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Wednesday, January 27, 2010
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Tuesday, December 15, 2009
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The full line up for the ultimate NYE party in Chicago is now confirmed. Opening the show is the Wildcard winner, a&r.
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Monday, December 14, 2009
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Very honored to have been nominated for Artist of the Decade on URB Magazine's Best of the Decade Survey
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Friday, December 04, 2009
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from 8pm tonight on @ i will be joined by The Big Pink @, Adam Green and Ian McCulloch live in the booth
http://www.eastvillageradio.com/
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Wednesday, November 25, 2009
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Check out the top 6 Wildcard acts that will be playing the Wildcard Tour in Chicago. The most popular act that gets the most votes on www.becksmusicexport.com will appear with me on NYE
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Thursday, November 19, 2009
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I've been nominated for 2009 PAPER Nightlife "People's Choice" Award for Best DJ! Voting has begun..
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Wednesday, November 11, 2009
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Here is the link for tickets to the New Years Eve party in Chicago where I'll be DJing and joined by live performances from The Airborne Toxic Event, The Virgins and The Drums. www.becksmusicexport.com
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Wednesday, November 04, 2009
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I will be performing at the
Beck's Music Export NYE Party at the River East Art Center, Chicago this year.
The night will include 3 support artists and there will also be Wildcard acts to perform on the night and if you are a live act who would want to be in with a chance, you can enter via www.becksmusicexport.com.
The act with the most votes gets to win a warm up slot at
the NYE event!
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Friday, October 16, 2009
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tonight on @ 8pm NYTIME, guess who of the following will NOT be appearing...Blu Jemz, Ryan Ross of the Young Veins, P.Diddy, K'naan
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Tuesday, September 22, 2009
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I agree with Lily. Illegal file-sharing is tearing at and could eventually destroy the fabric of what makes the UK recording industry and musical community the most forward-thinking and artist-nurturing in the world. From someone who's worked very in-depth with labels on both sides of the Atlantic, I've always felt extremely grateful to have the ear of more adventurous, innovative UK labels when projects have fallen on deaf ones in America. I don't know exactly why but somehow the nature of how it works over here enables the labels to take more risks and sign way more challenging kinds of artists, whether indie or major, English or even American (remember the Strokes were signed to Rough Trade first). The points that Lily made about illegal file-sharing directly effecting the creative freedom of A&R's and, more importantly, the kind of acts that they sign is what threatens the greatness of the UK music scene, the greatness that makes the rest of the world look to us to see where the future of music is headed. From the Beatles to Amy Winehouse, the Smiths to Florence + the Machine, none of these acts would have been given the chance to make records, grow and flourish in any other place other than here. And I cannot express enough how important it is that we protect that; without it, we will be living in and responsible for a world dominated by meritless and disposable cookie-cutter pop idol musical refuse.
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