison, Melody Gardot and now me (Best Electronic Song). Which is all the more satisfying as the song in question, "The Truth Will Set You Free", includes my kitchen bin on kick-drum.  Oh yes, no expense spared.

Interestingly (to me at least), this virtual trophy has an added feature - sporadic invisibility.  So far blame has been thrust on suspects ranging from kayak-burglars to aliens. Personally I'm fairly sure it's the work of string theorists, who have targeted my IAC profile for the front line of their research into parallel universes. So it's a double honour really. With a little bonus that every time it reappears I feel as though I've won all over again.

Not the only recent win, either.  Just before I left for my trip, I received a letter from Dr Antonio Gomez of Madrid informing me that I have been awarded 635,956.25 pounds starlings on the Euromillions.  Anyone who was around the last time we had a starling invasion in my garden will understand the potential seriousness of this. Dr Gomez doesn't mention how many of these giant birds I have won, but I have the RSPB and Edinburgh Zoo on standby in anticipation of their delivery.  I fear a dawn chorus from creatures of such considerable size might interfere with my muse as I busy myself writing up my travels in the new songs.

Saturday, January 12, 2008 

Current mood:  cheerful

Happy New Year, tunesters!

I am just back in Edinburgh after an amazing few days in the studio in Berkshire with the wonderful Mr Stuart Epps. We were recording a shiny new version of "Shivers Down My Spine" (you can hear the original raw demo on my profile page).  Song One for Album Two - more to follow.

We combined the arrangement on the version you can listen to here with a lot of the improvements that Peter Kearns brought to the track when he and I worked together in 2006, and we've added a few whistles and bells too - literally.  It's not quite finished but even in its unmastered state it is just stunning to hear what world-class production can do to bring out the best in a song. 

Inspiring too to be singing through a microphone that has been used by everyone from Robbie Williams to Bill Wyman's Rhythm Kings, and hearing the takes played back through speakers that hosted the first plays of some of Elton John and Chris Rea's greatest hits.

I feel extremely priveleged!

It's been a great start to the year. 

Stu is such fun to work with - and we had plenty to talk about too: turns out we grew up just a few streets away from each other in Mill Hill, north west London. Only other Mill Hill'ens will know what that means - it was a crazy place masquerading as a fairly dull London suburb.

Since I got back I've been busy with voice students - all my regulars drifting back after the break plus some interesting new people I'm looking forward to working with. 

I've also been getting my home studio organised - hooking up keyboards and pre-amps in advance of getting a clever friend round to help me get the computers to talk to each other. 

While I've been occupied with that I've been listening to Peter Kearns' brilliant new album "No Such Thing As Time". Peter is a perfectionist, and this album IS perfect. I can't recommend it highly enough.

On the live front there's talk of a glittery cabaret gig here in Edinburgh on Valentine's Day.  At the moment it's just talk, but I will keep you posted.

Hope everyone had a great Christmas and New Year; here's to 2008 - hope it's a good one for all of us!

cheers for now

Woody

x

Monday, July 02, 2007 

Current mood:  happy

Astute readers will notice a new blog was promised over 6 months ago. This is it.  Worth waiting for, huh?  I guess it all depends what you mean by "shortly".  In my space time continuum it's only been a couple of weeks.

Quick catchup - Fun Has Been Had, and there's more to come, especially next week when I go south to record with Stu.  Can't wait.

The Fun?  Oh, bits and pieces.  Lowlights: losing a hard-drive the day after my computer's guarantee ran out, losing the back-up drive before I'd had a chance to back it up (bye bye novel, entire music collection and much, much more), losing faith in certain people I thought were different and letting it get in the way of a few things.  Highlights: I was in a fashion show in Glasgow, which was a terrific laugh.  I did some classes in Speech Level Singing with a nice man who advertised on Google Ad Sense and popped up above my inbox one day. My voice improved as a result. I performed some of my poetry at a multi-arts Happening kind of thing at the Forest Cafe the other weekend and some people said they liked it.  In the space of a week three complete strangers gave me different exotic teas to try (no, not that kind of exotic, just, well, exotic).  Playing photographer with my mobile phone and getting some fairly decent shots. Finding out that I knew more than three people on Facebook, catching up with some old friends and dicking about playing puns and limericks instead of sleeping.  Getting ready to re-release Road Movie on  iTunes via iNt...

