here we are in göteborg, otherwise known as gothenberg, otherwise known
as sweden's second biggest city--and, yes, in many ways it does remind
me of birmingham, in that (a) there are a lot of metal bands, e.g. in flames, a huge influence on our work and
vision, and (b) we are about 100 feet away from a flyover, several burnt out cars, and a dubious looking canal--all of
which, i should add, are
wonderfully invigorating. it's actually really beautiful--we
just happen to be in the middle of an industrial estate. birmingham, on the other hand--well,
as a wise man once wrote, birmingham made itself.

that's birmingham, by the way. it looks a bit like my face in the morning. "lol".
here, there's a port, and a proper river (apparently), and a really big and wonderful swimming pool just down the road. trams run this way and that'a way, and we all have bicycles to follow them on, like some sort of lame 1940s street gang (back before they invented knives and guns and things).
we're also about ten minutes walk away from scandinavia's biggest amusement park, though we have yet to go, being sedentary types.

that is supposed to represent how sedentary we are. although, ironically, jimmy is probably the least sedentary of us all.
the night we arrived we went to way out west festival, arriving
belatedly in the rain. i djed to myself with misgiving, the music morphing within
minutes--no, seconds--from sweet downtempo disco
into raging schizophrenic bullshit, and then we left for the
afterparty, which we thought was under a bridge on the banks of the
river (it looked like brooklyn on the shore of the east river probably
did in about 1870), and indeed
was under a bridge on the banks of the river, only... on the other
side--a sad fact which we didn't realise for an hour, wandering back
and forth
through a deserted
marina happily hysterical, having blown
all of our money on
taxis, and unable to get in touch with yannis, who was either at the
party somewhere or in little hairy pieces having been chopped up by the members
of opeth with whom he'd scored in more ways than one... all the while
dragging on ice-cream smokes and fantasting about dickens downstairs with the foot-long oysters and...

cracking up. we did eventually find the party, but we failed to talk
to anyone who wasn't us, and the djs were obviously all on
opiates, and deerhunter weren't playing, so we didn't stay for very long.
and since then we've had, shall we say, a pretty mediocre time, socially speaking. does anyone nice want to hang out with us? show us where the good parties are? show us, specifically, where the hot and happening scando-balearic house nights are? get in touch.

the studio itself is... easily the best studio we've ever seen let
alone been shown into. it has everything, twice. rooms and rooms and corridors and
cupboards of gear, and space, and promise, all decked out in in pleasing tones of light and dark and natural woods and potted plants. everything is in reverb. most of the pianos are in tune, and there's more than one vibraphone.
sweltering.
we're even sleeping in the studio, in submarine bunks with minimal natural light. occasionally the roof leaks and pools of water gather on the floor, adding to the nautical vibe. i'm considering getting an anchor tattoo, one of those crucifix hybrids, as if to say: sure, i used to believe, but then i got lost at sea.
sitting here, drowning in jack's latest hydrogenated vegetable
fat-flavour snacks, we've watched most of a beatles documentary, and
we've all agreed that george was the best, although john was very
handsome and funny when he was younger, and we've done a lot of cooking
(look forward to jimmy's upcoming food diary), and we've spent
krunkloads of kronas on terrible weak beer, and walter's drunk it,
and... i've slept an awful
lot, as i feel a bit like i'm in remission from something or other.
we've even done our own washing.

jokes.
but the real the question is: what have we
really done? and the answer is: about one and a half songs. but they sound good--like
great (would
i
say anything else?)--sort of like an inside-out chicken in glorious technicolour, but a bit more vegetarian and a bit less funk. our producer--"the hand", or, to give
him
another bland pseudonym, luke smith--has been saying things like "super
cool" and
"i think it's wicked" a lot, which either means that things are going
well or that things are going really, really badly. only time and the
steady decline of our critical faculties will tell.
some footage of walter's bass takes....
stuff we're digging:
- the xx album. which i guess everyone is digging, but why be different, huh?
- shit loads of old house music courtesy of
beatelectric.
- the new dorian concept single. next level.
check it out.
- the video for fuck button's new rekkid. it makes me go "
chriiiist!". like woah.
- this article about sound and about what's been won and what's been lost.
- toothpaste, generally.
stuff we're not digging:
- sweden's weird-ass puritanical alcohol regulations.
- that feeling on a ship after months at sea when you figure you may as well start having sex with each other.
yeah.
xx edwin.