If  you're on Facebook, feel free to add, poke, whatever.  I'm the only Woodstock Taylor on there.

Later, 'k?

Friday, December 01, 2006 
This is not a proper blog post. There will be a new entry shortly.

Technorati Profile

Thursday, October 26, 2006 

Over the years since I've been living in my current residence, I've had some interesting and rather distinguished visitors.

Scott Tracy from Thunderbirds (yes, the real one) stayed here for a week once while starring in a show in the theatre up the road.

So did Wallace, though there was no sign of Gromit.

Last year both Scooby Doo and Fred stopped by... well to start with it was just Fred, and then he morphed into Scooby Doo. 

One of my former voice students is the son of Beano favourite Babyface Finlayson.

And a couple of weeks ago I was visited by a Womble.

There is never a dull moment here at Taylor Towers.

 

Saturday, September 23, 2006 

Current mood:  sad
Category: Music

Very sad today after an early morning call from Zoot to tell me of the untimely passing of Boz Burrell.

Bassist for Bad Company, King Crimson, Tam White and Zoot Money's Big Roll Band, he was a fount of knowledge across a breathtaking musical spectrum.  I knew him for about 20 years and every time we met he would turn me on enthusiastically to some new idea or artist I hadn't known about before.  It's his fault I had to go out and get an acoustic bass guitar.  Sadly my playing isn't quite in his league.

Funny bloke too, with a wicked deadpan sense of humour that took no prisoners. Everyone who knew him enjoyed that about him. Used to come up with nicknames for people, too.  He called me Ellington (my real name is Ellie) and I used to call him Bozwell. 

Not all his nicknames were quite so affectionate - one time there was a bit of a horn-locking incident with Captain Sensible after a long and trying day.  Absolutely no idea what it was about but Boz wasn't impressed with the Cap'n at all at that moment.  "Captain Fuckin Stupid more like," was Boz's indignant verdict, and although I'm actually a fan I've never been able to think of Captain Sensible since without a bit of a smile breaking through as I remember Boz's face that night.

Reunited with Bad Company in the late 90s, he was working on and off with my mate Zoot till a couple of years ago when he was forced off the road for a spell after injuring his hand in a bizarre gardening accident.  Leaning against the bar one night with a glass of wine in the other hand he stared laconically at the band, attempting to make me believe he'd given up music for good.  "Had enough of it," he said, decisively.  "I fuckin' hate music."

"Couldn't agree more," I nodded. "Music really is highly over-rated."

Which of course is why he carried on doing it to his last breath.

I knew he'd been ill, but Zoot saw him last week and said he looked in pretty good shape. I hear he had a heart attack at home in Puerto Banus, Spain, while he was practising.  Tragically early to go, at just 60, but as to the manner of it I reckon there are worse ways, all things considered.

I'm really feeling for Cath, his family and all his many bandmates and friends - including myself - right now, though. 


Ronnie Johnson and Boz Burrell


The Groove Connection




Tam White & Boz Burrell, live in Prince's Street Gardens

thanks to Neil Warden for posting these on YouTube.


 

Currently listening:
Yoshimi Battles the Pink Robots
By The Flaming Lips
Release date: 16 July, 2002
Monday, September 18, 2006 

Current mood:  artistic

It's been quite a ride. 

The play went well, picking up a handful of four and five star reviews and a booking to play in London, which we did last week.  There's a rumour we might be doing it in Dublin next year, which would be exciting.  I've never been to Ireland.

After it was all over I went with Ricky Demarco to hear John Calder's talk about Beckett at the Book Festival.  John had been very kind to me when I started out as a baby writer - possibly taking me more seriously than I took myself at the time.  The talk was brilliant - with the added bonus of readings by the multi-talented and lovely Derek Watson, with whom I'm always threatening to have coffee, and whose bookshop I have not so far kept my promise to visit.  They are going to be doing a longer version of the presentation at the Edinburgh Arts Club sometime in October, and I really hope I'll be able to go.

Just for a few hours it felt like the old days - seeing my former Scotsman colleague Catherine Lockerbie, who now directs the Book Festival, looking so good, and a host of other faces from the past, with the familiar tall mackintoshed figure of Jim Haynes completing the retro trip.  Jim didn't remember me, which was OK. It's been almost 20 years since we last saw each other and more than that since I stayed at his atelier in Paris and helped him put up some bookshelves. Once he stopped the traffic in Prince's Street in the rush hour and hauled me off a bus to have coffee and catch up on nothing in particular, and another time we sat in Pizza Hut on the corner of North Bridge and the Royal Mile talking till they threw us out. But before that were all the years of awkward moments when we would find each other at the same play or party and have nothing to say to each other because we didn't actually know each other any better than we do now.

"Did we....?" Jim asked me about the old days, mildly curious.

"We had fun," I said. And we did.

It was even longer since I'd seen John Calder and I was sure he wouldn't remember me.  Martin Belk bet me that he would.  He remembered my face but not my name until I reminded him.  Sheila Colvin was there too - a gracious doyenne of the Festival Press Office back then, and she hasn't changed a bit.  I always think of her as rather like the Queen but more intellectual and more unequivocally Edinburgh.

As we milled about in the book-signing tent discussing the talk, Ricky said that he thought the greatest writers wrote from the depths of their disappointment about religion.  I thought that was profound, and have been thinking about it sporadically ever since. I guess that if formal religion isn't a major issue, the depths of disappointment about anything one had expected to believe in and now questions or rejects could apply just as well.  I quite often write when I'm happy, so there's probably no danger of being considered a great writer - a weighty responsibility avoided.

Then Ricky and I went for a sunset stroll over the Dean Bridge as he had to go to a meeting and I had some time to kill.  I once saw a film of him from around 1969, bounding around the same streets and enthusing about their history.  It was slightly surreal and deeply satisfying to walk the same pavements and get a personal snatch of that Demarco passion for our city as he became a tour guide once again just for my benefit and just because that's the kind of person he is.

The first week of September is always weird.  I regard it as a personal New Year time, with the final weekend of August as a sort of summer Christmas, followed a week later by the end of the official Festival time in Edinburgh.  A kind of non-week that feels as though the story has finished but the dream is still happening.  It ain't over till it's over. New Year itself I mark with the Festival Fireworks - a last burst of magic and then it really IS over.  Resolutions made, regrets lumped, reality faced, it's time to sharpen pencils and prepare for the year ahead.


RockYou slideshow | View | Add Favorite

And then it really was over.

Everybody was grumpy and grim-faced after the circus left town. Brown  patches on the grass where tents had parked, gutters full of flyers torn down but not quite swept away. Driech weather reminding us that autumn is almost upon us. Even the children seemed miserable... I passed a couple of small boys arguing about skateboards on my way home from a horrible meeting."C'mon," one was nagging the other, to a stony response. Finally he gave up. "Ach, I've had it wi' you!"  He stomped down the street with his skateboard under his arm.  "Dunno why I f**in' bother," he was muttering to himself, sending waves of anger and frustration radiating into the gloom.

What a relief to get to London, where Real Life has survived August intact and the sun was shining hot enough to burn skin. 

So many nice people, such a lot of lovely food and coffee and such a beautiful moon. 


RockYou slideshow | View | Add Favorite

The show went well too - some people filmed it so I hope I'll be able to get a copy sometime. Hooked up with my new American friend Laura, who was promoting a series of cabaret shows at the Theatre Museum in Covent Garden featuring acts from this and that side of the Pond. Introduced her to Martin... put two arty New Yorkers together and watch the rabbit - the Duracell Bunny doesn't get a look-in. It was funny.

 Laura came to our show and a couple of days later I went to hers, which that night was Rick Skye's excellent one man show "A Slice Of Minnelli". This is a tour-de-force that looks at the start like a regular drag tribute and delivers so very much more. Wicked, funny and oh-so-clever without ever dissing the diva - it's a fine line and he trod it well, even in 6-inch heels. The night before I'd also met the show's producer, Neil, who lives in what he calls Mill F**ing Hill and I call home. Real home, because I was born there and it really doesn't change that much beneath the surface.

Went there on Saturday with Xavior to do some serious charity shopping (a nice little haul) and touch base with my roots.  I always find it grounds me to go back.  Bought some pens from John Maxfield Junior, whose relocated shop just up the Broadway still has the same incredible smell and sense of calm that his Mum and Dad's shop under the railway bridge had when I was growing up. Tea at the Waldorf on Sunday was fun, with Lawrence, Hazel & Paul, Kitten & Adjorka and Xavior. The talk was of new pop sensations Paul St Paul & The Apostles, of Club Bohemia's forthcoming Night of the Thousand Ziggys, at which I'll be performing next week, and also of Charles II, as Xavior is putting together a night of Restoration fun in which I shall be playing Nell Gwynn, from whom I believe I am descended, in as roundabout a way as anyone can ever be descended from an ancestor. Later on Laura and I had dinner in Covent Garden with Dominic Le Foe and Maria St Clare from the Players Theatre, who put on Victorian Music Hall shows. It was very jolly.  

 There had been talk of Rick Skye and me possibly playing the cabaret at Too2Much, where I'd been performing One Night At The Caravan Club two days earlier, but by the time I got there it was clear that wasn't going to happen, which was fine as it was good just to sit and watch a funny show.  Walked Rick back to his hotel (what a thoroughly nice guy he is) and went for a coffee at Bar Italia, which was a nightly stop-off on this trip. 

The first night I'd caught up with Xavior and David Ryder Prangley there, and after David left we met Vanessa, who was wearing a stunning scarf with extreme elegance, and her friend Mark. Pestered by a rose-seller as one is at that time of night outside Soho cafes, somehow they ended up giving me a rose, which brightened up my hotel room for the whole trip and is now drying in my kitchen.

This time as I walked back (Rick had declined an invitation to join me earlier.. "too bright"...) I got the feeling I'd meet someone interesting.  Soho on a Sunday is a bit like Edinburgh after the Festival - just a little bit too quiet. But at least it meant I could get a seat outside, and even on quiet Sundays Bar Italia still attracts the die-hards.  I met Chris, Ashley, Martin, Marlon and Mark, and then along came Keith. Within five minutes of meeting each other we were old friends, and we talked long into the night till I finally trudged north to get the N10 back to Kensington. I have a feeling this is going to be a lasting friendship.  I hope so.

Won't bore you with transport woes getting to the train on Monday - once on it was a lovely trip - things don't get much better than a 1st-class London-Edinburgh journey that someone else has paid for.  I've been ricocheting back and forth on that East Coast line for three decades now - and having tried both classes of travel, not to mention standing room only, I can report with confidence that first is definitely better.

So... if you can't be bothered reading through all that, here are the pictorial highlights:


RockYou slideshow | View | Add Favorite

And this is just a snatch of the view from the train (actually from a trip in July, but who's counting?). Now that's what I call commuting.


RockYou slideshow | View | Add Favorite

Currently listening:
Hunky Dory
By David Bowie
Release date: 28 September, 1999